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Author: John Howard Oakley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 184
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Book Description
"The Wedding in Ancient Athens is the first book to reconstruct the stages of the ancient Greek wedding ceremony using a long-neglected source of information: vase paintings from the sixth through fourth centuries B.C." "In order to elucidate the entire ceremony, from the preparations for the wedding to the rituals performed on the day after the wedding night, John H. Oakley and Rebecca H. Sinos incorporate copious illustrations of Athenian vases in their analysis, supplementing evidence drawn from contemporary Greek literature. The weddings rendered on the vases evolve through time, from formal scenes of the wedding procession on black-figure vases to later red-figure scenes offering more intimate views of the bride as she prepares her adornments. In these later scenes, the authors point out, Greek women appear as more than just passive objects of men's manipulations; they possess their own powerful and divinely sanctioned means of seduction." "The evidence of wedding scenes on vases of both eras is valuable for several reasons. Some vases depict aspects of the wedding that are not clearly portrayed in literature, thus supplying a better understanding of each stage of the ceremony. Vases also offer insight into Athenian attitudes toward the wedding, suggesting a perspective different from that provided by Greek literature. The book includes scenes that represent real life, scenes that are clearly mythological, and also some tableaux that blur the distinction between mortals and gods or heroes, suggesting the idealized state in which mortals appeared when engaged in rituals with divine prototypes." "The Wedding in Ancient Athens is as enjoyable as it is informative. Oakley and Sinos thoroughly explore Athenian wedding iconography and interpret it so that the ceremony can be appreciated by a modern audience."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: John Howard Oakley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 184
Get Book Here
Book Description
"The Wedding in Ancient Athens is the first book to reconstruct the stages of the ancient Greek wedding ceremony using a long-neglected source of information: vase paintings from the sixth through fourth centuries B.C." "In order to elucidate the entire ceremony, from the preparations for the wedding to the rituals performed on the day after the wedding night, John H. Oakley and Rebecca H. Sinos incorporate copious illustrations of Athenian vases in their analysis, supplementing evidence drawn from contemporary Greek literature. The weddings rendered on the vases evolve through time, from formal scenes of the wedding procession on black-figure vases to later red-figure scenes offering more intimate views of the bride as she prepares her adornments. In these later scenes, the authors point out, Greek women appear as more than just passive objects of men's manipulations; they possess their own powerful and divinely sanctioned means of seduction." "The evidence of wedding scenes on vases of both eras is valuable for several reasons. Some vases depict aspects of the wedding that are not clearly portrayed in literature, thus supplying a better understanding of each stage of the ceremony. Vases also offer insight into Athenian attitudes toward the wedding, suggesting a perspective different from that provided by Greek literature. The book includes scenes that represent real life, scenes that are clearly mythological, and also some tableaux that blur the distinction between mortals and gods or heroes, suggesting the idealized state in which mortals appeared when engaged in rituals with divine prototypes." "The Wedding in Ancient Athens is as enjoyable as it is informative. Oakley and Sinos thoroughly explore Athenian wedding iconography and interpret it so that the ceremony can be appreciated by a modern audience."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: John Oakley
Publisher:
ISBN: 9780608204635
Category :
Languages : en
Pages : 170
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Book Description
Author: Thomas K. Hubbard
Publisher: John Wiley & Sons
ISBN: 1118610687
Category : Literary Criticism
Languages : en
Pages : 680
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Book Description
A Companion to Greek and Roman Sexualities presents a comprehensive collection of original essays relating to aspects of gender and sexuality in the classical world. Views the various practices and discursive contexts of sexuality systematically and holistically Discusses Greece and Rome in each chapter, with sensitivity to the continuities and differences between the two classical civilizations Addresses the classical influence on the understanding of later ages and religion Covers artistic and literary genres, various social environments of sexual conduct, and the technical disciplines of medicine, magic, physiognomy, and dream interpretation Features contributions from more than 40 top international scholars
Author: John Howard Oakley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 184
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Book Description
