Author: John BurroughsPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Writings of John Burroughs
Author: John BurroughsPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Writings of John Burroughs: Indoor studies
Author: John BurroughsPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Writings of John Burroughs: Indoor studies
Author: John BurroughsPublisher:
ISBN:
Category : Natural history
Languages : en
Pages : 290
Book Description
Indoor Studies
Author: John BurroughsPublisher:
ISBN:
Category : Literature and science
Languages : en
Pages : 265
Book Description
The Real Thing
Author: Miles OrvellPublisher: UNC Press Books
ISBN: 1469615371
Category : History
Languages : en
Pages : 421
Book Description
In this classic study of the relationship between technology and culture, Miles Orvell demonstrates that the roots of contemporary popular culture reach back to the Victorian era, when mechanical replications of familiar objects reigned supreme and realism dominated artistic representation. Reacting against this genteel culture of imitation, a number of artists and intellectuals at the turn of the century were inspired by the machine to create more authentic works of art that were themselves "real things." The resulting tension between a culture of imitation and a culture of authenticity, argues Orvell, has become a defining category in our culture. The twenty-fifth anniversary edition includes a new preface by the author, looking back on the late twentieth century and assessing tensions between imitation and authenticity in the context of our digital age. Considering material culture, photography, and literature, the book touches on influential figures such as writers Walt Whitman, Henry James, John Dos Passos, and James Agee; photographers Alfred Stieglitz, Walker Evans, and Margaret Bourke-White; and architect-designers Gustav Stickley and Frank Lloyd Wright.
Indoor Studies
Author: John BurroughsPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Sanctified Landscape
Author: David SchuylerPublisher: Cornell University Press
ISBN: 0801464706
Category : History
Languages : en
Pages : 229
Book Description
The Hudson River Valley was the first iconic American landscape. Beginning as early as the 1820s, artists and writers found new ways of thinking about the human relationship with the natural world along the Hudson. Here, amid the most dramatic river and mountain scenery in the eastern United States, Washington Irving and James Fenimore Cooper created a distinctly American literature, grounded in folklore and history, that contributed to the emergence of a sense of place in the valley. Painters, led by Thomas Cole, founded the Hudson River School, widely recognized as the first truly national style of art. As the century advanced and as landscape and history became increasingly intertwined in the national consciousness, an aesthetic identity took shape in the region through literature, art, memory, and folklore—even gardens and domestic architecture. In Sanctified Landscape, David Schuyler recounts this story of America's idealization of the Hudson Valley during the nineteenth and early twentieth centuries.Schuyler's story unfolds during a time of great change in American history. At the very moment when artists and writers were exploring the aesthetic potential of the Hudson Valley, the transportation revolution and the rise of industrial capitalism were transforming the region. The first generation of American tourists traveled from New York City to Cozzens Hotel and the Catskill Mountain House in search of the picturesque. Those who could afford to live some distance from jobs in the city built suburban homes or country estates. Given these momentous changes, it is not surprising that historic preservation emerged in the Hudson Valley: the first building in the United States preserved for its historic significance is Washington's Headquarters in Newburgh. Schuyler also finds the seeds of the modern environmental movement in the transformation of the Hudson Valley landscape.Richly illustrated and compellingly written, Sanctified Landscape makes for rewarding reading. Schuyler expertly ties local history to national developments, revealing why the Hudson River Valley was so important to nineteenth-century Americans—and why it is still beloved today.
An Introduction to the Study of American Literature
Author: Brander MatthewsPublisher:
ISBN:
Category : American literature
Languages : en
Pages : 270
Book Description
Writing the Land
Author: Daniel G. PaynePublisher: Cambridge Scholars Publishing
ISBN: 1443810835
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
At the time of his death in 1921, John Burroughs (1837-1921) was America’s most beloved nature writer, a best-selling author whose friends and admirers included Walt Whitman, Theodore Roosevelt, John Muir, Henry Ford, and Thomas Edison. Burroughs was second only to Emerson in fostering the nature study movement of the nineteenth- century, and the popularity of his work inspired Houghton Mifflin to publish or reissue the work of numerous other nature writers, including that of Thoreau and Muir. His first collection of essays, Wake-Robin, was published in 1871, and over the next fifty years Burroughs wrote almost two dozen books, and hundreds of essays—not only on nature, but on literature, travel, philosophy, religion, and science. By the turn of the century, Burroughs was America’s most beloved nature writer, whose friends and admirers included Walt Whitman, Theodore Roosevelt, John Muir, Henry Ford, and Thomas Edison. Burroughs died in 1921 while on a train ride back to his New York from California. His final words—"Are we home yet?"—were a remarkably fitting coda to the career of a writer so closely identified with his native Catskill region of New York State. In many of his essays, Burroughs explores the woods and fields of home, and in doing so, like Henry Thoreau and his explorations of Concord, Massachusetts, he transcends the local and examines the universal theme of our relation with nature and our native landscape. Burroughs’s emphasis on "place" and the local now seems modern once again; as the current interest in bioregionalism and climate change demonstrates, it has become increasingly evident that "thinking locally" is "thinking globally." Since 1992, the SUNY College at Oneonta has hosted the biannual John Burroughs Nature Conference and Seminar ('Sharp Eyes'), which honors the influence of Burroughs on American nature writing. Distinguished keynote speakers who have addressed the conference include John Elder, John Tallmadge, Joy Harjo, Robin Wall Kimmerer, Edward Kanze, James Perrin Warren, and Edward J. Renehan, Jr. The scope of the conference is not limited solely to Burroughs, however, as each year the writers and scholars in attendance direct their attention toward a particular issue of significance to contemporary nature writers and scholars of environmental literature. The theme of this collection, "Writing the Land: John Burroughs and his Legacy" was featured in the 2006 conference, and includes essays on John Burroughs as well as essays on the work of other writers who, like Burroughs, are linked closely through their work to a particular landscape or region. The third and final section of this book features invited essays by three distinguished scholars, John Tallmadge, Robert Beuka, and Charlotte Zoë Walker, who consider the topic of what writing about the land and nature means from three different perspectives—urban, suburban, and rural.
Songs of Ourselves
Author: Joan Shelley RubinPublisher: Harvard University Press
ISBN: 0674035127
Category : History
Languages : en
Pages : 487
Book Description
Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.
