The Tyburn Chronicle: Or, The Villainy Display'd In All Its Branches PDF Download
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Author:
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Category :
Languages : en
Pages : 406
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Book Description
Author: ARTHUR GRIFFITHS
Publisher:
ISBN:
Category :
Languages : en
Pages : 688
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Book Description
Author: Arthur Griffiths
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 674
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Book Description
Arthur Griffiths' The Chronicles of Newgate (Vol. 1&2) is a captivating exploration of the notorious Newgate Prison in London during the 18th and 19th centuries. Through vivid descriptions and meticulous research, Griffiths delves into the lives of both inmates and staff, shedding light on the harsh conditions and captivating stories within the prison walls. The literary style is engaging, with a mix of historical accounts and personal narratives that bring this dark period of history to life. Griffiths' attention to detail and ability to humanize the characters make this book a valuable contribution to the genre of prison literature. The Chronicles of Newgate provides a valuable insight into the criminal justice system of the time, offering a unique perspective on the lives of those who lived within its confines. Arthur Griffiths' background as a prison administrator and historian adds credibility to the narrative, making this a must-read for anyone interested in the history of incarceration and the resilience of the human spirit.
Author: Max Decharne
Publisher: Random House
ISBN: 140902363X
Category : History
Languages : en
Pages : 420
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Book Description
Over seven centuries London has changed dramatically - from walled medieval settlement to bustling modern metropolis. But throughout its history there has been one inescapable constant: murder. It winds through the heart of the capital as surely as the River Thames. Capital Crimes tells the story of crime and punishment in the city, from the killing of infamous 'questmonger' Roger Legett during the Peasants' Revolt of 1381 through to the hanging of Styllou Christofi in 1954. Along the way we encounter such shocking characters as railway murderer Franz Muller, the ‘baby farmers’ of Finchley and the notorious political assassin John Bellingham. Some are well known, some obscure; the lives and fates of all, however, have much to tell us, providing a glimpse into the workings of London’s mysterious underworld and reminding us that dark deeds are not so far removed from everyday life as we would perhaps like to believe.
Author: Jan-Melissa Schramm
Publisher: Cambridge University Press
ISBN: 1139510835
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another.
Author:
Publisher: BRILL
ISBN: 9401203660
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
When Richard Steele remarked that the greatest Evils in human Society are such as no Law can come at, he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera Wonyosi, 1977), Ch. Buarque (Ópera do Malandro, 1978), D. Fo (L'opera dello sghignazzo, 1981), A. Ayckbourn (A Chorus of Disapproval, 1984), as well as others such as Latouche, Hacks, Fassbinder, Dear, Wasserman, and Lepage. Apart from contributions by international scholars analysing the above-named plays, the editors' introduction covers other dramatists that have payed hommage to Gay. This interdisciplinary collection of essays is of particular interest for scholars working in the field of drama/theatre studies, the eighteenth century, contemporary drama, postcolonial studies, and politics and the stage.
