The World of Marcel Duchamp, 1887-1968 PDF Download
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Author: Calvin Tomkins
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Surveys the life, work and times of Marcel Duchamp, one of the most influential of the 20th century artists.
Author: Calvin Tomkins
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Surveys the life, work and times of Marcel Duchamp, one of the most influential of the 20th century artists.
Author: C. Tomkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
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Book Description
Author: Janis Mink
Publisher: Taschen America Llc
ISBN: 9783822863169
Category : Art
Languages : en
Pages : 95
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Book Description
Marcel Duchamp's critical examination of the conditions under which art is created and marketed set a trend that has continued from 20th century to the present. Due to the artistically provocative nature of his work, Duchamp received an enormous amount of critical attention but he maintained a "wall of silence" leaving his work to remain an enigma.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Janine A. Mileaf
Publisher: Mit Press
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art.
Author: Alice Goldfarb Marquis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Journalist and historian Marquis tells the story of French-born American painter and all-around celebrity Duchamp (1887-1968). A substantially different version of the biography was published as Marcel Duchamp: Eros, c'est la vie by Whitson in 1980. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John F. Moffitt
Publisher: State University of New York Press
ISBN: 0791486907
Category : Religion
Languages : en
Pages : 512
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Book Description
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Matthew Affron
Publisher: Philadelphia Museum Of Art (Yale)
ISBN: 9780300233117
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
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Book Description
"Published on the occasion of the exhibition The Essential Duchamp, Tokyo National Museum, October 2-December 9, 2018; National Museum of Modern and Contemporary Art, Seoul, December 22, 2018-April 7, 2019; Art Gallery of New South Wales, Sydney, April-August 2019"--Colophon.
Author: Pierre Cabanne
Publisher: Da Capo Press
ISBN: 0786749717
Category : Art
Languages : en
Pages : 158
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Book Description
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
