Author:
Publisher: BRILL
ISBN: 9401203571
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Proust et le théâtre
Author:
Publisher: BRILL
ISBN: 9401203571
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Publisher: BRILL
ISBN: 9401203571
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
"Art, Theatre, and Opera in Paris, 1750-1850 "
Author: Richard Wrigley
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288
Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288
Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.
The Rite of Spring at 100
Author: John Reef
Publisher: Indiana University Press
ISBN: 0253027357
Category : Music
Languages : en
Pages : 551
Book Description
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
Publisher: Indiana University Press
ISBN: 0253027357
Category : Music
Languages : en
Pages : 551
Book Description
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
Nijinsky's Crime Against Grace
Author: Millicent Hodson
Publisher: Pendragon Press
ISBN: 9780945193432
Category : Juvenile Nonfiction
Languages : en
Pages : 260
Book Description
The efforts of the three collaborators resulted in a spectacle that bore little resemblance to ballet. During the premiere at the Theatre des Champs-Elysees on May 29, 1913, Parisians were incited to riot by the strange tension of the dancing and stark contrasts of the music and decor. The premiere of Le Sacre du Printemps became a legend overnight, and the notoriety of this event began immediately to distort the significance of the work, especially Nijinsky's choreography. He declared to the London Daily Mail on July 12, 1913, "I am accused, of a crime against grace."
Publisher: Pendragon Press
ISBN: 9780945193432
Category : Juvenile Nonfiction
Languages : en
Pages : 260
Book Description
The efforts of the three collaborators resulted in a spectacle that bore little resemblance to ballet. During the premiere at the Theatre des Champs-Elysees on May 29, 1913, Parisians were incited to riot by the strange tension of the dancing and stark contrasts of the music and decor. The premiere of Le Sacre du Printemps became a legend overnight, and the notoriety of this event began immediately to distort the significance of the work, especially Nijinsky's choreography. He declared to the London Daily Mail on July 12, 1913, "I am accused, of a crime against grace."
Huguenot Prophecy and Clandestine Worship in the Eighteenth Century
Author: Georgia Cosmos
Publisher: Routledge
ISBN: 1351929925
Category : History
Languages : en
Pages : 230
Book Description
Following Louis XIV's revocation of the Edict of Nantes in 1685, French protestants faced the stark choice of abandoning their religion, or defying the law. Many fled abroad, whilst others continued to meet clandestinely for worship and to organise resistance to government policy, culminating in the bloody Camisard rebellion of 1702-10. During this period of conflict and repression, a distinct culture of prophecy and divine inspiration grew up, which was to become a defining characteristic of the dispersed protestant communities in southern France. Drawing on a wide range of printed and manuscript material, this study, examines the nature of Huguenot prophesying in the Cévennes during the early years of the eighteenth century. As well as looking at events in France, the book also explores the reactions of the Huguenot community of London, which became caught up in the prophesying controversy with the publication in 1707 of Le Théatre sacré des Cévennes. This book, which recounted the stories of exiles who had witnessed prophesying and miraculous events in the Cévennes, not only provided a first hand account of an outlawed religion, but became the centre of a heated debate in London concerning 'false-prophets'. By exploring French protestantism through voluntary testimonies given by Huguenot exiles in London, this study not only offers a rare glimpse of a forbidden religion, but also shows how a long-established immigrant church in London confronted the problems posed by recent arrivals infused with a radical sense of mystic purpose and divine revelation.
Publisher: Routledge
ISBN: 1351929925
Category : History
Languages : en
Pages : 230
Book Description
Following Louis XIV's revocation of the Edict of Nantes in 1685, French protestants faced the stark choice of abandoning their religion, or defying the law. Many fled abroad, whilst others continued to meet clandestinely for worship and to organise resistance to government policy, culminating in the bloody Camisard rebellion of 1702-10. During this period of conflict and repression, a distinct culture of prophecy and divine inspiration grew up, which was to become a defining characteristic of the dispersed protestant communities in southern France. Drawing on a wide range of printed and manuscript material, this study, examines the nature of Huguenot prophesying in the Cévennes during the early years of the eighteenth century. As well as looking at events in France, the book also explores the reactions of the Huguenot community of London, which became caught up in the prophesying controversy with the publication in 1707 of Le Théatre sacré des Cévennes. This book, which recounted the stories of exiles who had witnessed prophesying and miraculous events in the Cévennes, not only provided a first hand account of an outlawed religion, but became the centre of a heated debate in London concerning 'false-prophets'. By exploring French protestantism through voluntary testimonies given by Huguenot exiles in London, this study not only offers a rare glimpse of a forbidden religion, but also shows how a long-established immigrant church in London confronted the problems posed by recent arrivals infused with a radical sense of mystic purpose and divine revelation.
