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Author: Ann-Marie Einhaus
Publisher: Cambridge University Press
ISBN: 1107276896
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives - and spanning a wide spectrum of literary styles and movements - Einhaus's work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies.
Author: Ann-Marie Einhaus
Publisher: Cambridge University Press
ISBN: 1107276896
Category : Literary Criticism
Languages : en
Pages : 229
Get Book Here
Book Description
The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives - and spanning a wide spectrum of literary styles and movements - Einhaus's work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies.
Author: Louis Paul Bénézet
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 186
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Book Description
This book delves into the fascinating story behind the formation of the modern map of Europe in the aftermath of World War I. Gain a unique perspective on the war and its aftermath as seen through the eyes of Americans in 1918, and witness the optimism for world peace that prevailed at the time. The author paints a vivid picture of the cost of war and the far-reaching consequences of the decisions made during this crucial period in history. This book is a must-read for anyone interested in the history of Europe and the causes and consequences of war.
Author: Various
Publisher: VM eBooks
ISBN:
Category : History
Languages : en
Pages :
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Book Description
World War I (WWI or WW1), also known as the First World War, or the Great War, was a global war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918. More than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history. Over 9 million combatants and 7 million civilians died as a result of the war (including the victims of a number of genocides), a casualty rate exacerbated by the belligerents' technological and industrial sophistication, and the tactical stalemate caused by trench warfare, a grueling form of warfare in which the defender held the advantage. It was one of the deadliest conflicts in history, and paved the way for major political changes, including revolutions in many of the nations involved. The war drew in all the world's economic great powers, assembled in two opposing alliances: the Allies (based on the Triple Entente of the United Kingdom/British Empire, France and the Russian Empire) versus the Central Powers of Germany and Austria-Hungary. Although Italy was a member of the Triple Alliance alongside Germany and Austria-Hungary, it did not join the Central Powers, as Austria-Hungary had taken the offensive, against the terms of the alliance. These alliances were reorganised and expanded as more nations entered the war: Italy, Japan and the United States joined the Allies, while the Ottoman Empire and Bulgaria joined the Central Powers. The trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, heir to the throne of Austria-Hungary, by Yugoslav nationalist Gavrilo Princip in Sarajevo on 28 June 1914. This set off a diplomatic crisis when Austria-Hungary delivered an ultimatum to the Kingdom of Serbia, and entangled international alliances formed over the previous decades were invoked. Within weeks, the major powers were at war and the conflict soon spread around the world. On 28 July, the Austro-Hungarians declared war on Serbia and subsequently invaded. As Russia mobilised in support of Serbia, Germany invaded neutral Belgium and Luxembourg before moving towards France, leading the United Kingdom to declare war on Germany. After the German march on Paris was halted, what became known as the Western Front settled into a battle of attrition, with a trench line that would change little until 1917. Meanwhile, on the Eastern Front, the Russian army was successful against the Austro-Hungarians, but was stopped in its invasion of East Prussia by the Germans. In November 1914, the Ottoman Empire joined the Central Powers, opening fronts in the Caucasus, Mesopotamia and the Sinai. Italy joined the Allies in 1915 and Bulgaria joined the Central Powers in the same year, while Romania joined the Allies in 1916, followed by United States in 1917. The Russian government collapsed in March 1917, and a subsequent revolution in November brought the Russians to terms with the Central Powers via the Treaty of Brest Litovsk, which constituted a massive German victory. After a stunning German offensive along the Western Front in the spring of 1918, the Allies rallied and drove back the Germans in a series of successful offensives. On 4 November 1918, the Austro-Hungarian empire agreed to an armistice, and Germany, which had its own trouble with revolutionaries, agreed to an armistice on 11 November 1918, ending the war in victory for the Allies. By the end of the war, the German Empire, Russian Empire, Austro-Hungarian Empire and the Ottoman Empire had ceased to exist. National borders were redrawn, with several independent nations restored or created, and Germany's colonies were parceled out among the winners. During the Paris Peace Conference of 1919, the Big Four (Britain, France, the United States and Italy) imposed their terms in a series of treaties. The League of Nations was formed with the aim of preventing any repetition of such a conflict. This, however, failed with economic depression, renewed European nationalism, weakened member states, and the German feeling of humiliation contributing to the rise of Nazism. These conditions eventually contributed to World War II.
Author: Ann-Marie Einhaus
Publisher: Penguin UK
ISBN: 0141916494
Category : Fiction
Languages : en
Pages : 534
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Book Description
An anthology of Great War short stories by British writers, both famous and lesser-known authors, men and women, during the war and after its end. These stories are able to illustrate the impact of the Great War on British society and culture and the many modes in which short fiction contributed to the war's literature. The selection covers different periods: the war years themselves, the famous boom years of the late 1920s to the more recent past in which the First World War has received new cultural interest.
