Theater in the Planned Society

Theater in the Planned Society PDF Author: H. G. Huettich
Publisher:
ISBN: 9781469657585
Category : LITERARY CRITICISM
Languages : en
Pages : 174

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Book Description

Theater in the Planned Society

Theater in the Planned Society PDF Author: H. G. Huettich
Publisher:
ISBN: 9781469657585
Category : LITERARY CRITICISM
Languages : en
Pages : 174

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Book Description


Theater in the Planned Society

Theater in the Planned Society PDF Author: H. G. Huettich
Publisher:
ISBN:
Category :
Languages : en
Pages : 371

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Book Description


Theater Planning

Theater Planning PDF Author: Gene Leitermann
Publisher: Taylor & Francis
ISBN: 1317496884
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
This book introduces the concepts of theater planning, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author’s extensive professional practice. This book is written for students in Theatre Planning courses, along with working practitioners.

Theater in the Planned Society

Theater in the Planned Society PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 742

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Theater in the Planned Society

Theater in the Planned Society PDF Author: H. G. Huettich
Publisher: Chapel Hill : University of North Carolina Press
ISBN:
Category : Drama
Languages : en
Pages : 200

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Book Description
This study presents the historical development of topical drama in the German Democratic Republic from 1945 to 1975. The author investigates the sociopolitical function of both dramas and dramatists such as Karl Grunberg, Friedrich Wolf, and Erwin Strittmatter during the various transitional stages of the GDR's growth toward a socialist society. The substantive, critical study of plays, authors, productions, and dramatic theory is supplemented by a critical analysis of the Socialist Unity Party's cultural and literary policies during the GDR's turbulent history. While Western critics tend to isolate individual GDR dramas and interpret them out of context, Huettich explores in depth how the cultural policy of the GDR significantly helped shape the course of post-World War II drama in the 'planned society.'

Theatre Buildings

Theatre Buildings PDF Author: Association of British Theatre Technicians
Publisher: Routledge
ISBN: 1136992286
Category : Architecture
Languages : en
Pages : 555

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Book Description
The Association of British Theatre Technicians produced its first guide to the design and planning of theatres in 1972. Revised in 1986, it became the standard reference work for anyone involved in building, refurbishing, or creating a performance space. Theatre Buildings – a design guide is its successor. Written and illustrated by a highly experienced team of international theatre designers and practitioners, it retains the practical approach of the original while extending the scope to take account of the development of new technologies, new forms of presentation, changing expectations, and the economic and social pressures which require every part of the theatre to be as productive as possible. The book takes the reader through the whole process of planning and designing a theatre. It looks in detail at each area of the building: front of house, auditorium, backstage, and administrative offices. It gives specific guidance on sightlines, acoustics, stage engineering, lighting, sound and video, auditorium and stage formats. Aspects such as catering, conference and education use are also covered. The information is supplemented by twenty-eight case studies, selected to provide examples which range in size, style and format and to cover new buildings, renovations, conversions, temporary and found space. The studies include Den Norsk, Oslo; The Guthrie Theatre, Minneapolis; The Liceu, Barcelona; Les Bouffes du Nord, Paris; The RSC’s Courtyard Theatre in Stratford on Avon; and the MTC Theatre in Melbourne. All have plans and sections drawn to 1:500 scale. The book contains around 100 high quality full colour images as well as over 60 specially drawn charts and diagrams explaining formats, relationships and technical details.

Theater in the Planned Society

Theater in the Planned Society PDF Author: H. G. Huettich
Publisher:
ISBN:
Category : Communism and literature
Languages : en
Pages : 356

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Book Description


The Billboard

The Billboard PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 928

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Book Description


A Guide to Community Theatre Planning

A Guide to Community Theatre Planning PDF Author: Charles Alfred Baker
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 210

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Book Description


The Art of Governance

The Art of Governance PDF Author: Nancy Roche
Publisher: Theatre Communications Group
ISBN: 1559367806
Category : Performing Arts
Languages : en
Pages : 353

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Book Description
The Art of Governance is an essential guide for trustees in the performing arts and for the artists, managers, and community leaders who work with them. This book provides the larger context in which trustees govern—the art, artists, history, institutions, and national policies of the performing arts—and also explores more practical issues, such as board development, planning, finance, and fundraising. A wide range of distinguished artists, trustees, managers, and consultants have contributed articles, covering everything from “The Art of Theater” to “Understanding Financial Statements.” An invaluable tool for building an enlightened and inspired board, this resource above all recognizes the need of trustees in the performing arts to find a balance between the uncertainty of artistic creativity and the need for fiscal stability. Editors Nancy Roche and Jaan Whitehead have served on the boards and staff of numerous theater organizations. Nancy Roche has been a trustee of CENTER-STAGE in Baltimore since 1987, serving as president of the board for seven years and as interim managing director for one year. She has been a consultant on governance for the National Arts Stabilization (now National Arts Strategies), a councilor of the Maryland State Arts Commission from 1992-1999, and has twice served as lay panelist for the NEA. In the summer of 2000, she participated as a theater trustee in the National Critics’ Institute at the Eugene O’Neill Theater Center in Waterford, Connecticut, returning in the following summer as a founding member of their week-long Trustees Program. She is a founding member of the National Council for the American Theatre and serves as a trustee and treasurer of the board of Theatre Communications Group. In addition, she serves on the boards of the Roland Park Country School, the Institute for Christian-Jewish Studies, and the Baltimore School for the Arts. She is a graduate of Dominican University and received an MA in teaching and an LLA, both from The Johns Hopkins University. Jaan Whitehead currently chairs the board of the SITI Company, an ensemble theater in New York led by Anne Bogart. She has served on the boards of The Acting Company, Arena Stage, Living Stage, and The Whole Theatre Company, where her particular interests have been board development and institutional change. She has also been a trustee of Theatre Communications Group and the National Cultural Alliance, an arts advocacy group in Washington, and is a founding member of the National Council for the American Theatre. In addition to her work as a trustee, she has been executive director of Theatre for a New Audience in New York and Development Director of CENTERSTAGE in Baltimore. Ms. Whitehead graduated from Wellesley College, holds and MA in economics from the University of Michigan, and, early in her career, works as an economist for private industry and the Federal Reserve Board. She received her PhD in political theory fro Princeton in 1988. She taught at Georgetown University for several years but, as her involvement in theater deepened, she made the arts her main work while retaining her interests in economic and political theory. Drawing on this background, she has recently been writing a series of essays on the challenges facing the arts in a commercial society.