French Seventeenth-century Literature
Author: Bernard Bourque
Publisher: Peter Lang
ISBN: 9783039115372
Category : Literary Collections
Languages : en
Pages : 304
Book Description
This volume of essays explores influences from Antiquity onwards that shaped the literary and cultural output of the French seventeenth century and the developments to which this period - the so-called 'classical' period - gave rise in later centuries. The thirteen essays in English and French cover three major areas: the continuation in French seventeenth-century literature and cultural events of themes found in previous centuries; internal changes within the body of writings by French seventeenth-century playwrights; the influence of seventeenth-century French writers on later centuries. The collection celebrates the life and scholarly achievements of the eminent dix-septiémiste Christopher J. Gossip, Emeritus Professor of French, University of New England, Australia.
Publisher: Peter Lang
ISBN: 9783039115372
Category : Literary Collections
Languages : en
Pages : 304
Book Description
This volume of essays explores influences from Antiquity onwards that shaped the literary and cultural output of the French seventeenth century and the developments to which this period - the so-called 'classical' period - gave rise in later centuries. The thirteen essays in English and French cover three major areas: the continuation in French seventeenth-century literature and cultural events of themes found in previous centuries; internal changes within the body of writings by French seventeenth-century playwrights; the influence of seventeenth-century French writers on later centuries. The collection celebrates the life and scholarly achievements of the eminent dix-septiémiste Christopher J. Gossip, Emeritus Professor of French, University of New England, Australia.
First Nights
Author: Thomas Forrest Kelly
Publisher: Yale University Press
ISBN: 9780300091052
Category : Music
Languages : en
Pages : 420
Book Description
This lively book takes us back to the first performances of five famous musical compositions: Monteverdi's Orfeo in 1607, Handel's Messiah in 1742, Beethoven's Ninth Symphony in 1824, Berlioz's Symphonie fantastique in 1830, and Stravinsky's Sacre du printemps in 1913. Thomas Forrest Kelly sets the scene for each of these premieres, describing the cities in which they took place, the concert halls, audiences, conductors, and musicians, the sound of the music when it was first performed (often with instruments now extinct), and the popular and critical responses. He explores how performance styles and conditions have changed over the centuries and what music can reveal about the societies that produce it. Kelly tells us, for example, that Handel recruited musicians he didn't know to perform Messiah in a newly built hall in Dublin; that Beethoven's Ninth Symphony was performed with a mixture of professional and amateur musicians after only three rehearsals; and that Berlioz was still buying strings for the violas and mutes for the violins on the day his symphony was first played. Kelly's narrative, which is enhanced by extracts from contemporary letters, press reports, account books, and other sources, as well as by a rich selection of illustrations, gives us a fresh appreciation of these five masterworks, encouraging us to sort out our own late twentieth-century expectations from what is inherent in the music.
Publisher: Yale University Press
ISBN: 9780300091052
Category : Music
Languages : en
Pages : 420
Book Description
This lively book takes us back to the first performances of five famous musical compositions: Monteverdi's Orfeo in 1607, Handel's Messiah in 1742, Beethoven's Ninth Symphony in 1824, Berlioz's Symphonie fantastique in 1830, and Stravinsky's Sacre du printemps in 1913. Thomas Forrest Kelly sets the scene for each of these premieres, describing the cities in which they took place, the concert halls, audiences, conductors, and musicians, the sound of the music when it was first performed (often with instruments now extinct), and the popular and critical responses. He explores how performance styles and conditions have changed over the centuries and what music can reveal about the societies that produce it. Kelly tells us, for example, that Handel recruited musicians he didn't know to perform Messiah in a newly built hall in Dublin; that Beethoven's Ninth Symphony was performed with a mixture of professional and amateur musicians after only three rehearsals; and that Berlioz was still buying strings for the violas and mutes for the violins on the day his symphony was first played. Kelly's narrative, which is enhanced by extracts from contemporary letters, press reports, account books, and other sources, as well as by a rich selection of illustrations, gives us a fresh appreciation of these five masterworks, encouraging us to sort out our own late twentieth-century expectations from what is inherent in the music.
The Cambridge Guide to Theatre
Author: Martin Banham
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Chironomia
Author: Gilbert Austin
Publisher:
ISBN:
Category : Gesture
Languages : en
Pages : 670
Book Description
Publisher:
ISBN:
Category : Gesture
Languages : en
Pages : 670
Book Description
The Art of Ballets Russes
Author: Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.)
Publisher: Yale University Press
ISBN: 0300074840
Category : Performing Arts
Languages : en
Pages : 362
Book Description
Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Publisher: Yale University Press
ISBN: 0300074840
Category : Performing Arts
Languages : en
Pages : 362
Book Description
Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren