Author: Laura Maria Ragg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
The Women Artists of Bologna
Author: Laura Maria Ragg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
The Women Artists of Bologna ...
Author: Laura Marie (Roberts). Ragg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
Concise Dictionary of Women Artists
Author: Delia Gaze
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786
Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786
Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Records of Woman, with Other Poems
Author: Felicia Hemans
Publisher: University Press of Kentucky
ISBN: 0813184304
Category : Poetry
Languages : en
Pages : 241
Book Description
Felicia Hemans (1793-1835), one of the most influential and widely-read poets of the nineteenth century, wrote Records of Woman in 1828 at the height of her long career. In the series, which includes nineteen poems about exemplary lives, Hemans explores what it means to be a woman, challenging traditional beliefs while at the same time reinforcing persistent stereotypes. Her work celebrates the lives, events, and imagined thoughts of unremembered women from different cultures and time periods whose deeds show nobility of spirit and inner strength. In her introduction, Paula Feldman examines how Hemans's poetry shaped and was shaped by nineteenth-century literary tastes, and she reconsiders the aesthetic value of Hemans's work and the current understanding of the nature of Romanticism.
Publisher: University Press of Kentucky
ISBN: 0813184304
Category : Poetry
Languages : en
Pages : 241
Book Description
Felicia Hemans (1793-1835), one of the most influential and widely-read poets of the nineteenth century, wrote Records of Woman in 1828 at the height of her long career. In the series, which includes nineteen poems about exemplary lives, Hemans explores what it means to be a woman, challenging traditional beliefs while at the same time reinforcing persistent stereotypes. Her work celebrates the lives, events, and imagined thoughts of unremembered women from different cultures and time periods whose deeds show nobility of spirit and inner strength. In her introduction, Paula Feldman examines how Hemans's poetry shaped and was shaped by nineteenth-century literary tastes, and she reconsiders the aesthetic value of Hemans's work and the current understanding of the nature of Romanticism.
Women Artists
Author: Paula L. Chiarmonte
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 28
Book Description
Women Artists
Author: Sherry Piland
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
Expanded to include an additional 29 artists, the second edition of Women Artists is evidence of the growing interest in the lives and careers of women artists. Additional annotated entries are included for the painters, printmakers, photographers, sculptors, and craftswomen represented in the earlier volume. With 43 black-and-white reproductions. This work continues to be an extremely valuable reference source, especially for women artists prior to the 20th century.--CHOICE ...a most useful reference tool for anyone researching in this field.--REFERENCE REVIEWS
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
Expanded to include an additional 29 artists, the second edition of Women Artists is evidence of the growing interest in the lives and careers of women artists. Additional annotated entries are included for the painters, printmakers, photographers, sculptors, and craftswomen represented in the earlier volume. With 43 black-and-white reproductions. This work continues to be an extremely valuable reference source, especially for women artists prior to the 20th century.--CHOICE ...a most useful reference tool for anyone researching in this field.--REFERENCE REVIEWS
T.P.'s Weekly
Author: Thomas Power O'Connor
Publisher:
ISBN:
Category : British periodicals
Languages : en
Pages : 840
Book Description
Publisher:
ISBN:
Category : British periodicals
Languages : en
Pages : 840
Book Description
Elisabetta Sirani
Author: Adelina Modesti
Publisher: Getty Publications
ISBN: 1606068172
Category : Art
Languages : en
Pages : 144
Book Description
Elisabetta Sirani (1638–1665)—painter, printmaker, and teacher—was one of the most innovative and prolific artists of the Bolognese school. The daughter of a painter, she hailed from a city whose university was believed to have educated women since the Middle Ages and that celebrated the cult of Saint Catherine of Bologna, who was known for her skill as a painter and illuminator—ideal conditions to encourage the training and patronage of skilled women artists. Drawing on extensive archival documentation and primary sources, including inventories, sale catalogues, and Sirani’s work diary, this book provides an overview of the brief life, fascinating oeuvre, critical fortune, and cultural legacy of this successful Baroque artist. Art historian Adelina Modesti vividly describes the society that both inhibited and supported Sirani, examining her influence on students at Bologna’s school for professional women artists as well as her significance in the professionalization of women’s artistic practice during the seventeenth century. Gorgeously illustrated throughout, this book focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning, and literary construction as Bologna’s preeminent cultural heroine.
