Author: William H. Gass
Publisher: SIU Press
ISBN: 9780809320509
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
Six essays and panel transcriptions from The Writer in Politics conference, Washington University, October, 1992, featuring writers describing their place in the political arena. The presenters have "walked the walk" and include Mario Vargas Llosa, Luisa Valenzuela, Nuruddin Farah, and Carolyn Forche who collectively have run for political office, been exiled, jailed, or active as witnesses in a political life. Their insights are a fascinating examination of the role writers play can play as critics, resistors, and contributors to a society's evolution. Annotation copyright by Book News, Inc., Portland, OR
The Writer in Politics
Author: William H. Gass
Publisher: SIU Press
ISBN: 9780809320509
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
Six essays and panel transcriptions from The Writer in Politics conference, Washington University, October, 1992, featuring writers describing their place in the political arena. The presenters have "walked the walk" and include Mario Vargas Llosa, Luisa Valenzuela, Nuruddin Farah, and Carolyn Forche who collectively have run for political office, been exiled, jailed, or active as witnesses in a political life. Their insights are a fascinating examination of the role writers play can play as critics, resistors, and contributors to a society's evolution. Annotation copyright by Book News, Inc., Portland, OR
Publisher: SIU Press
ISBN: 9780809320509
Category : Language Arts & Disciplines
Languages : en
Pages : 224
Book Description
Six essays and panel transcriptions from The Writer in Politics conference, Washington University, October, 1992, featuring writers describing their place in the political arena. The presenters have "walked the walk" and include Mario Vargas Llosa, Luisa Valenzuela, Nuruddin Farah, and Carolyn Forche who collectively have run for political office, been exiled, jailed, or active as witnesses in a political life. Their insights are a fascinating examination of the role writers play can play as critics, resistors, and contributors to a society's evolution. Annotation copyright by Book News, Inc., Portland, OR
Why I Write
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Politics and the English Language
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724271
Category : Literary Collections
Languages : en
Pages :
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Publisher: Renard Press Ltd
ISBN: 1913724271
Category : Literary Collections
Languages : en
Pages :
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
The Political Work of Northern Women Writers and the Civil War, 1850-1872
Author: Lyde Cullen Sizer
Publisher: Univ of North Carolina Press
ISBN: 0807860980
Category : History
Languages : en
Pages : 367
Book Description
This volume explores the lives and works of nine Northern women who wrote during the Civil War period, examining the ways in which, through their writing, they engaged in the national debates of the time. Lyde Sizer shows that from the 1850 publication of Uncle Tom's Cabin through Reconstruction, these women, as well as a larger mosaic of lesser-known writers, used their mainstream writings publicly to make sense of war, womanhood, Union, slavery, republicanism, heroism, and death. Among the authors discussed are Lydia Maria Child, Harriet Beecher Stowe, Sara Willis Parton (Fanny Fern), Frances Ellen Watkins Harper, Mrs. E. D. E. N. Southworth, Mary Abigail Dodge (Gail Hamilton), Louisa May Alcott, Rebecca Harding Davis, and Elizabeth Stuart Phelps. Although direct political or partisan power was denied to women, these writers actively participated in discussions of national issues through their sentimental novels, short stories, essays, poetry, and letters to the editor. Sizer pays close attention to how these mostly middle-class women attempted to create a "rhetoric of unity," giving common purpose to women despite differences in class, race, and politics. This theme of unity was ultimately deployed to establish a white middle-class standard of womanhood, meant to exclude as well as include.
Publisher: Univ of North Carolina Press
ISBN: 0807860980
Category : History
Languages : en
Pages : 367
Book Description
This volume explores the lives and works of nine Northern women who wrote during the Civil War period, examining the ways in which, through their writing, they engaged in the national debates of the time. Lyde Sizer shows that from the 1850 publication of Uncle Tom's Cabin through Reconstruction, these women, as well as a larger mosaic of lesser-known writers, used their mainstream writings publicly to make sense of war, womanhood, Union, slavery, republicanism, heroism, and death. Among the authors discussed are Lydia Maria Child, Harriet Beecher Stowe, Sara Willis Parton (Fanny Fern), Frances Ellen Watkins Harper, Mrs. E. D. E. N. Southworth, Mary Abigail Dodge (Gail Hamilton), Louisa May Alcott, Rebecca Harding Davis, and Elizabeth Stuart Phelps. Although direct political or partisan power was denied to women, these writers actively participated in discussions of national issues through their sentimental novels, short stories, essays, poetry, and letters to the editor. Sizer pays close attention to how these mostly middle-class women attempted to create a "rhetoric of unity," giving common purpose to women despite differences in class, race, and politics. This theme of unity was ultimately deployed to establish a white middle-class standard of womanhood, meant to exclude as well as include.
The Cambridge Companion to George Orwell
Author: John Rodden
Publisher: Cambridge University Press
ISBN: 9780521675079
Category : Literary Collections
Languages : en
Pages : 250
Book Description
Publisher description
Publisher: Cambridge University Press
ISBN: 9780521675079
Category : Literary Collections
Languages : en
Pages : 250
Book Description
Publisher description
Culture and Politics
Author: Raymond Williams
Publisher: Verso Books
ISBN: 1788738632
Category : Political Science
Languages : en
Pages : 241
Book Description
Brand new collection of the essential essays from one of the founders of cultural studies, Raymond Williams Raymond Williams was a pioneering scholar of cultural and society, and one of the outstanding intellectuals of the twentieth century. In this, a collection of difficult to find essays, some of which are published for the first time, Williams emerges as not only one of the great writers of materialist criticism, but also a thoroughly engaged political writer. Published to coincide with the centenary of his birth and showing the full range of his work, from his early writings on the novel and society, to later work on ecosocialism and the politics of modernism, Politics and Culture shows Williams at both his most accessible and his most penetrating.An essential book for all those interested in the politics of culture in the twentieth century, and the development of Williams's work.
Publisher: Verso Books
ISBN: 1788738632
Category : Political Science
Languages : en
Pages : 241
Book Description
Brand new collection of the essential essays from one of the founders of cultural studies, Raymond Williams Raymond Williams was a pioneering scholar of cultural and society, and one of the outstanding intellectuals of the twentieth century. In this, a collection of difficult to find essays, some of which are published for the first time, Williams emerges as not only one of the great writers of materialist criticism, but also a thoroughly engaged political writer. Published to coincide with the centenary of his birth and showing the full range of his work, from his early writings on the novel and society, to later work on ecosocialism and the politics of modernism, Politics and Culture shows Williams at both his most accessible and his most penetrating.An essential book for all those interested in the politics of culture in the twentieth century, and the development of Williams's work.
The Madams
Author: Zukiswa Wanner
Publisher: Oshun Books
ISBN: 1770070583
Category : South Africa
Languages : en
Pages : 210
Book Description
Publisher: Oshun Books
ISBN: 1770070583
Category : South Africa
Languages : en
Pages : 210
Book Description
Men of the South
Author: Zukiswa Wanner
Publisher: Nb Pub Limited
ISBN: 9780795702983
Category : Fiction
Languages : en
Pages : 219
Book Description
A fascinating novel about three men out from three worlds. Mfundo the musician and dad, Mzi - gay, but married, and Tinyae – a displaced Zimbabwean in South Africa. Modern chick-lit from an author named one of South Africa’s ‘Phenomenal Women’.
Publisher: Nb Pub Limited
ISBN: 9780795702983
Category : Fiction
Languages : en
Pages : 219
Book Description
A fascinating novel about three men out from three worlds. Mfundo the musician and dad, Mzi - gay, but married, and Tinyae – a displaced Zimbabwean in South Africa. Modern chick-lit from an author named one of South Africa’s ‘Phenomenal Women’.
Remaining Relevant After Communism
Author: Andrew Wachtel
Publisher: University of Chicago Press
ISBN: 0226867668
Category : History
Languages : en
Pages : 242
Book Description
More than any other art form, literature defined Eastern Europe as a cultural and political entity in the second half of the twentieth century. Although often persecuted by the state, East European writers formed what was frequently recognized to be a "second government," and their voices were heard and revered inside and outside the borders of their countries. This study by one of our most influential specialists on Eastern Europe considers the effects of the end of communism on such writers. According to Andrew Baruch Wachtel, the fall of the Berlin Wall and the creation of fledgling societies in Eastern Europe brought an end to the conditions that put the region's writers on a pedestal. In the euphoria that accompanied democracy and free markets, writers were liberated from the burden of grandiose political expectations. But no group is happy to lose its influence: despite recognizing that their exalted social position was related to their reputation for challenging political oppression, such writers have worked hard to retain their status, inventing a series of new strategies for this purpose. Remaining Relevant after Communism considers these strategies—from pulp fiction to public service—documenting what has happened on the East European scene since 1989.
