Author: Elaine Lindsay
Publisher: BRILL
ISBN: 9004486232
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
Women are rarely if ever mentioned in commentaries upon Australian Christianity and spirituality. Only exceptional women are recognized as authorities on religious matters. Why is this so? Does it matter? Don't people from the same religious tradition share similar experiences of the divine, regardless of their gender? Rewriting God asks whether women have been writing about the divine and whether their insights are different from those contained in malestream accounts of Australian Christianity and spirituality. An analysis of the writings of popular theologians and religious commentators over the last twenty years suggests that the most popular form of spirituality among Australian theologians is Desert Spirituality. An analysis of women's autobiographical writings, however, suggests that the desert is irrelevant to many women's spiritual experiences. This book, through a close investigation of the fictions of Thea Astley, Elizabeth Jolley and Barbara Hanrahan, attempts to posit alternative forms of women's spirituality and to signal ways in which this spirituality is already being expressed. From the evidence gathered here, it becomes obvious that traditional expressions of Australian Christianity and spirituality are gender-specific and that they have functioned to deny women's religious experiences and to silence their claims to equality in the sight and service of the divine. It becomes obvious, too, that women have been developing their own forms of religious expression and that these may be expected to supplant gradually withering images of Desert Spirituality. Whether this new imagery will strengthen Australian Christianity or whether it merely marks a decline in the authority of Christianity remains a moot point.
Rewriting God
Author: Elaine Lindsay
Publisher: BRILL
ISBN: 9004486232
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
Women are rarely if ever mentioned in commentaries upon Australian Christianity and spirituality. Only exceptional women are recognized as authorities on religious matters. Why is this so? Does it matter? Don't people from the same religious tradition share similar experiences of the divine, regardless of their gender? Rewriting God asks whether women have been writing about the divine and whether their insights are different from those contained in malestream accounts of Australian Christianity and spirituality. An analysis of the writings of popular theologians and religious commentators over the last twenty years suggests that the most popular form of spirituality among Australian theologians is Desert Spirituality. An analysis of women's autobiographical writings, however, suggests that the desert is irrelevant to many women's spiritual experiences. This book, through a close investigation of the fictions of Thea Astley, Elizabeth Jolley and Barbara Hanrahan, attempts to posit alternative forms of women's spirituality and to signal ways in which this spirituality is already being expressed. From the evidence gathered here, it becomes obvious that traditional expressions of Australian Christianity and spirituality are gender-specific and that they have functioned to deny women's religious experiences and to silence their claims to equality in the sight and service of the divine. It becomes obvious, too, that women have been developing their own forms of religious expression and that these may be expected to supplant gradually withering images of Desert Spirituality. Whether this new imagery will strengthen Australian Christianity or whether it merely marks a decline in the authority of Christianity remains a moot point.
Publisher: BRILL
ISBN: 9004486232
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
Women are rarely if ever mentioned in commentaries upon Australian Christianity and spirituality. Only exceptional women are recognized as authorities on religious matters. Why is this so? Does it matter? Don't people from the same religious tradition share similar experiences of the divine, regardless of their gender? Rewriting God asks whether women have been writing about the divine and whether their insights are different from those contained in malestream accounts of Australian Christianity and spirituality. An analysis of the writings of popular theologians and religious commentators over the last twenty years suggests that the most popular form of spirituality among Australian theologians is Desert Spirituality. An analysis of women's autobiographical writings, however, suggests that the desert is irrelevant to many women's spiritual experiences. This book, through a close investigation of the fictions of Thea Astley, Elizabeth Jolley and Barbara Hanrahan, attempts to posit alternative forms of women's spirituality and to signal ways in which this spirituality is already being expressed. From the evidence gathered here, it becomes obvious that traditional expressions of Australian Christianity and spirituality are gender-specific and that they have functioned to deny women's religious experiences and to silence their claims to equality in the sight and service of the divine. It becomes obvious, too, that women have been developing their own forms of religious expression and that these may be expected to supplant gradually withering images of Desert Spirituality. Whether this new imagery will strengthen Australian Christianity or whether it merely marks a decline in the authority of Christianity remains a moot point.