Publisher: Getty Publications
ISBN: 1606068172
Category : Art
Languages : en
Pages : 144
Book Description
Elisabetta Sirani (1638–1665)—painter, printmaker, and teacher—was one of the most innovative and prolific artists of the Bolognese school. The daughter of a painter, she hailed from a city whose university was believed to have educated women since the Middle Ages and that celebrated the cult of Saint Catherine of Bologna, who was known for her skill as a painter and illuminator—ideal conditions to encourage the training and patronage of skilled women artists. Drawing on extensive archival documentation and primary sources, including inventories, sale catalogues, and Sirani’s work diary, this book provides an overview of the brief life, fascinating oeuvre, critical fortune, and cultural legacy of this successful Baroque artist. Art historian Adelina Modesti vividly describes the society that both inhibited and supported Sirani, examining her influence on students at Bologna’s school for professional women artists as well as her significance in the professionalization of women’s artistic practice during the seventeenth century. Gorgeously illustrated throughout, this book focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning, and literary construction as Bologna’s preeminent cultural heroine.
Woman's Art Journal
Author:
Publisher:
ISBN:
Category : Feminism and art
Languages : en
Pages : 422
Book Description
Publisher:
ISBN:
Category : Feminism and art
Languages : en
Pages : 422
Book Description
Women, Art, and Architecture in Northern Italy, 1520–1580
Author: Katherine A. McIver
Publisher: Routledge
ISBN: 1351871706
Category : Art
Languages : en
Pages : 301
Book Description
Expanding interdisciplinary investigations into gender and material culture, Katherine A. McIver here adds a new dimension to Renaissance patronage studies by considering domestic art - the decoration of the domestic interior - as opposed to patronage of the fine arts (painting, sculpture and architecture). Taking a multidimensional approach, McIver looks at women as collectors of precious material goods, as organizers of the early modern home, and as decorators of its interior. By analyzing the inventories of women's possessions, McIver considers the wide range of domestic objects that women owned, such as painted and inlaid chests, painted wall panels, tapestries, fine fabrics for wall and bed hangings, and elaborate jewelry (pendant earrings, brooches, garlands for the hair, necklaces and rings) as well as personal devotional objects. Considering all forms of patronage opportunities open to women, she evaluates their role in commissioning and utilizing works of art and architecture as a means of negotiating power in the court setting, in the process offering fresh insights into their lives, limitations, and the possibilities open to them as patrons. Using her subjects' financial records to track their sources of income and the circumstances under which it was spent, McIver thereby also provides insights into issues of Renaissance women's economic rights and responsibilities. The primary focus on the lives and patronage patterns of three relatively unknown women, Laura Pallavicina-Sanvitale, Giacoma Pallavicina and Camilla Pallavicina, provides a new model for understanding what women bought, displayed, collected and commissioned. By moving beyond the traditional artistic centers of Florence, Venice and Rome, analyzing instead women's artistic patronage in the feudal courts around Parma and Piacenza during the sixteenth century, McIver nuances our understanding of women's position and power both in and out of the home. Carefully integrating extensive archival
Publisher: Routledge
ISBN: 1351871706
Category : Art
Languages : en
Pages : 301
Book Description
Expanding interdisciplinary investigations into gender and material culture, Katherine A. McIver here adds a new dimension to Renaissance patronage studies by considering domestic art - the decoration of the domestic interior - as opposed to patronage of the fine arts (painting, sculpture and architecture). Taking a multidimensional approach, McIver looks at women as collectors of precious material goods, as organizers of the early modern home, and as decorators of its interior. By analyzing the inventories of women's possessions, McIver considers the wide range of domestic objects that women owned, such as painted and inlaid chests, painted wall panels, tapestries, fine fabrics for wall and bed hangings, and elaborate jewelry (pendant earrings, brooches, garlands for the hair, necklaces and rings) as well as personal devotional objects. Considering all forms of patronage opportunities open to women, she evaluates their role in commissioning and utilizing works of art and architecture as a means of negotiating power in the court setting, in the process offering fresh insights into their lives, limitations, and the possibilities open to them as patrons. Using her subjects' financial records to track their sources of income and the circumstances under which it was spent, McIver thereby also provides insights into issues of Renaissance women's economic rights and responsibilities. The primary focus on the lives and patronage patterns of three relatively unknown women, Laura Pallavicina-Sanvitale, Giacoma Pallavicina and Camilla Pallavicina, provides a new model for understanding what women bought, displayed, collected and commissioned. By moving beyond the traditional artistic centers of Florence, Venice and Rome, analyzing instead women's artistic patronage in the feudal courts around Parma and Piacenza during the sixteenth century, McIver nuances our understanding of women's position and power both in and out of the home. Carefully integrating extensive archival