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Author: Claudette Lauzon
Publisher: University of Toronto Press
ISBN: 1442649828
Category : Art
Languages : en
Pages : 225
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Book Description
Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging.
Author: Claudette Lauzon
Publisher: University of Toronto Press
ISBN: 1442649828
Category : Art
Languages : en
Pages : 225
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Book Description
Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging.
Author: Colin Painter
Publisher: Routledge
ISBN: 1000180824
Category : Social Science
Languages : en
Pages : 288
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Book Description
The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues. How is our interpretation of an object affected by the domestic environment in which it is placed? Why choose a stainless steel teapot over a leopard print one? How do the images hanging on the walls of our homes arrive there? In placing contemporary art in the context of the ordinary home, this book embarks on the contentious topic of whether high art impacts on ordinary people. What is the size and nature of the audience for contemporary art in Britain? Do people really visit more art galleries than attend football matches? What is the significance of the home in relation to such questions? Indeed, what constitutes art in the home? This book carefully unpicks these questions as well as the troubled relationship between the home as a place of comfort and reassurance and the often unsettling and challenging images offered by contemporary art. Within the art world, the home has been addressed as a subject and even used as a temporary gallery and a space for installations, and yet it is not common for works by todays avant-garde artists to be conceived and marketed to participate in the domestic lives that most people live. Handsomely illustrated, this book unites contemporary art, craft and design, with sociology, anthropology and cultural studies to provide an unusual and forthright addition to ongoing art and culture debates.
Author: Gill Perry
Publisher: Reaktion Books
ISBN: 1780232292
Category : Art
Languages : en
Pages : 265
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Book Description
Art Since the ’80s, a new series from Reaktion Books, seeks to offer compelling surveys of popular themes in contemporary art. In the first book in the series, Gill Perry reveals how the house and the idea of home have inspired a range of imaginative and playful works by artists across the globe. Exploring how artists have engaged with this theme in different contexts—from mobile homes and beach houses to haunted houses and broken homes—Playing at Home shows that our relationship with houses involves complex responses in which gender, race, class, and status overlap, and that through these relationships we turn a house into a home. Perry looks at the works of numerous artists, including Tracey Emin, Rachel Whiteread, Michael Landy, Mike Kelley, and Peter Garfield, as well as the work of artists who travel across continents and see home as a shifting notion, such as Do-Ho-Suh and Song Dong. She also engages with the work of philosophers and cultural theorists from Walter Benjamin and Gaston Bachelard to Johan Huizinga and Henri Lefebvre, who inform our understanding of living and dwelling. Ultimately, she argues that irony, parody, and play are equally important in our interpretations of these works on the home. With over one hundred images, Playing at Home covers a wide range of art and media in a fascinating look at why there’s no place like home.
Author: Paolo Boccagni
Publisher: Edward Elgar Publishing
ISBN: 1800882777
Category : Social Science
Languages : en
Pages : 703
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Book Description
This dynamic Handbook unpacks the entanglements between the two notions of home and migration, which illuminate the lived experiences of (in)voluntary mobilities and the contested terrain of inclusion and belonging. Drawing on cross-disciplinary contributions from leading international scholars, it advances research on the social study of home in relation to migration, refugee, displacement, and diaspora studies. This title contains one or more Open Access chapters.
Author: Jennifer Johung
Publisher: U of Minnesota Press
ISBN: 1452932964
Category :
Languages : en
Pages : 251
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Book Description
How constructions of home in contemporary art reveal new ways of staying in place
Author: Vesna Pavlovic
Publisher: Vanderbilt University Press
ISBN: 0826501842
Category : Photography
Languages : en
Pages : 304
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Book Description
Vesna Pavlović: Stagecraft features four extensive bodies of the photographer's work, spanning from the early 2000s to today—photographs of the Yugoslav socialist modernist hotel spaces from her internationally recognized series "Hotels"; photographs of the ceremonial space of the Yugoslav Presidential Palace in Belgrade from the series "Collection/Kolekcija" and the recent "Fabrics of Socialism" and "Sites of Memory" series exploring the archives of the Museum of Yugoslav History. The book includes critical essays that contextualize and expound on Pavlović's unique treatment of the photographic medium, in which a photographic moment is expanded to include the conditions of image making, production, documentation, and representation.
Author: Imogen Racz
Publisher: Bloomsbury Publishing
ISBN: 1786739984
Category : Art
Languages : en
Pages : 256
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Book Description
Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing. Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts.
Author: Lance Esplund
Publisher: Basic Books
ISBN: 0465094678
Category : Art
Languages : en
Pages : 288
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Book Description
A veteran art critic helps us make sense of modern and contemporary art The landscape of contemporary art has changed dramatically during the last hundred years: from Malevich's 1915 painting of a single black square and Duchamp's 1917 signed porcelain urinal to Jackson Pollock's midcentury "drip" paintings; Chris Burden's "Shoot" (1971), in which the artist was voluntarily shot in the arm with a rifle; Urs Fischer's "You" (2007), a giant hole dug in the floor of a New York gallery; and the conceptual and performance art of today's Ai Weiwei and Marina Abramovic. The shifts have left the art-viewing public (understandably) perplexed. In The Art of Looking, renowned art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they might seem. With patience, insight, and wit, Esplund guides us through the last century of art and empowers us to approach and appreciate it with new eyes. Eager to democratize genres that can feel inaccessible, Esplund encourages viewers to trust their own taste, guts, and common sense. The Art of Looking will open the eyes of viewers who think that recent art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who believe that the art of the past has nothing to say to our present.
Author: Rebecca Zorach
Publisher: University of Chicago Press
ISBN: 0226831000
Category : Art
Languages : en
Pages : 298
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Book Description
How art played a central role in the design of America’s racial enterprise—and how contemporary artists resist it. Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design. Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
Author: Robert Meyrick
Publisher: Royal Academy Books
ISBN: 9781907533945
Category : Art
Languages : en
Pages : 0
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Book Description
Despite living through some of the most dramatic changes of the twentieth century, Stanley Anderson CBE (1884-1966) created a vision of an essentially timeless English rural tradition in his etchings and woodcuts. He trained as an engraver, first on a heraldic engraving apprenticeship with his father and later at the Royal College of Art and Goldsmiths' College, London. Anderson became a master of his craft: elected as a fellow of the Royal Society of Painter-Etcher and Engravers in 1923. When he later took up woodcutting, he became immersed in a technique that was considered as deeply English as the subjects he depicted. Anderson was a key figure in the engraving revival in the 1920s; the technique's exacting craftsmanship, intimate scale and indelible sense of historicism were a stark contrast to the contemporary modernist explosion, which was led by Ezra Pound's infamous exhortation "Make it new". This catalogue raisonne gathers together for the first time the complete oeuvre of Anderson's prints, from the townscapes of his early career to the fascinating twenty-year study of rural crafts, including hedge-laying, carpentry and barrel-making, that he carried out towards the end of his life, and for which he is best known. AUTHOR: Robert Meyrick is Head of the School of Art and Keeper of the School of Art Museum and Collections at Aberystwyth University. Meyrick has published widely and is the author of Sydney Lee Prints: A Catalogue Raisonne, also by RA Publications. SELLING POINTS: * A historical snapshot of rural crafts on the verge of extinction, rendered in exquisitely detailed wood engravings * A re-introduction to a marvellous engraver who has unfortunately been forgotten by the mainstream art world * Although Anderson is little known now, his work features in major museums in the UK and the USA 260 b/w
