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Author: Paul Taylor
Publisher: Rowman & Littlefield
ISBN: 0811775399
Category : History
Languages : en
Pages : 457
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Book Description
James McPherson’s classic book For Cause & Comrades explained “why men fought in the Civil War”—and spurred countless other historians to ask and attempt to answer the same question. But few have explored why men did not fight. That’s the question Paul Taylor answers in this groundbreaking Civil War history that examines the reasons why at least 60 percent of service-eligible men in the North chose not to serve and why, to some extent, their communities allowed them to do so. Did these other men not feel the same patriotic impulses as their fellow citizens who rushed to the enlistment office? Did they not believe in the sanctity of the Union? Was freeing men held in chains under chattel slavery not a righteous moral crusade? And why did some soldiers come to regret their enlistment and try to leave the military? ’Tis Not Our War answers these questions by focusing on the thoughts, opinions, and beliefs of average civilians and soldiers. Taylor digs deep into primary sources—newspapers, diaries, letters, archival manuscripts, military reports, and published memoirs—to paint a vivid and richly complex portrait of men who questioned military service in the Civil War and to show that the North was never as unified in support of the war as portrayed in much of America’s collective memory. This book adds to our understanding of the Civil War and the men who fought—and did not fight—in it.
Author: Paul Taylor
Publisher: Rowman & Littlefield
ISBN: 0811775399
Category : History
Languages : en
Pages : 457
Get Book Here
Book Description
James McPherson’s classic book For Cause & Comrades explained “why men fought in the Civil War”—and spurred countless other historians to ask and attempt to answer the same question. But few have explored why men did not fight. That’s the question Paul Taylor answers in this groundbreaking Civil War history that examines the reasons why at least 60 percent of service-eligible men in the North chose not to serve and why, to some extent, their communities allowed them to do so. Did these other men not feel the same patriotic impulses as their fellow citizens who rushed to the enlistment office? Did they not believe in the sanctity of the Union? Was freeing men held in chains under chattel slavery not a righteous moral crusade? And why did some soldiers come to regret their enlistment and try to leave the military? ’Tis Not Our War answers these questions by focusing on the thoughts, opinions, and beliefs of average civilians and soldiers. Taylor digs deep into primary sources—newspapers, diaries, letters, archival manuscripts, military reports, and published memoirs—to paint a vivid and richly complex portrait of men who questioned military service in the Civil War and to show that the North was never as unified in support of the war as portrayed in much of America’s collective memory. This book adds to our understanding of the Civil War and the men who fought—and did not fight—in it.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0810918692
Category : Art nouveau
Languages : en
Pages : 201
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Book Description
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 3538
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Book Description
Author: Lyman Horace Weeks
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 64
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1106
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Book Description
Author: Leanne M. Zalewski
Publisher: Bloomsbury Publishing USA
ISBN: 1501358316
Category : Art
Languages : en
Pages : 265
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Book Description
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
Author: Adrian Cook
Publisher: University Press of Kentucky
ISBN: 081318598X
Category : History
Languages : en
Pages : 406
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Book Description
In July 1863 New York City experienced widespread rioting unparalleled in the history of the nation. Here for the first time is a scholarly analysis of the Draft Riots, dealing with motives and with the reasons for the recurring civil disorders in nineteenth-century New York: the appalling living conditions, the corruption of the civic government, and the geographical and economic factors that led up to the social upheaval.
Author: Mary Morris Schmidt
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 852
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Book Description
Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author: Medill Higgins Harvey
Publisher: Metropolitan Museum of Art
ISBN: 1588396908
Category : Art
Languages : en
Pages : 313
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Book Description
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore’s acquisitions. Included among them are the world-famous Bryant Vase drawing upon Greek examples, a love cup featuring ornate “Saracenic” decoration, and a chocolate pot incorporating novel techniques influenced by Japanese ceramics and lacquerware. The illuminating texts have been enriched by groundbreaking research into contemporary sources such as newspapers and periodicals, the Tiffany & Co. Archives, and a newly identified technical manual and supervisor’s diaries, all of which provide an intimate look at the firm’s design processes and Moore’s role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates both the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age.
