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Author: J.R. Weil
Publisher: AK Press
ISBN: 1849350523
Category : True Crime
Languages : en
Pages : 352
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Book Description
Bilked bankers, grifted gamblers, and swindled spinsters: welcome to the world of confidence men. You'll marvel at the elaborate schemes developed by The Yellow Kid and cry for the marks who lost it all to his ingenuity—$8,000,000 by some estimations. Fixed horse races, bad real-estate deals, even a money-making machine—all were tools of the trade for the Kid and his associates: the Swede, the Butterine Kid, the Harmony Kid, Fats Levine, and others. The Sting (1973), starring Paul Newman and based largely on the story of the Yellow Kid, is entertaining, but is no match for the real deal.
Author: J.R. Weil
Publisher: AK Press
ISBN: 1849350523
Category : True Crime
Languages : en
Pages : 352
Get Book
Book Description
Bilked bankers, grifted gamblers, and swindled spinsters: welcome to the world of confidence men. You'll marvel at the elaborate schemes developed by The Yellow Kid and cry for the marks who lost it all to his ingenuity—$8,000,000 by some estimations. Fixed horse races, bad real-estate deals, even a money-making machine—all were tools of the trade for the Kid and his associates: the Swede, the Butterine Kid, the Harmony Kid, Fats Levine, and others. The Sting (1973), starring Paul Newman and based largely on the story of the Yellow Kid, is entertaining, but is no match for the real deal.
Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878056743
Category : Architecture
Languages : en
Pages : 268
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Book Description
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
Author: Richard Felton Outcault
Publisher:
ISBN: 9780756766832
Category : Humor
Languages : en
Pages : 301
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Book Description
The Yellow Kid is the mischievous street urchin who took NY & the whole country by storm at the end of the 19th cent. He's the popular comic character created by Richard Felton Outcault who was the prize in a battle between the greatest newspaper titans of the Gilded Age, Joseph Pulitzer of the NY WorldÓ & William Randolph Hearst of the NY Journal.Ó The Yellow Kid's smiling face & yellow nightshirt appeared on thousands of books, toys, magazines, cookie tins, bars of soap, & myriad other products in Victorian homes. He was the star of the first comic strip. This volume reprints the entire comic strip for the first time since its original appearance in 1895-1898. A lengthy intro., illustrated with photos & drawings, discusses the Yellow Kid comic & its era.
Author: Christina Meyer
Publisher: Studies in Comics and Cartoons
ISBN: 9780814214169
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Investigates the historical factors, practices, and strategies involved in the production and proliferation of the Yellow Kid comics.
Author: R. F. Outcault
Publisher: Checker Book Publishing Group
ISBN: 9781933160696
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
The comic strip that started it all, the American comic strip that laid the groundwork for an art form. This precocious kid from the barrio of Brooklyn took the US by storm in the late 1800s and coined the termed 'yellow journalism'. Collected here is the entire run along with dozens of never-before-collected images by Outcault. Also included is the extraordinarily rare strip Pore Lil Mose.
Author: Edward Waterman Townsend
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
Author: J.R. Weil
Publisher: Crown
ISBN: 0767917375
Category : True Crime
Languages : en
Pages : 354
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Book Description
The story of Joseph “Yellow Kid” Weil, a man who could—and often did—pull off scams to outshine The Sting. In his long career as a confidence man, Joseph “Yellow Kid” Weil swindled the public of more than eight million dollars and established the reputation for robbery and trickery. Always beating the police at their own game, “Yellow Kid” used phony oil deals, women, fixed races, and an endless list of other tricks to best an increasingly gullible public. One day, he was Dr. Henri Reuel, a noted geologist who traveled around and told his hosts that he was a representative for a big oil company—all the while draining them of the cash they gave him to “invest in fuel.” The next day, he was director of the Elysium Development Company, promising land to innocent believers while robbing them in recording and abstract fees. Or he was a chemist par excellence who had discovered how to copy dollar bills; promising to increase your fortune, he would multiply your bills—then take the booty once the police arrived. Originally published in 1948, here is Weil’s true and amazing story, with a smart and witty Afterword by none other than Nobel Laureate Saul Bellow, who profiled “Yellow Kid” for The Reporter in 1956. It is undeniable proof that “Yellow Kid” was the con man par excellence—the virtuoso scam artist, bar none.
Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878057580
Category : Comic books, strips, etc
Languages : en
Pages : 304
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Book Description
A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium
Author: Richard Felton Outcault
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 348
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Book Description
The Yellow Kid was the main character in the precursor to today's comic strips (and is so well-recognized as such that the US Postal Service has issued a centennial commemorative stamp in his honor). This volume reprints the Yellow Kid strips--for the first time since their original publication in 1895-98--in their entirety and in their original color. Extensive text by Bill Blackbeard, director of the San Francisco Academy of Comic Art traces the history and sets the context. No index. Annotation copyright by Book News, Inc., Portland, OR
Author: Leo Lionni
Publisher: Dragonfly Books
ISBN: 0399555536
Category : Juvenile Fiction
Languages : en
Pages : 49
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Book Description
Beloved picture book creator and four-time Caldecott Honor-winner Leo Lionni's very first story for children, and a New York Times Best Illustrated Book of the Year. Little Blue and Little Yellow are best friends, but one day they can’t find each other. When they finally do, they give each other such a big hug that they turn green! How they find their true colors again concludes a wonderfully satisfying story told with colorful pieces of torn paper and very few words. Leo Lionni launched his children’s book career in 1959 with Little Blue and Little Yellow, and this 50th-anniversary edition, complete with Lionni’s own explanation of how the book came to be, is sure to resonate with children today.
