The Witmark Amateur Minstrel Guide and Burnt Cork Encyclopedia

The Witmark Amateur Minstrel Guide and Burnt Cork Encyclopedia PDF Author: Frank Dumont
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 178

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The Witmark Amateur Minstrel Guide and Burnt Cork Encyclopedia

The Witmark Amateur Minstrel Guide and Burnt Cork Encyclopedia PDF Author: Frank Dumont
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 176

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The Witmark Amateur Minstrel Guide

The Witmark Amateur Minstrel Guide PDF Author: Frank Dumont
Publisher:
ISBN: 9783337223526
Category :
Languages : en
Pages : 182

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Book Description
The Witmark Amateur Minstrel Guide - and burnt cork encyclopedia is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Blacksound

Blacksound PDF Author: Matthew D. Morrison
Publisher: Univ of California Press
ISBN: 0520390571
Category : African American musicians
Languages : en
Pages : 323

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Book Description
A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.

Burnt Cork No. 2

Burnt Cork No. 2 PDF Author: Frank Dumont
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 52

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The Supervisors Service Bulletin

The Supervisors Service Bulletin PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 386

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A Spy in the Enemy's Country

A Spy in the Enemy's Country PDF Author: Donald A. Petesch
Publisher: University of Iowa Press
ISBN: 9781587291852
Category : Literary Criticism
Languages : en
Pages : 308

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Book Description
Paperbound reprint of a 1989 study that provides background for understanding the works of black American writers in the late 19th and early 20th centuries. Annotation copyrighted by Book News, Inc., Portland, OR

The Amateur Entertainer

The Amateur Entertainer PDF Author: Crest Trading Company, New York
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 250

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Men in Blackface

Men in Blackface PDF Author: Seymour Stark
Publisher: Xlibris Corporation
ISBN: 1453582886
Category : Performing Arts
Languages : en
Pages : 171

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Contents The Minstrel Show Will Never Die Jim Crow and Tom Thumb Irishness of it All Irving Berlin Titillates Gershwins Racial Profiling Jews in Blackface Jolson the Shlemiel Strutting to Redemption Endnotes -------------------------------- How New York City, the Birthplace of Blackface, Defined Humor and Race for 100 Years (MIB: 12-17) Jim Crow, a blackface stage character, lends his name to the pernicious practice of racial segregation. Native New Yorker Tom Rice performed "Jim Crow" at the Bowery Theatre in 1832. (MIB: 22-24) Edwin P. Christy established the first permanent minstrel hall at 472 Broadway in New York City in 1847. Christy created the stylized format which endured for 10 decades. Why Irish Americans Wore Blackface (MIB: 18-19) Dan Emmets "Dixie", written as a minstrel tune, became the Confederate anthem. In an earlier minstrel song, Emmett romanticized slavery: "Ill dance all night an work all day." (MIB: 46-48) Ned Harrigan, the grandfather of the Broadway musical, pitted on stage the Irish Mulligan Guard in 1879 against the black (white actors in blackface) Skidmore Guard--"Ten platoons of dandy coons." The Blackface Burden of Jewishness (MIB: 73-78) Irving Berlin, son of a cantor, penned his first "coon song" in 1909, and added eight more to his "coon song" cycle. Berlin staged blackface minstrel shows for the Army in both World War I and World War II. His 1942 film, "Holiday Inn", introduced "White Christmas" and Bing Crosby in blackface. (MIB: 101-138) Al Jolson in blackface made the first talking motion picture in 1927. In each of his eight Hollywood films over two decades, Jolson weaved the theme of Jewishness into the blackface minstrel show. He is the worldwide icon of blackface.

Annual List of Books Added to the Public Library of Cincinnati

Annual List of Books Added to the Public Library of Cincinnati PDF Author: Cincinnati (Ohio), Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 422

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