Publisher: University of Chicago Press
ISBN: 0226867668
Category : History
Languages : en
Pages : 242
Book Description
More than any other art form, literature defined Eastern Europe as a cultural and political entity in the second half of the twentieth century. Although often persecuted by the state, East European writers formed what was frequently recognized to be a "second government," and their voices were heard and revered inside and outside the borders of their countries. This study by one of our most influential specialists on Eastern Europe considers the effects of the end of communism on such writers. According to Andrew Baruch Wachtel, the fall of the Berlin Wall and the creation of fledgling societies in Eastern Europe brought an end to the conditions that put the region's writers on a pedestal. In the euphoria that accompanied democracy and free markets, writers were liberated from the burden of grandiose political expectations. But no group is happy to lose its influence: despite recognizing that their exalted social position was related to their reputation for challenging political oppression, such writers have worked hard to retain their status, inventing a series of new strategies for this purpose. Remaining Relevant after Communism considers these strategies—from pulp fiction to public service—documenting what has happened on the East European scene since 1989.
Eudora Welty and Politics
Author: Harriet Pollack
Publisher: LSU Press
ISBN: 9780807126189
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
This collection of complementary and interrelated essays by ten well-known Welty critics brings welcome clarification to the controversial subject of Eudora Welty and the political, a topic once presumed to be closed tight. As the essays prove, Welty has been inaccurately assessed by critics from Diana Trilling in the Nation (1943) to Claudia Roth Pierpont in the New Yorker (1998) as a writer who avoids political, historical, or cultural engagement in her fiction. The better question these essayists explore is not whether but how Welty’s work is to be understood as political. Harriet Pollack, Suzanne Marrs, Peggy Prenshaw, Noel Polk, Suzan Harrison, Ann Romines, Rebecca Mark, Barbara Ladd, Sharon Baris, and Danièle Pitavy-Souques place Welty’s seeming rejection of the political in her 1961 essay “Must the Novelist Crusade?” into the cultural and historical context of 1940–1960, when “individualism” was a code word for political and personal freedom and was defined in contrast to totalitarianism as represented by Mussolini, Hitler, and Stalin. Welty, they show, though she repudiated the concept of fiction as editorial, wrote stories that were inherently and unavoidably political. The essayists look closely at how surprisingly often Welty’s fiction, criticism, and photographs are oblique responses to public political issues—political corruption, racial apartheid, poverty, McCarthyism and the Rosenberg trials, violent resistance to the civil rights movement, integration of schools, and filial piety and southern reverence for identities of the cultural past. The deceptive opposition of the terms private and political may be most at fault for misreading Welty. As the only living author to be reedited by the Library of America, Eudora Welty deserves a sound appreciation of her complex oeuvre. Eudora Welty and Politics provides just that, approaching Welty’s work from an all-new point of view to reveal how the writer repeatedly registered a political vision in her work.
Publisher: LSU Press
ISBN: 9780807126189
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
This collection of complementary and interrelated essays by ten well-known Welty critics brings welcome clarification to the controversial subject of Eudora Welty and the political, a topic once presumed to be closed tight. As the essays prove, Welty has been inaccurately assessed by critics from Diana Trilling in the Nation (1943) to Claudia Roth Pierpont in the New Yorker (1998) as a writer who avoids political, historical, or cultural engagement in her fiction. The better question these essayists explore is not whether but how Welty’s work is to be understood as political. Harriet Pollack, Suzanne Marrs, Peggy Prenshaw, Noel Polk, Suzan Harrison, Ann Romines, Rebecca Mark, Barbara Ladd, Sharon Baris, and Danièle Pitavy-Souques place Welty’s seeming rejection of the political in her 1961 essay “Must the Novelist Crusade?” into the cultural and historical context of 1940–1960, when “individualism” was a code word for political and personal freedom and was defined in contrast to totalitarianism as represented by Mussolini, Hitler, and Stalin. Welty, they show, though she repudiated the concept of fiction as editorial, wrote stories that were inherently and unavoidably political. The essayists look closely at how surprisingly often Welty’s fiction, criticism, and photographs are oblique responses to public political issues—political corruption, racial apartheid, poverty, McCarthyism and the Rosenberg trials, violent resistance to the civil rights movement, integration of schools, and filial piety and southern reverence for identities of the cultural past. The deceptive opposition of the terms private and political may be most at fault for misreading Welty. As the only living author to be reedited by the Library of America, Eudora Welty deserves a sound appreciation of her complex oeuvre. Eudora Welty and Politics provides just that, approaching Welty’s work from an all-new point of view to reveal how the writer repeatedly registered a political vision in her work.