Author: David Murray
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
The York Buildings Company
Author: David Murray
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
FROM ROUCAN TO RICHES
Author: David McKenzie Robertson
Publisher: Troubador Publishing Ltd
ISBN: 1838592954
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
From Roucan to Riches" traces the story of the Glassell family from their obscure beginnings as humble Scots tenant farmers, through two brothers who made a fortune from tobacco in Virginia, and on to their descendants who made their mark in varied and interesting ways. As the American Revolution loomed, one brother returned to Scotland and the other remained. John settled as a rural Scottish landowner in Longniddry, East Lothian, and demolished the village in the name of agricultural improvement. His daughter was educated in Edinburgh during its "Golden Age", and knew many of its greatest luminaries. She kept a lively diary of her Italian travels, fell for and married the divorced middle-aged heir to the Dukedom of Argyll, and died tragically young. The descendants of Andrew, the "American" brother, became slave-owning Virginian "aristocracy", Civil War heroes and victims, and fabulously wealthy entrepreneurs, one of whom helped to drive forward the development of California. The notorious Second World War figure General George Patton was a descendant of the Californian Glassells.
Publisher: Troubador Publishing Ltd
ISBN: 1838592954
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
From Roucan to Riches" traces the story of the Glassell family from their obscure beginnings as humble Scots tenant farmers, through two brothers who made a fortune from tobacco in Virginia, and on to their descendants who made their mark in varied and interesting ways. As the American Revolution loomed, one brother returned to Scotland and the other remained. John settled as a rural Scottish landowner in Longniddry, East Lothian, and demolished the village in the name of agricultural improvement. His daughter was educated in Edinburgh during its "Golden Age", and knew many of its greatest luminaries. She kept a lively diary of her Italian travels, fell for and married the divorced middle-aged heir to the Dukedom of Argyll, and died tragically young. The descendants of Andrew, the "American" brother, became slave-owning Virginian "aristocracy", Civil War heroes and victims, and fabulously wealthy entrepreneurs, one of whom helped to drive forward the development of California. The notorious Second World War figure General George Patton was a descendant of the Californian Glassells.
Notes and Queries
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 566
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 566
Book Description
The Making of the Modern Company
Author: Susan Watson
Publisher: Bloomsbury Publishing
ISBN: 1509923640
Category : Law
Languages : en
Pages : 337
Book Description
This book adopts a historical perspective to highlight, and bring back into focus, the key features of the modern company. A central argument in the book is that legal personhood attaching to an entity containing a corporate fund seeded by shareholders is a direct and inevitable consequence of limited liability and the company's status as a separate legal entity from its shareholders. Management by a board subject to legal duties to the company as an entity that can exist in perpetuity facilitates a long term perspective by the board that can accommodate both shareholder and stakeholder interests. These defining characteristics differentiate the modern company from other business forms. The Making of the Modern Company applies a 21st-century lens to the corporation through its history to identify turning points in its development. It sets out how key features emerged in the course of two separate developmental cycles in English corporate law: first with the English East India Company in the 17th century, and then with general incorporation statutes in the 2nd half of the 19th century. The book's historical perspective highlights that the key features are part of the 'secret sauce' of modern companies. Each cycle coincided with unparalleled periods of economic success associated with corporate activity This book will be of interest to corporate law and governance academics, theorists and practitioners, those who study the company from related disciplines, and anyone who questions why uncertainty still exists about the structure of a legal form that has been described as 'amongst mankind's greatest inventions'.
Publisher: Bloomsbury Publishing
ISBN: 1509923640
Category : Law
Languages : en
Pages : 337
Book Description
This book adopts a historical perspective to highlight, and bring back into focus, the key features of the modern company. A central argument in the book is that legal personhood attaching to an entity containing a corporate fund seeded by shareholders is a direct and inevitable consequence of limited liability and the company's status as a separate legal entity from its shareholders. Management by a board subject to legal duties to the company as an entity that can exist in perpetuity facilitates a long term perspective by the board that can accommodate both shareholder and stakeholder interests. These defining characteristics differentiate the modern company from other business forms. The Making of the Modern Company applies a 21st-century lens to the corporation through its history to identify turning points in its development. It sets out how key features emerged in the course of two separate developmental cycles in English corporate law: first with the English East India Company in the 17th century, and then with general incorporation statutes in the 2nd half of the 19th century. The book's historical perspective highlights that the key features are part of the 'secret sauce' of modern companies. Each cycle coincided with unparalleled periods of economic success associated with corporate activity This book will be of interest to corporate law and governance academics, theorists and practitioners, those who study the company from related disciplines, and anyone who questions why uncertainty still exists about the structure of a legal form that has been described as 'amongst mankind's greatest inventions'.
Aaron Hill
Author: Christine Gerrard
Publisher: Oxford University Press, USA
ISBN: 9780198183884
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, 1685-1750, the firstbiography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity. Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes ofneo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson. In 1711 Hill, as stagemanager and librettist, introduced Handel to the English stage, as well as lobbying tirelessly for innovation in the eighteenth-century theatre. His entrepreneurial energies, directed at both commercial and cultural projects, mirror the zeitgeist of early Hanoverian Britain.
Publisher: Oxford University Press, USA
ISBN: 9780198183884
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, 1685-1750, the firstbiography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity. Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes ofneo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson. In 1711 Hill, as stagemanager and librettist, introduced Handel to the English stage, as well as lobbying tirelessly for innovation in the eighteenth-century theatre. His entrepreneurial energies, directed at both commercial and cultural projects, mirror the zeitgeist of early Hanoverian Britain.
Business in the Age of Reason
Author: Richard Peter Treadwell Davenport-Hines
Publisher: Psychology Press
ISBN: 9780714633060
Category : Business & Economics
Languages : en
Pages : 172
Book Description
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780714633060
Category : Business & Economics
Languages : en
Pages : 172
Book Description
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
The Decisions of the Court of Session
Author: Scotland. Court of Session
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1014
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1014
Book Description
The Theater of Experiment
Author: Al Coppola
Publisher: Oxford University Press
ISBN: 0190269723
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
Publisher: Oxford University Press
ISBN: 0190269723
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
Reports from Committees of the House of Commons which Have Been Printed by Order of the House
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 752
Book Description
Reports from Committees of the House of Commons
Author: House of Commons
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 724
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 724
Book Description