Author: Eric Falci
Publisher: Cambridge University Press
ISBN: 1108429556
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The Value of Poetry shows how and why poetry matters in the contemporary world twenty-first century readers.
The Value of Poetry
Author: Eric Falci
Publisher: Cambridge University Press
ISBN: 1108429556
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The Value of Poetry shows how and why poetry matters in the contemporary world twenty-first century readers.
Publisher: Cambridge University Press
ISBN: 1108429556
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The Value of Poetry shows how and why poetry matters in the contemporary world twenty-first century readers.
The Value of Poetry
Author: Eric Falci
Publisher:
ISBN: 9781108676915
Category : Poetry
Languages : en
Pages :
Book Description
"Poems spurn skimming. They entreat our full attention. A distracted age such as ours, then, seems an unpropitious time for poetry. Dense, oblique, relatively lengthy, or difficult poems - and at least one of this quartet of terms fits many of the poems in the modern and contemporary canon - ask to be read closely, carefully, and often without an instrumental or definite end in mind, one point that differentiates poems - and literature more broadly - from other categories of 'difficult' texts, such as legal contracts, philosophical treatises, or scientific papers. Some poems require so many readings and so much study before anything like sense breaks through that even the most dedicated reader may find herself asking, 'is this worth the effort?'"--
Publisher:
ISBN: 9781108676915
Category : Poetry
Languages : en
Pages :
Book Description
"Poems spurn skimming. They entreat our full attention. A distracted age such as ours, then, seems an unpropitious time for poetry. Dense, oblique, relatively lengthy, or difficult poems - and at least one of this quartet of terms fits many of the poems in the modern and contemporary canon - ask to be read closely, carefully, and often without an instrumental or definite end in mind, one point that differentiates poems - and literature more broadly - from other categories of 'difficult' texts, such as legal contracts, philosophical treatises, or scientific papers. Some poems require so many readings and so much study before anything like sense breaks through that even the most dedicated reader may find herself asking, 'is this worth the effort?'"--
Poetry And Contemporary Culture
Author: A.M. Roberts
Publisher: Edinburgh University Press
ISBN: 1474472079
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic values.With chapters by distinguished critics from both sides of the Atlantic, the book ranges widely over contemporary poetry in America and the British Isles and explores transatlantic connections. Informed by current theoretical debates around ideas of value, the chapters focus these through clear discussion of texts in various media, including the work of a wide variety of poets and movements. The book carries forward the debate on the value of contemporary poetry amongst critics, scholars and practitioners while offering rich material for students and teachers of contemporary poetry and culture.Contributors: Jonathan Allison, Vicki Bertram, Paul Breslin, Cairns Craig, Robert Crawford, Lilias Fraser, Alan Golding, Romana Huk, Marjorie Perloff, Andrew Michael Roberts.Features * Focuses on the relationship between poetry and cultural practices* Informed by current theoretical debates about value* Wide range of British and American poetry discussed by leading critics from both sides of the Atlantic
Publisher: Edinburgh University Press
ISBN: 1474472079
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic values.With chapters by distinguished critics from both sides of the Atlantic, the book ranges widely over contemporary poetry in America and the British Isles and explores transatlantic connections. Informed by current theoretical debates around ideas of value, the chapters focus these through clear discussion of texts in various media, including the work of a wide variety of poets and movements. The book carries forward the debate on the value of contemporary poetry amongst critics, scholars and practitioners while offering rich material for students and teachers of contemporary poetry and culture.Contributors: Jonathan Allison, Vicki Bertram, Paul Breslin, Cairns Craig, Robert Crawford, Lilias Fraser, Alan Golding, Romana Huk, Marjorie Perloff, Andrew Michael Roberts.Features * Focuses on the relationship between poetry and cultural practices* Informed by current theoretical debates about value* Wide range of British and American poetry discussed by leading critics from both sides of the Atlantic
The Virtues of Poetry
Author: James Longenbach
Publisher: Graywolf Press
ISBN: 1555970672
Category : Literary Criticism
Languages : en
Pages : 179
Book Description
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's preface The Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
Publisher: Graywolf Press
ISBN: 1555970672
Category : Literary Criticism
Languages : en
Pages : 179
Book Description
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's preface The Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
The Hatred of Poetry
Author: Ben Lerner
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Subjects in Poetry
Author: Daniel Brown
Publisher: LSU Press
ISBN: 0807176664
Category : Language Arts & Disciplines
Languages : en
Pages : 158
Book Description
Daniel Brown’s Subjects in Poetry is the first book to examine the broad and imposing topic of poetic subject matter, probing both what poems are about and how that influences the way they're made. It comprises one poet’s attempt to plumb the nature of his art, to ask how the selection of material remains a crucial yet unexplored area of poetic craft, and to suggest the vast range of possible subjects for poems. The book begins by venturing a novel definition of “subject,” derived from Robert Frost’s dictum that poetry constitutes an “art of having something to say.” Brown posits that a poem can say something by expressing, evoking, or addressing. He considers each of these ways-of-saying in turn, first defining it and then looking at poems in which it predominates. Brown next makes a wide-ranging case for the value of subjects to poems, poets, and the art of poetry, especially at a time when many poems appear subjectless. He concludes the book with practical guidance on finding subjects, improving them, and realizing their potential. Replete with thoughtful readings of poems both classic and contemporary, Subjects in Poetry should appeal to poets across all levels and readers interested in understanding the art and practice of poetry.
