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Author: Patrick Dacre Trevor-Roper
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Patrick Dacre Trevor-Roper
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
Author: Patrick Trevor-Roper
Publisher: Souvenir Press
ISBN: 0285642073
Category : Photography
Languages : en
Pages : 192
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Book Description
How did faulty or failing eyesight affect the style and technique of writers and artists. How did it affect the way they convey their visual impressions. In a classic study, first published in 1970 and thoroughly revised in 1988, Patrick Trevor-Roper combines his professional knowledge of ophthalmology with his extensive familiarity with art and literature to fascinatingly examine the work of painters, sculptors, poets and prose writers. Looking at the effects of myopia, cataracts, colour blindness, squints and total blindness he speculates on what the impact would have been on artists had they worn glasses. Illustrated with colour reproductions and a wealth of black and white photos, this was a true labour of love from a highly cultured man, erudite and stimulating.
Author: Patrick Trevor-Roper
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 191
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Book Description
Author: Patrick Trevor-Roper
Publisher:
ISBN: 9780140124811
Category : Art and vision disorders
Languages : en
Pages : 207
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Book Description
Author: Jeremy Fernando
Publisher: punctum books
ISBN: 908170916X
Category : Philosophy
Languages : en
Pages : 174
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Book Description
"On Blinking" opens a dossier on seeing. It looks not only to the epistemological sense of what it means to see or the hermeneutical sense of what is the meaning of that which is seen but attends to various sites of knowledge-photography, literature, and philosophy. And in doing so, it questions the privileging of presence and sight in Western thought. Thus, this book, through the essays- "Emerging Sight, Emerging Blindness" (Brian Willems); "Augen, Blicke, Stätten" (Julia Hölzl); "At the risk of love" (Jeremy Fernando); and "Suspended in a Moving Night: Photography, or the Shiny Relation Self-World" (Jessica Aliaga Lavrijsen)- attempts to address the question what is seeing.
Author: Simon Fenwick
Publisher: Constable
ISBN: 1472132467
Category : History
Languages : en
Pages : 355
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Book Description
In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house. Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.
Author: Lambert Wiesing
Publisher: Bloomsbury Publishing
ISBN: 1474232663
Category : Philosophy
Languages : en
Pages : 281
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Book Description
Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover: Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of using signs, regardless of objective content; Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann's call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility's sake alone; Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century.
Author: William J. Benjamin
Publisher: Elsevier Health Sciences
ISBN: 0702038970
Category : Medical
Languages : en
Pages : 2711
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Book Description
Now updated and expanded to cover the latest technologies, this full-color text on clinical refraction uses an easy-to-read format to give optometry students and practitioners all the important information they need. Also covers a wide range of other aspects of the eye exam, including anterior and posterior segment evaluations, contact lens, ocular pharmacology, and visual field analysis. Four new chapters cover wavefront-guided refraction, optical correction with refractive surgeries, prosthetic devices, and patients with ocular pathology. - Offer precise, step-by-step how-to's for performing all of the most effective refractive techniques. - Presents individualized refractive approaches for the full range of patients, including special patient populations. - Contriubtors are internationally recognized, leading authorities in the field. - New full-color design with full-color images throughout. - Completely updated and expanded to include current technologies. - A new chapter on Optical Correction with Refractive Surgeries, including keratoplasty, traditional refractive surgeries (e.g. LASIK and PRK), crystalline lens extraction with and without pseudophakia, the new presbyopic surgery, etc. - A new chapter on Wavefront Guided Refraction provides information on the advantages and limitations the Hartmann-Shack Method for objective refraction plus aberrometry and the refraction and the use of in the correction of the eye with spectacles, contact lenses, and refractive surgery. - A new chapter on Patients with Ocular Pathology reflects the most current knowledge of patients with ocular pathologies. - Provides information on Optical Correction with Prosthetic Devices, including corneal onlays, stromal implants, phakic intraocular lenses, etc. - Includes new chapters and/or discussions on such topics as: Aberrations of the Eye, Refractive Consequences of Eye Pathology, Diagnosis and Treatment of Dry Eye, Diagnosis of Pathology of the Anterior Segment, Diagnosis of Glaucoma, and Diagnosis of Pathology of the Posterior Segment. - Visual Acuity chapter expanded to include the effect of refractive error on visual acuity and statistics on how much of a change in visual acuity is significant. - Objective Refraction, Corneal Topography, and Visual Field Analysis chapters include the addition of new electro-optical and computer techniques and equipment. - Chapters on Multifocal Spectacle Lenses and Contact Lenses now cover newer progressive addition lenses and contact lenses that are now on the market. - Electrodiagnosis chapter revised to take a more clinical approach.
Author: Travis Elborough
Publisher: Little, Brown Book Group
ISBN: 1408712830
Category : History
Languages : en
Pages : 357
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Book Description
'Elegant and multi-focal. Glorious!' Simon Garfield 'It will make you look at specs with fresh eyes' New Statesman 'Lively, engaging and admirably wide-ranging' The Times 'Fascinating' Observer The humble pair of glasses might just be one of the world's greatest inventions, allowing millions to see a world that might otherwise appear a blur. And yet how much do many of us really think about these things perched on the ends of our noses? Through the Looking Glasses traces the fascinating story of spectacles: from their inception as primitive visual aids for monkish scribes right through to today's designer eyewear and the augmented reality of Google Glass. There are encounters with ingenious medieval Italian glassmakers, myopic Renaissance rulers and spectacle-makers, as well as the silent movie star Harold Lloyd, the rock'n'roller Buddy Holly and the full-screen figure of Marilyn Monroe. This is a book about vision and the need for humanity to see clearly, and where the impulse to improve our eyesight has led us.
Author: Nicholas Wade
Publisher: Routledge
ISBN: 1315467798
Category : Psychology
Languages : en
Pages : 522
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Book Description
In this book a leading researcher and artist explores how we see pictures and how they can communicate messages to us, both directly and indirectly by making allusions to objects in space or to stored images in our minds. Originally published in 1990, Dr Wade provides fascinating examples of pictures that communicate hidden messages, either by implying something else, or by a shape or portrait which is carried covertly within another design. He analyses image processing stages in vision, demonstrating that the various stages may be related to styles in representational art. He shows how the way we have been taught to look at and recognise objects, affects the way we see them. The book lavishly illustrates with original examples of visual allusions and includes detailed practical advice on how photographers and designers can create them. Essential reading for photographers, designers, artists, people in film and television, and anyone involved in visual science , visual communication and advertising.
