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Publisher: National Academies Press
ISBN: 0309096251
Category : Technology & Engineering
Languages : en
Pages : 254
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Book Description
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Author:
Publisher: National Academies Press
ISBN: 0309096251
Category : Technology & Engineering
Languages : en
Pages : 254
Get Book Here
Book Description
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Author:
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 326
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Book Description
Contributed articles.
Author: David Cycleback
Publisher: Lulu.com
ISBN: 1387447459
Category : History
Languages : en
Pages : 208
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Book Description
Written by the prominent art and artifacts scholar Cycleback, this book is a primer and survey of standard methods and issues in the identification, authentication, fake and forgery detection of art, artifacts and collectibles, from ancient artifacts and famous paintings to antique toys and trading cards. Topics include stylistic and historical analysis, scientific testing (including radiometric dating, thermoluminescence testing, spectroscopy, microscopy and artificial intelligence analysis), basic research methods, material and process identification, provenance, altered forgeries, the limits of science and analysis, and more. Authentication involves many aspects and perspectives working together, from nuclear physics to art history, and this book is written for all those invested or interested in the topic, including museum workers, scientists, historians, students, appraisers, lawyers, collectors and those simply interested in how famous artworks and relics are authenticated and forgeries identified.
Author: Andrea Kirsh
Publisher: Yale University Press
ISBN: 9780300094084
Category : Art
Languages : en
Pages : 348
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Book Description
This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. “An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together.”—John Walsh, former director, J. Paul Getty Museum “Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject.”—Kenneth Baker, San Francisco Examiner & Chronicle “A long overdue book with direct relevance for modern students of the history of art.”—Libby Sheldon, Burlington Magazine
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1524
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Book Description
Author: Lino García Morales
Publisher: BOD GmbH DE
ISBN: 8411233677
Category : Language Arts & Disciplines
Languages : en
Pages : 126
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Book Description
New media art, produced at the intersection of art, science and technology, makes up the majority of a Museum of Contemporary Art's collections. However, technological obsolescence and technical fragility of the artworks make their conservation-restoration an ongoing challenge. A new theoretical approach to permanence through change addresses this problem and offers alternatives and solutions from the production to recreation of new media art.
Author: Maryan Wynn Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 0870992856
Category : Painting
Languages : en
Pages : 114
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Book Description
This book reports the most significant results of a scientific study of thirty-nine paintings in The Metropolitan Museum of Art. The works under investigation are by seventeenth-century Dutch and Flemish artists, mainly Rembrandt and his school. Art and Autoradiography publishes data obtained by the use of a new technique: neutron activation autoradiography. Through this method, it is now possible to study the substructure of paintings, their genesis, and their condition in far greater detail than had been possible with the conventional techniques of X-ray radiography and infrared photography. As a result, an artist's creative process can now be studied very closely. Autoradiography provides significant information for resolving questions about an artist's oeuvre and about workshop variations, attribution, dating, and even doubted authenticity. -- Metropolitan Museum of Art website.
Author: Stuart James Fleming
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
Author: Jehane Ragai
Publisher: World Scientific
ISBN: 1783267429
Category : Art
Languages : en
Pages : 285
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Book Description
'The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described.'Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