"The Wedding in Ancient Athens is the first book to reconstruct the stages of the ancient Greek wedding ceremony using a long-neglected source of information: vase paintings from the sixth through fourth centuries B.C." "In order to elucidate the entire ceremony, from the preparations for the wedding to the rituals performed on the day after the wedding night, John H. Oakley and Rebecca H. Sinos incorporate copious illustrations of Athenian vases in their analysis, supplementing evidence drawn from contemporary Greek literature. The weddings rendered on the vases evolve through time, from formal scenes of the wedding procession on black-figure vases to later red-figure scenes offering more intimate views of the bride as she prepares her adornments. In these later scenes, the authors point out, Greek women appear as more than just passive objects of men's manipulations; they possess their own powerful and divinely sanctioned means of seduction." "The evidence of wedding scenes on vases of both eras is valuable for several reasons. Some vases depict aspects of the wedding that are not clearly portrayed in literature, thus supplying a better understanding of each stage of the ceremony. Vases also offer insight into Athenian attitudes toward the wedding, suggesting a perspective different from that provided by Greek literature. The book includes scenes that represent real life, scenes that are clearly mythological, and also some tableaux that blur the distinction between mortals and gods or heroes, suggesting the idealized state in which mortals appeared when engaged in rituals with divine prototypes." "The Wedding in Ancient Athens is as enjoyable as it is informative. Oakley and Sinos thoroughly explore Athenian wedding iconography and interpret it so that the ceremony can be appreciated by a modern audience."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: William Davis
Publisher:
ISBN: 9781980548331
Category :
Languages : en
Pages : 113
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Book Description
27. How Athenian Marriages are Arranged.--Over this typical Athenian homereigns the wife of the master. Public opinion frowns upon celibacy, and there arerelatively few unmarried men in Athens. An Athenian girl is brought up with thedistinct expectation of matrimony.1 Opportunities for a romance almost never willcome her way; but it is the business of her parents to find her a suitable husband. Ifthey are kindly people of good breeding, their choice is not likely to be a very badone. If they have difficulties, they can engage a professional "matchmaker," ashrewd old woman who, for a fee, will hunt out an eligible young man. Marriage iscontracted primarily that there may be legitimate children to keep up the state andto perpetuate the family. That the girl should have any will of her own in the matteris almost never thought of. Very probably she has never seen "Him," save whenthey both were marching in a public religious procession, or at some rare familygathering (a marriage or a funeral) when there were outside guests. Besides shewill be "given away" when only about fifteen, and probably has formed no intelligentopinion or even prejudices on the subject.If a young man (who will marry at about thirty) is independent in life, thenegotiations will be with him directly. If he is still dependent on the paternalallowance, the two sets of parents will usually arrange matters themselves, anddemand only the formal consent of the prospective bridegroom. He will probablyaccept promptly this bride whom his father has selected; if not, he risks a stormyencounter with his parents, and will finally capitulate. He has perhaps never seen"Her," and can only hope things are for the best; and after all she is so young thathis friends tell him that he can train her to be very useful and obedient if he will onlytake pains. The parents, or, failing them, the guardians, adjust the dowry--the lumpsum which the bride will bring with her towards the new establishment.2 Manymaxims enjoin "marry only your equal in fortune." The poor man who weds anheiress will not be really his own master; the dread of losing the big dowry will keephim in perpetual bondage to her whims.28. Lack of Sentiment in Marriages.--Sometimes marriages are arranged inwhich any sentiment is obviously prohibited. A father can betroth his daughter bywill to some kinsman, who is to take her over as his bride when he takes over theproperty. A husband can bequeath his wife to some friend who is likely to treat herand the orphan children with kindness. Such affairs occur every day. Do theAthenian women revolt at these seemingly degrading conditions, wherein they arehanded around like slaves, or even cattle?--According to the tragic poets they do.Sophocles (in the "Tereus") makes them lament,"We women are nothing;--happy indeed is our childhood, for THEN we arethoughtless; but when we attain maidenhood, lo! we are driven away from ourhomes, sold as merchandise, and compelled to marry and say 'All's well.'"
Author: Laurialan Reitzammer
Publisher: University of Wisconsin Pres
ISBN: 0299308200
Category : Art
Languages : en
Pages : 282
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Book Description
A fresh examination of a marginalized women's festival that influenced Athenian art, drama, philosophy, and public institutions.