Author: Sayre P. Sheldon
Publisher: SIU Press
ISBN: 9780809322466
Category : History
Languages : en
Pages : 388
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Book Description
This volume contains writings of or about war from the following authors : Nina Macdonald, Rebecca West, Vera Brittain, Edith Wharton, Mary Borden, Ellen La Motte, Colette, Helen Zenna Smith, Dorothy Canfield Fisher, Amy Lowell, Willa Cather, Mary Lee, Elizabeth Shepley Sergeant, Gertrude Stein, Kathe Kollwitz, Charlotte Mew, Katherine Mansfield, Louise Bogan, Toni Morrison, Jane Addams, Emmeline Pethick-Lawrence, Edna St. Vincent Millay, Martha Gellhorn, Frances Davis, Dorothy Parker, Gertrud Kolmar, Virginia Woolf, Dorothy Thompson, Ding Ling, Anna Akhmatova, Olivia Manning, Elizabeth Bowen, Bryher, H.D., Mary Lee Settle, Elizabeth Vaughan, Iris Origo, Christabel Bielenberg, Etty Hillesum, Sara Nomberg-Przytyk, Charlotte Delbo, Elsa Morante, Mitsuye Yamada, Hirabayashi Taiko, Kikue Tada, Doris Lessing, Kathryn Hulme, Kay Boyle, Gwendolyn Brooks, Marguerite Higgins, Martha Gelhorn, Mary McCarthy, Grace Paley, Huong Tram, Lady Borton, Margaret Atwood, Muriel Rukeyser, Susan Griffin, Karla Ramirez, Margaret Thatcher, Molly Moore, Fadwa Tuqan, Dahlia Ravikovitch, Meena Alexander, Marta Traba, Lina Magaia, and Margaret Drabble.
Author: Benjamin Griffin
Publisher: Naval Institute Press
ISBN: 1682477797
Category : History
Languages : en
Pages : 248
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Book Description
Reagan’s War Stories examines the relationship between Ronald Reagan, the public and popular culture. From an overview of Reagan’s youth and the pulp fiction he consumed, we get a sense of the future president’s good/evil outlook. Carrying that over into Reagan’s reading and choices as president, Griffin situates narrative at the center of Reagan’s political formation and leadership providing a compelling account of both Reagan’s life, his presidency, and a lens into non-traditional strategy formulation. Author Ben Griffin tells three stories about an American president who ushered in the end of the Cold War. A survey of Reagan’s youth and the fiction he consumed and created as an announcer and actor, reveals how the future president’s worldview developed. A look at the rise of fiction and popular culture rife with pro-Americanism in the 1980s details a uniquely symbiotic relationship between the chief executive and popular culture in framing the Cold War as a struggle with an “Evil Empire” in the Soviet Union. Finally, Griffin outlines how presidential personality and reading preferences shaped President Reagan’s pursuit of the “Star Wars” initiative and belief in the transformative combination of freedom and technology. Griffin demonstrates that novels by Tom Clancy, Louis L’Amour, and science fiction influenced Reagan’s view of 1980s geopolitics. His identification with fiction led Ronald Reagan to view European Cold War issues with more empathy but harmed the president's policymaking when the narrowness of his reading led him to apply a white-hat/black-hat framework that did not match the reality of conflict in Latin America. Reagan treated fictional portrayals seriously, believing they shaped public views and offered valid ways to think through geo-political issues. Seeking to shape the reading habits of the public, his administration sought to highlight authors who shared his worldview like Tom Clancy, Louis L’Amour, and Allen Drury over other popular writers like Robert Ludlum and John Le Carre who portrayed the Cold War in less stark moral terms. The administration’s favored popular authors in turn intentionally incorporated Reagan-era policies into their work to advocate for them through fiction, thus reaching a broader audience than via official government releases and speeches. Showing how Reagan used narrative as both a consumer and a communicator, Griffin notes that Reagan identified with certain stories and they shaped him as a political leader and later and influenced his approach to complex issues. When handled deftly, incorporating fiction created a common language across the administration and provided a way to convey messages to the masses in a memorable fashion.
Author: Paul Green
Publisher: McFarland
ISBN: 1476666725
Category : Social Science
Languages : en
Pages : 241
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Book Description
Fictional war narratives often employ haunted battlefields, super-soldiers, time travel, the undead and other imaginative elements of science fiction and fantasy. This encyclopedia catalogs appearances of the strange and the supernatural found in the war stories of film, television, novels, short stories, pulp fiction, comic books and video and role-playing games. Categories explore themes of mythology, science fiction, alternative history, superheroes and "Weird War."
Author: Dominic Head
Publisher: Cambridge University Press
ISBN: 1316739147
Category : Literary Criticism
Languages : en
Pages : 1082
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Book Description
The Cambridge History of the English Short Story is the first comprehensive volume to capture the literary history of the English short story. Charting the origins and generic evolution of the English short story to the present day, and written by international experts in the field, this book covers numerous transnational and historical connections between writers, modes and forms of transmission. Suitable for English literature students and scholars of the English short story generally, it will become a standard work of reference in its field.
Author: Tobey C. Herzog
Publisher: Routledge
ISBN: 113490262X
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Dealing with ten key narratives, including novels and personal accounts, Herzog locates them in the tradition of war literature as well as recent cinema, and charts the transformations of the American nation in its experience of modern war.
Author: Miriam Cooke
Publisher: Univ of California Press
ISBN: 0520918096
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative—and with it the way we think about and conduct war—can be changed. As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions—home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat—that have framed, and ultimately promoted, war.