Like Nothing on this Earth
Author: Tony Hughes-d'Aeth
Publisher: Apollo Books
ISBN: 9781742589244
Category : History
Languages : en
Pages : 620
Book Description
During the twentieth century, the southwestern corner of Australia was cleared for intensive agriculture. In the space of several decades, an arc from Esperance to Geraldton-an area of land larger than England-was cleared of native flora for the farming of grain and livestock. Today, satellite maps show a sharp line ringing Perth. Inside that line, tan-colored land is the most visible sign from space of human impact on the planet. Where once there was a vast mosaic of scrub and forest, there is now the Western Australian wheatbelt. Tony Hughes-d'Aeth examines the creation of the wheatbelt through its creative writing. Some of Australia's most well-known and significant writers-Albert Facey, Peter Cowan, Dorothy Hewett, Jack Davis, Elizabeth Jolley, and John Kinsella-wrote about their experience of the wheatbelt. Each gives insight into the human and environmental effects of this massive-scale agriculture. Albert Facey records the hardship and poverty of small-time selection in Australia. Dorothy Hewett makes the wheatbelt visible as an ecological tragedy. Jack Davis shows us an Aboriginal experience of the wheatbelt. Through examining these writings, Tony Hughes-d'Aeth demonstrates the deep value of literature in understanding the human experience of geographical change. [Subject: Non-Fiction, Environmental Studies, Agricultural Studies, Literary Criticism]
Publisher: Apollo Books
ISBN: 9781742589244
Category : History
Languages : en
Pages : 620
Book Description
During the twentieth century, the southwestern corner of Australia was cleared for intensive agriculture. In the space of several decades, an arc from Esperance to Geraldton-an area of land larger than England-was cleared of native flora for the farming of grain and livestock. Today, satellite maps show a sharp line ringing Perth. Inside that line, tan-colored land is the most visible sign from space of human impact on the planet. Where once there was a vast mosaic of scrub and forest, there is now the Western Australian wheatbelt. Tony Hughes-d'Aeth examines the creation of the wheatbelt through its creative writing. Some of Australia's most well-known and significant writers-Albert Facey, Peter Cowan, Dorothy Hewett, Jack Davis, Elizabeth Jolley, and John Kinsella-wrote about their experience of the wheatbelt. Each gives insight into the human and environmental effects of this massive-scale agriculture. Albert Facey records the hardship and poverty of small-time selection in Australia. Dorothy Hewett makes the wheatbelt visible as an ecological tragedy. Jack Davis shows us an Aboriginal experience of the wheatbelt. Through examining these writings, Tony Hughes-d'Aeth demonstrates the deep value of literature in understanding the human experience of geographical change. [Subject: Non-Fiction, Environmental Studies, Agricultural Studies, Literary Criticism]
Translation as Criticism
Author: Anna Gadd Colombi
Publisher: Cambridge Scholars Publishing
ISBN: 1527515478
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Themes, places, characters and voices of Elizabeth Jolley’s Mr Scobie’s Riddle are explored in detail in this monograph, which provides different narratological and translational analyses of the novel, as well as an academic translation into Italian. Considering the challenges and issues posited by a literary work’s translation helps to shed light on the original work itself. In this manner, the translation is to be seen as a further analytical instrument to gain insight into the original novel. The purpose of this work is to obtain a deeper understanding of the complicated microcosm created by Jolley in the nursing home of “St Christopher and St Jude”: the typically Australian themes of migration, isolation, place and displacement; the Australian culture-specific elements; the ensemble of curious characters and their entertaining voices. This book strives to preserve the above elements in translation as the expression of something Other, a different culture, and to take Italian readers on a journey to the Australia depicted in Mr Scobie’s Riddle so that Jolley’s characters’ voices can echo in the Italian language.
Publisher: Cambridge Scholars Publishing
ISBN: 1527515478
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Themes, places, characters and voices of Elizabeth Jolley’s Mr Scobie’s Riddle are explored in detail in this monograph, which provides different narratological and translational analyses of the novel, as well as an academic translation into Italian. Considering the challenges and issues posited by a literary work’s translation helps to shed light on the original work itself. In this manner, the translation is to be seen as a further analytical instrument to gain insight into the original novel. The purpose of this work is to obtain a deeper understanding of the complicated microcosm created by Jolley in the nursing home of “St Christopher and St Jude”: the typically Australian themes of migration, isolation, place and displacement; the Australian culture-specific elements; the ensemble of curious characters and their entertaining voices. This book strives to preserve the above elements in translation as the expression of something Other, a different culture, and to take Italian readers on a journey to the Australia depicted in Mr Scobie’s Riddle so that Jolley’s characters’ voices can echo in the Italian language.
The Bulletin
Author:
Publisher:
ISBN:
Category : Sydney (N.S.W.)
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Sydney (N.S.W.)
Languages : en
Pages : 754
Book Description
House of Fiction
Author: Susan Swingler
Publisher: Fremantle Press
ISBN: 1921888679
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
Abandoned at the age of four, Susan Swingler had no contact with her father Leonard or with her stepmother, the revered Australian writer Elizabeth Jolley, until the age of 21. In this startling part memoir, part mystery, Susan explains why she and her father were kept apart while telling the story of her quest to find him. As she painstakingly traces and documents clues to a better understanding of Leonard, she inadvertently unravels an intricate fiction created by Elizabeth Jolley to protect those she loves.
Publisher: Fremantle Press
ISBN: 1921888679
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
Abandoned at the age of four, Susan Swingler had no contact with her father Leonard or with her stepmother, the revered Australian writer Elizabeth Jolley, until the age of 21. In this startling part memoir, part mystery, Susan explains why she and her father were kept apart while telling the story of her quest to find him. As she painstakingly traces and documents clues to a better understanding of Leonard, she inadvertently unravels an intricate fiction created by Elizabeth Jolley to protect those she loves.
Contemporary British and Irish Film Directors
Author: Yoram Allon
Publisher: Wallflower Press
ISBN: 9781903364215
Category : Performing Arts
Languages : en
Pages : 422
Book Description
The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.
Publisher: Wallflower Press
ISBN: 9781903364215
Category : Performing Arts
Languages : en
Pages : 422
Book Description
The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.
Australian Book Review
Author:
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 768
Book Description
Texts and Textiles
Author: Diana Mary Eva Thomas
Publisher: Cambridge Scholars Publishing
ISBN: 1443879428
Category : Social Science
Languages : en
Pages : 260
Book Description
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
Publisher: Cambridge Scholars Publishing
ISBN: 1443879428
Category : Social Science
Languages : en
Pages : 260
Book Description
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
The New York Times Film Reviews 1999-2000
Author: New York Times Theater Reviews
Publisher: Taylor & Francis
ISBN: 9780415936965
Category : Performing Arts
Languages : en
Pages : 724
Book Description
From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.
Publisher: Taylor & Francis
ISBN: 9780415936965
Category : Performing Arts
Languages : en
Pages : 724
Book Description
From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.
Disabling Diversity
Author: Katie Ellis
Publisher: Katie Ellis
ISBN: 3639023579
Category : Performing Arts
Languages : en
Pages : 155
Book Description
Publisher: Katie Ellis
ISBN: 3639023579
Category : Performing Arts
Languages : en
Pages : 155
Book Description