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Author: Laura Emilia Parodi
Publisher:
ISBN: 9780755603831
Category : Deccan (India)
Languages : en
Pages : 366
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Book Description
Selection of papers presented at a conference 'Art, Patronage and Society in the Muslim Deccan from the Fourteenth Century to the Present Day' (4-6 July 2008) at St. Antony's College, Oxford, with support from the John Fell Fund, Barakat Trust and Alessandro Bruschettini.
Author: Laura Emilia Parodi
Publisher:
ISBN: 9780755603831
Category : Deccan (India)
Languages : en
Pages : 366
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Book Description
Selection of papers presented at a conference 'Art, Patronage and Society in the Muslim Deccan from the Fourteenth Century to the Present Day' (4-6 July 2008) at St. Antony's College, Oxford, with support from the John Fell Fund, Barakat Trust and Alessandro Bruschettini.
Author: Laura E. Parodi
Publisher: I.B. Tauris
ISBN: 9781848857469
Category : Art
Languages : en
Pages : 400
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Book Description
Selection of papers presented at a conference 'Art, Patronage and Society in the Muslim Deccan from the Fourteenth Century to the Present Day' (4-6 July 2008) at St. Antony's College, Oxford, with support from the John Fell Fund, Barakat Trust and Alessandro Bruschettini.
Author: Alka Patel
Publisher: BRILL
ISBN: 9004218874
Category : History
Languages : en
Pages : 290
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Book Description
The authors in this volume explore Indo-Muslim cultures developing in South Asia from the sixteenth through twentieth centuries, sharing central themes but showing significant contextual variations by time and place. They focus a much-needed analytical gaze on the rich layers of circulation and exchange of art, architecture, and literature within South Asia and testify to the interaction of Muslims and Islamic traditions with other people and traditions in India for centuries.
Author: Yousuf Saeed (Filmmaker)
Publisher:
ISBN: 9781351225229
Category : HISTORY
Languages : en
Pages :
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Book Description
This book highlights the history of Islamic popular devotional art and visual culture in 20th-century India, weaving the personal narrative of the author's journey through his understanding of the faith. It begins with an introductory exploration of how the basic and universal image of Mecca and Medina may have been imported into Indian popular print culture and what variants it resulted in here. Besides providing a historical context of the pre-print culture of popular Muslim visuality, the book also explores the impact the 1947 Partition of India may have made on the calendar art in South Asia. A significant portion of the book focuses on the contemporary prints of different localised images found in India and what role these play in the users' lives, especially in the augmentation of their popular faith and cultural practices. The volume also compares the images published in India with some of those available in Pakistan to reflect different socio-political trajectories. Finally, it discusses why such a vibrant visual culture continues to thrive among South Asian Muslims despite the questions raised by the orthodoxy on its legitimacy in Islam, and why images and popular visual cultures are inevitable for popular piety despite the orthodox Muslims' increasing dissociation from them. This work is one of the first books on Indian Muslim poster art, with rare images and simple narratives, anecdotes about rituals, ceremonies and cultural traditions running parallel to research findings. This second edition contains a new Afterword that discusses challenges to religious plurality arising on account of changing political landscapes, economic liberalisation, technology and new media, and socio-religious developments. It will appeal to the lay reader as well as the specialist and will be especially useful to researchers and scholars in popular culture, media and cultural studies, visual art and performance studies, and sociology and social anthropology.
Author: Manu S Pillai
Publisher: Juggernaut Books
ISBN: 9386228734
Category : History
Languages : en
Pages : 336
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Book Description
Author: Tapati Guha-Thakurta
Publisher: Cambridge University Press
ISBN: 1009276751
Category : History
Languages : en
Pages : 446
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Book Description
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
Author: Keelan Overton
Publisher: Indiana University Press
ISBN: 025304894X
Category : Art
Languages : en
Pages : 466
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Book Description
In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
Author: Crispin Branfoot
Publisher: Bloomsbury Publishing
ISBN: 1838608966
Category : History
Languages : en
Pages : 512
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Book Description
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.
Author: Thibaut d'Hubert
Publisher: Oxford University Press
ISBN: 0190860359
Category : Religion
Languages : en
Pages : 401
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Book Description
In the Shade of the Golden Palace explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol's works, paying special attention to his discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. D'Hubert focuses on courtly speech in Alaol's poetry, his revisiting of classical categories in a vernacular context, and the prominent role of performing arts in his conceptualization of the poetics of the written word. The foregrounding of this audacious theory of meaning in Alaol's poetry is a crucial contribution of the book, both in terms of general conceptual analysis and for its significance in the history of Bengali poetry. This book shows how multilingual literacy fostered a variety of literary experiments in the remote kingdom of Arakan, which lay between present-day southeastern Bangladesh and Myanmar, in the mid-17th century. D'Hubert also presents a detailed analysis of Middle Bengali narrative poems, as well as translations of Old Maithili, Brajabuli, and Middle Bengali lyric poems that illustrate the major poetic styles in the regional courts of eastern South Asia. In the Shade of the Golden Palace therefore fulfills three functions: it is a unique guide for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.
Author: Aloka Parasher Sen
Publisher: Springer Nature
ISBN: 9819762308
Category :
Languages : en
Pages : 541
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Book Description