Publisher: LSU Press
ISBN: 0807176664
Category : Language Arts & Disciplines
Languages : en
Pages : 158
Book Description
Daniel Brown’s Subjects in Poetry is the first book to examine the broad and imposing topic of poetic subject matter, probing both what poems are about and how that influences the way they're made. It comprises one poet’s attempt to plumb the nature of his art, to ask how the selection of material remains a crucial yet unexplored area of poetic craft, and to suggest the vast range of possible subjects for poems. The book begins by venturing a novel definition of “subject,” derived from Robert Frost’s dictum that poetry constitutes an “art of having something to say.” Brown posits that a poem can say something by expressing, evoking, or addressing. He considers each of these ways-of-saying in turn, first defining it and then looking at poems in which it predominates. Brown next makes a wide-ranging case for the value of subjects to poems, poets, and the art of poetry, especially at a time when many poems appear subjectless. He concludes the book with practical guidance on finding subjects, improving them, and realizing their potential. Replete with thoughtful readings of poems both classic and contemporary, Subjects in Poetry should appeal to poets across all levels and readers interested in understanding the art and practice of poetry.
Can You Catch My Flow?
Author: Lidy Wilks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781508479673
Category :
Languages : en
Pages : 26
Book Description
We wake and sleep every day. Growing up, as we must. Debut poetry chapbook Can You Catch My Flow? captures the everyday ordinary events of the human condition in poetic snapshots. No matter the walks of life, the reader is sure to find themselves within the lines. Lidy's poetry reveals an understanding that deep meaning can be felt in the details. Her poetry portrays a range of topics from the pressures to conform to societal expectations, friendship, monarch butterflies, partying, insomnia, and the quest for peace...just to name a few. Enjoy!- Shelah L. Maul From emerging from our cocoons, everything we have become is forever ingrained upon us. And hopeful for the next destination, we flap our wings and await the storm. -excerpt, Arrival of the Monarch
Publisher: Createspace Independent Publishing Platform
ISBN: 9781508479673
Category :
Languages : en
Pages : 26
Book Description
We wake and sleep every day. Growing up, as we must. Debut poetry chapbook Can You Catch My Flow? captures the everyday ordinary events of the human condition in poetic snapshots. No matter the walks of life, the reader is sure to find themselves within the lines. Lidy's poetry reveals an understanding that deep meaning can be felt in the details. Her poetry portrays a range of topics from the pressures to conform to societal expectations, friendship, monarch butterflies, partying, insomnia, and the quest for peace...just to name a few. Enjoy!- Shelah L. Maul From emerging from our cocoons, everything we have become is forever ingrained upon us. And hopeful for the next destination, we flap our wings and await the storm. -excerpt, Arrival of the Monarch
Smash Poetry Journal
Author: Robert Lee Brewer
Publisher: Penguin
ISBN: 1440355053
Category : Poetry
Languages : en
Pages : 257
Book Description
A Poetry Journal to Poem Your Days Away! Don't wait for inspiration to strike! Whether you're an aspiring or published poet, this book will help you get in a frame of mind to make creative writing a consistent part of your life. With prompts from Robert Lee Brewer's popular Writer's Digest blog, Poetic Asides, you'll find 125 ideas for writing poems along with the journaling space you need to respond to the prompt. • 125 unexpected poetry prompts such as from the perspective of an insect, about a struggle, or including the word change • Plenty of blank space to compose your own poems • Tips on unique poetic forms and other poetry resources Perfectly sized to carry in a backpack or purse, you can jot down ideas for poems as you're waiting in line for a morning coffee or take it to the park for a breezy afternoon writing session. Wherever you are, your next poem is never more than a page-turn away.
Publisher: Penguin
ISBN: 1440355053
Category : Poetry
Languages : en
Pages : 257
Book Description
A Poetry Journal to Poem Your Days Away! Don't wait for inspiration to strike! Whether you're an aspiring or published poet, this book will help you get in a frame of mind to make creative writing a consistent part of your life. With prompts from Robert Lee Brewer's popular Writer's Digest blog, Poetic Asides, you'll find 125 ideas for writing poems along with the journaling space you need to respond to the prompt. • 125 unexpected poetry prompts such as from the perspective of an insect, about a struggle, or including the word change • Plenty of blank space to compose your own poems • Tips on unique poetic forms and other poetry resources Perfectly sized to carry in a backpack or purse, you can jot down ideas for poems as you're waiting in line for a morning coffee or take it to the park for a breezy afternoon writing session. Wherever you are, your next poem is never more than a page-turn away.
On Poetry
Author: Glyn Maxwell
Publisher: Harvard University Press
ISBN: 0674265874
Category : Literary Criticism
Languages : en
Pages : 118
Book Description
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Publisher: Harvard University Press
ISBN: 0674265874
Category : Literary Criticism
Languages : en
Pages : 118
Book Description
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Solving the World's Problems
Author: Robert Lee Brewer
Publisher:
ISBN: 9781935708902
Category : Poetry
Languages : en
Pages : 92
Book Description
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
Publisher:
ISBN: 9781935708902
Category : Poetry
Languages : en
Pages : 92
Book Description
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something