Author: Bronislaw Joseph Sammler
Publisher: Taylor & Francis
ISBN: 0240804929
Category : Costume
Languages : en
Pages : 293
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Technical Design Solutions for Theatre
Author: Bronislaw Joseph Sammler
Publisher: Taylor & Francis
ISBN: 0240804929
Category : Costume
Languages : en
Pages : 293
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 0240804929
Category : Costume
Languages : en
Pages : 293
Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Enchanted Years of the Stage
Author: Felicia Hardison Londré
Publisher: University of Missouri Press
ISBN: 0826265855
Category : Electronic books
Languages : en
Pages : 349
Book Description
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Publisher: University of Missouri Press
ISBN: 0826265855
Category : Electronic books
Languages : en
Pages : 349
Book Description
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
The Elizabethan Stage
Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 444
Book Description
The Birth of Theatre
Author: Philip Freund
Publisher: Peter Owen Limited
ISBN: 9780720611670
Category : Drama
Languages : en
Pages : 811
Book Description
The first volume in the "Stage by Stage" series, covering the classical theatre of Greece and Rome. Philip Freund has spent over thirty years writing a monumental history of the theatre. Stage by Stage is a chronicle of world theatre from primitive rites and enactments of myths to contemporary drama to be published in a series of volumes. This first one, The Birth of Theatre, traces the evolution of classical drama from its beginnings in Egyptian and Middle Eastern religious ritual, and particularly the Greek mystical cult of Dionysus, through the golden age of the Periclean period in Athens and ending with the major Roman playwrights of the late Republican and early Imperial age. The book includes detailed discussions of the extant plays — tragedies and comedies —of Aeschylus, Sophocles and Euripides. This is followed by accounts of notable productions and revivals, especially in the USA and Britain over the past half-century as well as earlier where descriptions or assessments are available. The book ends with a discussion of the development of Middle and New Comedy in Greece and the works of Plautus, Terence and Horace.
Publisher: Peter Owen Limited
ISBN: 9780720611670
Category : Drama
Languages : en
Pages : 811
Book Description
The first volume in the "Stage by Stage" series, covering the classical theatre of Greece and Rome. Philip Freund has spent over thirty years writing a monumental history of the theatre. Stage by Stage is a chronicle of world theatre from primitive rites and enactments of myths to contemporary drama to be published in a series of volumes. This first one, The Birth of Theatre, traces the evolution of classical drama from its beginnings in Egyptian and Middle Eastern religious ritual, and particularly the Greek mystical cult of Dionysus, through the golden age of the Periclean period in Athens and ending with the major Roman playwrights of the late Republican and early Imperial age. The book includes detailed discussions of the extant plays — tragedies and comedies —of Aeschylus, Sophocles and Euripides. This is followed by accounts of notable productions and revivals, especially in the USA and Britain over the past half-century as well as earlier where descriptions or assessments are available. The book ends with a discussion of the development of Middle and New Comedy in Greece and the works of Plautus, Terence and Horace.
Systematic Catalogue of Books in the Collection of the Mercantile Library Association of the City of New York
Author: New York (N.Y.) Mercantile Library Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 554
Book Description
Kabuki Plays on Stage. Volume 2
Author: James R. Brandon
Publisher: University of Hawaii Press
ISBN: 0824846281
Category : Performing Arts
Languages : en
Pages : 427
Book Description
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.
Publisher: University of Hawaii Press
ISBN: 0824846281
Category : Performing Arts
Languages : en
Pages : 427
Book Description
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.
Kabuki Plays on Stage. Volume 1
Author: James R. Brandon
Publisher: University of Hawaii Press
ISBN: 9780824824037
Category : Performing Arts
Languages : en
Pages : 442
Book Description
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances. Published with the assistance of the Nippon Foundation.
Publisher: University of Hawaii Press
ISBN: 9780824824037
Category : Performing Arts
Languages : en
Pages : 442
Book Description
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances. Published with the assistance of the Nippon Foundation.
Drama Stage and Audience
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521098694
Category : Drama
Languages : en
Pages : 272
Book Description
This book will appeal to students, actors and directors of drama, as well as the theatregoers.
Publisher: Cambridge University Press
ISBN: 9780521098694
Category : Drama
Languages : en
Pages : 272
Book Description
This book will appeal to students, actors and directors of drama, as well as the theatregoers.
New Readings in Theatre History
Author: Jacqueline S. Bratton
Publisher: Cambridge University Press
ISBN: 9780521794633
Category : Drama
Languages : en
Pages : 248
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521794633
Category : Drama
Languages : en
Pages : 248
Book Description
Table of contents
American Presidents Attend the Theatre
Author: Thomas A. Bogar
Publisher: McFarland
ISBN: 1476606803
Category : Biography & Autobiography
Languages : en
Pages : 443
Book Description
Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.
Publisher: McFarland
ISBN: 1476606803
Category : Biography & Autobiography
Languages : en
Pages : 443
Book Description
Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.