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Author: Norman Finkelstein
Publisher: Bucknell University Press
ISBN: 9780838752470
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
This second edition includes all of the material from the first -- in-depth analyses of the work of such poets as George Oppen, John Ashbery, Robert Duncan, and William Bronk -- as well as a new Preface, and a lengthy chapter on the younger language poets.
Author: Norman Finkelstein
Publisher: Bucknell University Press
ISBN: 9780838752470
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
This second edition includes all of the material from the first -- in-depth analyses of the work of such poets as George Oppen, John Ashbery, Robert Duncan, and William Bronk -- as well as a new Preface, and a lengthy chapter on the younger language poets.
Author: Jason Lagapa
Publisher: Springer
ISBN: 3319552848
Category : Literary Criticism
Languages : en
Pages : 142
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Book Description
This book explores the utopian imagination in contemporary American poetry and the ways in which experimental poets formulate a utopian poetics by adopting the rhetorical principles of negative theology, which proposes using negative statements as a means of attesting to the superior, unrepresentable being of God. With individual chapters on works by such poets as Susan Howe, Nathaniel Mackey, Charles Bernstein, and Alice Notley, this book illustrates how a strategy of negation similarly proves optimal for depicting the subject of utopia in literary works. Negative Theology and Utopian Thought in Contemporary American Poetry: Determined Negations contends that negative statements in experimental poetry illustrate the potential for utopian social change, not by portraying an ideal world itself but by revealing the very challenge of representing utopia directly.
Author: Norman Finkelstein
Publisher: State University of New York Press
ISBN: 0791490548
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Not One of Them in Place is the first book to examine the ways in which Jewish belief, thought, and culture have been shaped and articulated in modern American poetry. Based on the idea that recent American poetry has gravitated between two traditions—romantic and symbolist on the one hand, modernist and objectivist on the other—Norman Finkelstein provides a theoretical framework for reading the Jewish-American canon, as well as close readings of well known and less established poets, including Allen Ginsberg, Charles Reznikoff, Louis Zukofsky, Harvey Shapiro, Armand Schwerner, Hugh Seidman, and Michael Heller. Not One of Them in Place presents this poetry in a clear and nuanced style, paying equal attention to its historical and its aesthetic dimensions.
Author: Norman Finkelstein
Publisher: University of Michigan Press
ISBN: 0472039415
Category : Literary Collections
Languages : en
Pages : 223
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Book Description
A critical look at transcendence and a radical delight with language
Author: Norman Finkelstein
Publisher: University of Iowa Press
ISBN: 1587298570
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Normal.dotm 0 0 1 84 482 The University of Iowa 4 1 591 12.0 0 false 18 pt 18 pt 0 0 false false false /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Plumbing what the poet Michael Palmer calls “the dimension of the Spirit, with that troublesome, rebarbative capital letter,” Norman Finkelstein’s On Mount Vision asks how and why the sacred has remained a basic concern of contemporary experimental poets in our secular age. By charting the wandering, together and apart, of poetry and belief, Finkelstein illustrates the rich tapestry formed by the warp and woof of poetry, and the play of Gnosticism, antinomianism, spiritualism, and shamanism, which have commonly been regarded as heretical and sometimes been outright suppressed.
Author: Burt Kimmelman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637906
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Through special attention to his uniquely elegant style, this study demonstrates how Bronk has brought together earlier American poetics and philosophy with modern and postmodern notions of being, emptiness, and nothingness.
Author: James Maynard
Publisher: University of New Mexico Press
ISBN: 0826358896
Category : Sublime, The, in literature
Languages : en
Pages : 232
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Book Description
This book examines three historical phases of the poet Robert Duncan's writing within the aesthetic and philosophical context of a pragmatist sublime. The author traces Duncan's poetics of process - which like process philosophy is predicated on conditions of change and plenitude - to the pragmatist tradition of William James, John Dewey, and Alfred North Whitehead. Working from this theoretical framework, and using the archival resources of the Robert Duncan Collection housed in the University of Buffalo's Poetry Collection, James Maynard examines Duncan's understanding of excess in relation to poetry.
Author: Sandra Kumamoto Stanley
Publisher: Univ of California Press
ISBN: 0520340949
Category : Poetry
Languages : en
Pages : 208
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Book Description
Viewing Louis Zukofsky as a reader, writer, and innovator of twentieth-century poetry, Sandra Stanley argues that his works serve as a crucial link between American modernism and post- modernism. Like Ezra Pound, Zukofsky saw himself as a participant in the transformation of a modern American poetics; but unlike Pound, Zukofsky, the ghetto-born son of an immigrant Russian Jew, was keenly aware of his marginal position in society. Championing the importance of the little words, such as a and the, Zukofsky effected his own proletarian "revolution of the word." Stanley explains how Zukofsky emphasized the materiality of language, refusing to reduce it to a commodity controlled by an "authorial/authoritarian" self. She also describes his legacy to contemporary poets, particularly such Language poets as Ron Silliman and Charles Bernstein.
Author: Andrew Epstein
Publisher: Oxford University Press
ISBN: 0190292717
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry.
Author: Dennis Barone
Publisher: University of Pennsylvania Press
ISBN: 0812206681
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
The novels of Paul Auster—finely wrought, self-reflexive, filled with doublings, coincidences, and mysteries—have captured the imagination of readers and the admiration of many critics of contemporary literature. In Beyond the Red Notebook, the first book devoted to the works of Auster, Dennis Barone has assembled an international group of scholars who present twelve essays that provide a rich and insightful examination of Auster's writings. The authors explore connections between Auster's poetry and fiction, the philosophical underpinnings of his writing, its relation to detective fiction, and its unique embodiment of the postmodern sublime. Their essays provide the fullest analysis available of Auster's themes of solitude, chance, and paternity found in works such as The Invention of Solitude, City of Glass, Ghosts, The Locked Room, In the Country of Last Things, Moon Palace, The Music of Chance, and Leviathan. This volume includes contributions from Pascal Bruckner, Marc Chenetier, Norman Finkelstein, Derek Rubin, Madeleine Sorapure, Stephen Bernstein, Tim Woods, Steven Weisenburger, Arthur Saltzman, Eric Wirth, and Motoyuki Shibata. The extensive bibliography, prepared by William Drenttel, will greatly benefit both scholars and general readers.