Author: Philip Matyszak
Publisher: Thames and Hudson
ISBN:
Category : History
Languages : en
Pages : 140
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Book Description
A time-traveler's guide to sightseeing, shopping, and survival in the city of gods and geniuses. Welcome to Athens in 431 BC! This entertaining guide provides all the information a tourist needs for a journey back in time to ancient Athens at its pinnacle of greatness more than 2000 years ago. Travel via Thermopylae, the Oracle at Delphi, and the site of the epic Battle of Marathon to the city of Athena, goddess of wisdom. Meet Socrates, Thucydides, Phidias, and others who are among the greatest philosophers, writers, and artists who ever lived. Encounter ordinary Athenians in the marketplace and at the theater and learn the true character of one of the most extraordinary cities of any age. Of course, ancient Athens was not all art, intellect, and politics. This well-researched yet irreverently unacademic guide also plunges gleefully into the hedonistic side of Athenian life with wine-sodden symposiums, brothels, and brawls, advising the reader to avoid slatternly prostitutes and inns where the beds are infested with bugs, and warning that both torches and an escort are needed to avoid muggers after an evening on the town. Ancient Athens on 5 Drachmas a Day takes you through the raucous city crowds to the serene heights of the Parthenon and evokes the wonder of a city where the monuments and ideas that form the bedrock of Western culture are as fresh and new as the garlands of flowers on Athena's altar.
Author: Rush Rehm
Publisher: Princeton University Press
ISBN: 0691656282
Category : Drama
Languages : en
Pages : 264
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Book Description
The link between weddings and death—as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding—plays a central role in the action of many Greek tragedies. Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion. Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear. In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides. By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience. The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities. Such as formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth-century Athens. Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city. Rush Rehm is Assistant Professor of Drama and Classics at Standford University and a free-lance theater director. He is the author of Greek Tragic Theatre (Routledge) and Aeschylus' Oresteia: A Theatre Vision (Hawthorn). Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joseph R. Laurin
Publisher: AuthorHouse
ISBN: 1477296158
Category : Education
Languages : en
Pages : 423
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Book Description
About the Image on the Front Cover: This image is one the most endearing of all the sculptures made during the Classical Period of Athens. It shows a husband and wife whose names, inscribed above their heads, are Philoxenos, dressed in the uniform of a hoplite, one of many foot soldiers fighting in phalanx formation, wearing a metal helmet, breastplate, short tunic called exomis and sandals, and holding a shield on his left arm, and Philoumene, his wife, wearing a long robe, called peplos, flowing down yet attached at the waist, with her hair in a snood and elevated shoes. The pose is classic, standing straight in serene elegance, one knee bent as if they were ready to walk away from each other. They gaze at each other for a tender and sad farewell and shake hands to express their mutual love and loyalty. This scene is carved in relief on a grave stele made of marble, white with a hue of grey, from a quarry on the south side of Mount Pentelikon, about ten miles northeast of Athens. It may have been painted originally, but the paint has disappeared. The dimensions are 102.2 cm (40 in.) in height, 44.5 cm (17 in.) in width and 16.5 cm (6 in.) in depth. It is dated of about 400 BCE, during the return to normal life in Athens after the end of the Peloponnesian War in 404 BCE. The timing may indicate that the tribute was from the wife to her husband killed in action and, for this reason, that the gravestone was paid for by her wealthy family. This image is reproduced here from the J. Paul Getty Museum, Villa Collection, Malibu, California, 83.AA.378. See the Museums Handbook of the Antiquities Collection, p. 22. http://www.greekancienthistory.com/
Author: Sue Blundell
Publisher: Harvard University Press
ISBN: 9780674954731
Category : History
Languages : en
Pages : 260
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Book Description
Largely excluded from any public role, the women of ancient Greece nonetheless appear in various guises in the art and writing of the period, and in legal documents. These representations, in Sue Blundell's analysis, reveal a great deal about women's day-to-day experience as well as their legal and economic position - and how they were regarded by men.
