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Author: Allan Ramsay
Publisher:
ISBN:
Category :
Languages : en
Pages : 370
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Book Description
Author: Allan Ramsay
Publisher:
ISBN:
Category :
Languages : en
Pages : 370
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Book Description
Author: Allan H. MacLaine
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Author: Robert Burns
Publisher: Oxford University Press, USA
ISBN: 0199603170
Category : Literary Collections
Languages : en
Pages : 449
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Book Description
The first volume in Oxford's new edition of The Collected Works of Robert Burns, this volume brings together Burns' prose works for the first time.
Author: Gerard Carruthers
Publisher: Edinburgh University Press
ISBN: 0748633103
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This guide combines detailed literary history with discussion of contemporary debates about Scottishness.The book considers the rise of Scottish Studies, the development of a national literature, and issues of cultural nationalism. Beginning in the medieval period during a time of nation building, the book goes on to focus on the 'Scots revival' of the eighteenth and nineteenth centuries before moving on to discuss the literary renaissance of the twentieth century. Debates concerning Celticism and Gaelic take place alongside discussion of key Scottish writers such as William Dunbar, Robert Burns, Walter Scott, Thomas Carlyle, Margaret Oliphant, Hugh MacDiarmid, Alasdair Gray, Janice Galloway and Liz Lochhead. The book also considers emigre writers to Scotland; Scottish literature in relation to England, the United States and Ireland; and postcolonialism and other theories that shed fresh light on the current status and future of Scottish literature.
Author: Allan Ramsay
Publisher:
ISBN:
Category : Scottish poetry
Languages : en
Pages : 366
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Book Description
Author: Mark C. Wallace
Publisher: Rutgers University Press
ISBN: 1684482682
Category : History
Languages : en
Pages : 188
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Book Description
Social clubs as they existed in eighteenth- and early nineteenth-century Scotland were varied: they could be convivial, sporting, or scholarly, or they could be a significant and dynamic social force, committed to improvement and national regeneration as well as to sociability. The essays in this volume examine the complex history of clubs and societies in Scotland from 1700 to 1830. Contributors address attitudes toward associations, their meeting places and rituals, their links with the growth of the professions and with literary culture, and the ways in which they were structured by both class and gender. By widening the context in which clubs and societies are set, the collection offers a new framework for understanding them, bringing together the inheritance of the Scottish past, the unique and cohesive polite culture of the Scottish Enlightenment, and the broader context of associational patterns common to Britain, Ireland, and beyond.
Author: B. Overton
Publisher: Springer
ISBN: 0230593461
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
This is the first book to cover the whole range of epistolary verse in the period, including the discursive type favoured by Pope and the familiar and dramatic epistles. It advances a new model for defining the form, demonstrates the form's importance in the period, and pays attention to non-canonical epistles by women and labouring-class writers.
Author: Allan Ramsay
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Book Description
Author: Allan Ramsay
Publisher:
ISBN:
Category : Scottish literature
Languages : en
Pages : 346
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Book Description
Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
