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Author: David Kawalko Roselli
Publisher: University of Texas Press
ISBN: 0292744773
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Author: David Kawalko Roselli
Publisher: University of Texas Press
ISBN: 0292744773
Category : Performing Arts
Languages : en
Pages : 303
Get Book Here
Book Description
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Author: Marc Acito
Publisher: Crown
ISBN: 0767927737
Category : Fiction
Languages : en
Pages : 370
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Book Description
In praising “the witty high school romp” How I Paid for College, the New York Times Book Review said, it “makes you hope there’s a lot more where this came from.” There is. In this hilarious sequel Attack of the Theater People, Edward Zanni and his merry crew of high school musical-comedy miscreants move to the magical wonderland that is Manhattan. It is 1986, and aspiring actor Edward Zanni has been kicked out of drama school for being “too jazz hands for Juilliard.” Mortified, Edward heads out into the urban jungle of eighties New York City and finally lands a job as a “party motivator” who gets thirteen-year-olds to dance at bar mitzvahs and charms businesspeople as a “stealth guest” at corporate events. When he accidentally gets caught up in insider trading with a handsome stockbroker named Chad, only the help of his crew from How I Paid for College can rescue him from a stretch in Club Fed. Laced with the inspired zaniness of classic American musical comedy, Attack of the Theater People matches the big hair of the eighties with an even bigger heart.
Author: Marvin Edward McAllister
Publisher: Univ of North Carolina Press
ISBN: 9780807854501
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.
Author: Drew Campbell
Publisher: Skyhorse Publishing Inc.
ISBN: 1581153449
Category : Business & Economics
Languages : en
Pages : 289
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Book Description
This book is an indispensable resource designed to help producers, actors, dancers, playwrights, directors, event planners, press agents, and anyone else involved in live performance, understand and utilize every aspect of the backstage environment. Updated to reflect today's fast changing technology, this book will teach you: What you need to know about technical theater and why. What to look for when choosing a space for your show. How to communicate with lighting, scenery, audio, and costume designers. How to stage manage an effective show or presentation.
Author: Bryan Doerries
Publisher: Vintage
ISBN: 0307949729
Category : Health & Fitness
Languages : en
Pages : 306
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Book Description
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
Author: Marc Robinson
Publisher: Johns Hopkins University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Throughout the anthology, textual analysis is balanced with production criticism. Contributors assess Fornes's connection to the various traditions that have claimed her--absurdism, realism, and surrealism, among others. Several critics reveal Fornes's range by delving deeply into individual plays, particularly the landmark Fefu and Her Friends. Her work as a director is captured in rehearsal logs, interviews with her actors, and a sampling of production reviews from 1965 to 1993. The anthology closes with Fornes's own views on her work, in statements and interviews from each stage of her career. More than twenty production photographs accompany the text.
Author: Teya Sepinuck
Publisher: Jessica Kingsley Publishers
ISBN: 1849053820
Category : Psychology
Languages : en
Pages : 243
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Book Description
Exploring diverse human experiences in the US, Poland and Northern Ireland, this book is of interest to practitioners and students of applied theatre, peace and conflict studies, professionals working in conflict resolution, counselors, psychotherapists, professionals in the field of criminal and restorative justice, and spiritual seekers.
Author: Marc Acito
Publisher: Crown
ISBN: 0767919602
Category : Fiction
Languages : en
Pages : 290
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Book Description
A deliciously funny romp of a novel about one overly theatrical and sexually confused New Jersey teenager’s larcenous quest for his acting school tuition It’s 1983 in Wallingford, New Jersey, a sleepy bedroom community outside of Manhattan. Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard. Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is. How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.
Author: Ping Chong
Publisher: Theatre Communications Group
ISBN: 1559366532
Category : Drama
Languages : en
Pages : 257
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Book Description
"The cumulative power of these shared stories is nothing short of astonishing. Ping Chong creates a tremendous tapestry of lives."—Twin Cities Reader This three-piece volume of Undesirable Elements, the community-specific theater works series, examines the lives of those born into one culture but living in another. Each production grows out of an extended residency, during which Ping Chong and his collaborators conduct interviews of community members and then create a script that explores both historical and personal narratives. Ping Chong is a theater director, playwright, choreographer, and video and installation artist. The recipient of two OBIE awards, two Bessie awards, and a Guggenheim Fellowship, he has created more than fifty works for the stage, including twenty-five in his Undesirable Elements series.
Author: Alberto Ríos
Publisher: Copper Canyon Press
ISBN: 1619321459
Category : Poetry
Languages : en
Pages : 142
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Book Description
“In this rhapsodic series of poems, Ríos presents the story of Ventura and Clemente Ríos, a married couple living near the United States-Mexico border. . . . Ríos’s project [is] indebted to magic realism but rooted in naturalism.”—The New Yorker “Ríos creates the feeling of enchanted or intimate lore within a family [and] evokes the mysterious and unexpected forces that dwell inside the familiar.”—The Washington Post Now in paperback, and following the success of his National Book Award nomination, Alberto Ríos’ new book is filled with magic, marvel, and emotional truth. Set along the elusive southern border, his poems trace the lives and loves of an elderly couple through their childhood and courtship to marriage, maturity, old age, and death. Like the best of storytellers, Ríos charms his readers, making us care deeply—even love—these people we read. From “The Chair She Sits In”: I’ve heard this thing where, when someone dies, People close up all the holes around the house- The keyholes, the chimney, the windows, Even the mouths of the animals, the dogs and the pigs. It’s so the soul won’t be confused, or tempted . . . Alberto Ríos, the poet laureate of Arizona, teaches at Arizona State University. He is the author of eight books of poetry, three collections of short stories, and a memoir.
