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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 380
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 9780521587075
Category : Drama
Languages : en
Pages : 160
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Book Description
This edition of Shakespeare's King Lear is based on the first (1608) quarto and represents a significantly different version from that published in the folio of 1623, which forms the basis of the standard New Cambridge Shakespeare edition. Each has numerous unique passages and hundreds of variant readings, creating differences that affect the structure, characterization and overall impact of the play. This volume contains a substantial introduction, the text of the first quarto, a collation of variant readings and an appendix of passages unique to the Folio.
Author: William Shakespeare
Publisher: A&C Black
ISBN: 1903436591
Category : Drama
Languages : en
Pages : 456
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Book Description
Kommentierte Ausgabe von "King Lear"
Author: Charles Lamb
Publisher:
ISBN:
Category :
Languages : en
Pages : 630
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Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1450
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Book Description
Volumes for 1898-1968 include a directory of publishers.
Author: Gabriel Egan
Publisher: Cambridge University Press
ISBN: 1139493612
Category : Literary Criticism
Languages : en
Pages :
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Book Description
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973644
Category : Literary Criticism
Languages : en
Pages : 454
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Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
