The Virago Book of Fairy Tales PDF Download
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Author: Angela Carter
Publisher:
ISBN: 9781853812057
Category : Fairy tales
Languages : en
Pages : 242
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Book Description
Author: Angela Carter
Publisher:
ISBN: 9781853812057
Category : Fairy tales
Languages : en
Pages : 242
Get Book Here
Book Description
Author: Danielle Marie Roemer
Publisher: Wayne State University Press
ISBN: 9780814329054
Category : Fiction
Languages : en
Pages : 278
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Book Description
A diverse collection of essays, artwork, interviews, and fiction on Angela Carter.
Author: Angela Carter
Publisher: Virago Press
ISBN: 9781853816765
Category :
Languages : en
Pages : 540
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Book Description
These two collections of little-known stories from Europe, the Arctic, the USA, Africa, the Middle East and Asia, contain tales of alluring women, ailing warriors, enchantresses and seekers of revenge. The heroines are always centre stage, as large as life, or even larger.
Author: Angela Carter
Publisher:
ISBN: 9781853816161
Category : Fairy tales
Languages : en
Pages : 230
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Book Description
Such was the delight in Angela Carter's The Virago Book of Fairy Tales, that she compiled a second volume. And what a treasure trove it is, perfectly complemented by the bewitching drawings of Corinna Sargood, brimming with pretty maids and old crones, crafty women and bad girls, enchantresses and midwives, rascal aunts and odd sisters. Here is a fabulous celebration of strong minds, low cunning, black arts and dirty tricks as could only have been collected by the unique Angela Carter, who wrote in her introduction to the first book 'I offer them in a valedictory spirit, as a reminder of the contributions to literature of Mother Goods and her goslings'. The Second Virago Book of Fairy Tales is a wonderful gift to us all.
Author: Hilda Roderick Ellis Davidson
Publisher: DS Brewer
ISBN: 9781843840817
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This title discusses the characteristics of the traditional fairy tale in Europe and North America, and various theories of its development and interpretation.
Author: Kevin Paul Smith
Publisher: Springer
ISBN: 0230591701
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Why is Shrek one of the greatest selling DVDs of all time? Why are shampoo advertisements based on Sleeping Beauty? Why is it that the same simple stories keep being told? This study attempts to explain why fairy tales keep popping up in the most unexpected places and why the best storytellers begin their tales with 'once upon a time'.
Author: Andrew Teverson
Publisher: Bloomsbury Publishing
ISBN: 1350287601
Category : History
Languages : en
Pages : 257
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Book Description
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Author: Stephen Benson
Publisher: Wayne State University Press
ISBN: 0814339093
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Analyzes how the folktale has influenced the development of narrative theory and how postmodern fiction has drawn on the folktale to experiment with diverse narrative concepts. In this wide-ranging and insightful analysis, Stephen Benson proposes a poetics of narrative for postmodernism by placing new emphasis on the folktale. Postmodernist fictions have evidenced a return to narrative—to storytelling centered on a sequence of events, rather than a "spiraling" of events as found in modernism—and recent theorists have described narrative as a "central instance of the human mind." By characterizing the folktale as a prime embodiment of narrative, Benson relates folktales to many of the theoretical concerns of postmodernism and provides new insights into the works of major writers who have used this genre, which includes the subgenre of the fairy tale, in opening narrative up to new possibilities. Benson begins by examining the key features of folktales: their emphasis on a chain of events rather than description or consciousness, their emphasis on a self-contained fictional environment rather than realism, the presence of a storyteller as a self-confessed fabricator, their oral and communal status, and their ever-changing state, which defies authoritative versions. He traces the interactions between the folktale and Italo Calvino’s Fiabe Italiane, between selected fictions of John Barth and the Arabian Nights, between the work of Robert Coover and the subgenre of the fairy tale, and between the "Bluebeard" stories and recent feminist retellings by Angela Carter and Margaret Atwood. The arguments presented will interest not only folklorists and scholars of narrative but also readers in fields ranging from comparative literature to feminist theory.
Author: Brian Attebery
Publisher: Oxford University Press
ISBN: 0192668935
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
An exciting and accessible study of the genre of fantasy. One of the dominant modes of storytelling in the twenty-first century, fantasy can mirror contemporary experiences and convey our anxieties and longings better than any representation of the merely real. It is the lie that speaks truth. This book addresses two central questions about fantastic storytelling: first, how can it be meaningful if it doesn't claim to represent things as they are, and second, what kind of change can it make in the world? How can a form of storytelling that alters physical laws and denies facts about the past be at the same time a source of insight into human nature and the workings of the world? What kind of social, political, cultural, intellectual work does fantasy perform in the world—the world of the reader, that is, not that of the characters? Focusing on various aspects of fantastic world-building and story creation in classic and contemporary fantasy, from the use of symbolic structures to the way new stories incorporate bits of significance from earlier texts, this book shows how fantasy allows writers such as Michael Cunningham, Hans Christian Anderson, Helene Wecker, C. S. Lewis, Ursula K. Le Guin, Nnedi Okorafor, Nalo Hopkinson, George MacDonald, Aliette deBodard, and Patricia Wrightson to test new modes of understanding and interaction and thus to rethink political institutions, social practices, and models of reality.
Author: Anna Watz
Publisher: Routledge
ISBN: 113496854X
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.