Author: Rebecca Shapiro
Publisher: Bucknell University Press
ISBN: 1611488109
Category : Language Arts & Disciplines
Languages : en
Pages : 657
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Book Description
We all think we know what a dictionary is for and how to use one, so most of us skip the first pages—the front matter—and go right to the words we wish to look up. Yet dictionary users have not always known how English “works” and my book reproduces and examines for the first time important texts in which seventeenth- and eighteenth-century dictionary authors explain choices and promote ideas to readers, their “end users.” Unlike French, Spanish, and Italian dictionaries compiled during this time and published by national academies, the goal of English dictionaries was usually not to “purify” the language, though some writers did attempt to regularize it. Instead, English lexicographers aimed to teach practical ways for their users to learn English, improve their language skills, even transcend their social class. The anthology strives to be comprehensive in its coverage of the first phase of this tradition from the early seventeenth century—from Robert Cawdrey’s (1604) A Table Alphabeticall, to Samuel Johnson’s Dictionary of the English Language (1755), and finally, to Noah Webster’s An American Dictionary of the English Language (1828). The book puts English dictionaries in historical, national, linguistic, literary, cultural contexts, presenting lexicographical trends and the change in the English language over two centuries, and examines how writers attempted to control it by appealing to various pedagogical and legal authorities. Moreover, the development of dictionary and attempts to codify English language and grammar coincided with the arc of the British Empire; the promulgation of “proper” English has been a subject of debate and inquiry for centuries and, in part, dictionaries and the teaching of English historically have been used to present and support ideas about what is correct, regardless of how and where English is actually used. The authors who wrote these texts apply ideas about capitalism, nationalism, sex and social status to favor one language theory over another. I show how dictionaries are not neutral documents: they challenge or promote biases. The book presents and analyzes the history of lexicography, demonstrating how and why dictionaries evolved into the reference books we now often take for granted and we can see that there is no easy answer to the question of “who owns English.”
Author: Aaron Skirboll
Publisher: Rowman & Littlefield
ISBN: 1493014234
Category : History
Languages : en
Pages : 325
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Book Description
After the Glorious Revolution, a not so glorious age of lawlessness befell England. Crime ran rampant, and highwaymen, thieves, and prostitutes ruled the land. Execution by hanging often punished the smallest infractions, and rip-roaring stories of fearless criminals proliferated, giving birth to a new medium: the newspaper. In 1724, housebreaker Jack Sheppard—a “pocket Hercules,” his small frame packed with muscle—finally met the hangman. Street singers sang ballads about the Cockney burglar because no prison could hold him. Each more astonishing than the last, his final jailbreak took him through six successive locked rooms, after which he shimmied down two blankets from the prison roof to the street below. Just before Sheppard swung, he gave an account of his life to a writer in the crowd. Daniel Defoe stood in the shadow of the day’s literati—Swift, Pope, Gay—and had done hard time himself for sedition and bankruptcy. He saw how prison corrupted the poor. They came out thieves, but he came out a journalist. Six months later, the author of Robinson Crusoe and Moll Flanders covered another death at the hanging tree. Jonathan Wild looked every bit the brute—body covered in scars from dagger, sword, and gun, bald head patched with silver plates from a fractured skull—and he had all but invented the double-cross. He cultivated young thieves, profited from their work, then turned them in for his reward—and their execution. But one man refused to play his game. Sheppard didn’t take orders from this self-proclaimed “thief-taker general,” nor would he hawk his loot through Wild’s fences. The two-faced bounty hunter took it personally and helped bring the young burglar’s life to an end. But when Wild’s charade came to light, he quickly became the most despised man in the land. When he was hanged for his own crimes, the mob wasn’t rooting for Wild as it had for Sheppard. Instead, they hurled stones, rotten food, and even dead animals at him. Defoe once again got the scoop, and tabloid journalism as we know it had begun.
Author: Arthur George Frederick Griffiths
Publisher: Library of Alexandria
ISBN: 1465605630
Category : Fiction
Languages : en
Pages : 614
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Book Description
The combat with crime is as old as civilization. Unceasing warfare is and ever has been waged between the law-maker and the law-breaker. The punishments inflicted upon criminals have been as various as the nations devising them, and have reflected with singular fidelity their temperaments or development. This is true of the death penalty which in many ages was the only recognized punishment for crimes either great or small. Each nation has had its own special method of inflicting it. One was satisfied simply to destroy life; another sought to intensify the natural fear of death by the added horrors of starvation or the withholding of fluid, by drowning, stoning, impaling or by exposing the wretched victims to the stings of insects or snakes. Burning at the stake was the favourite method of religious fanaticism. This flourished under the Inquisition everywhere, but notably in Spain where hecatombs perished by the autos-da-fŽ or "trials of faith" conducted with great ceremony often in the presence of the sovereign himself. Indeed, so terrible are the records of the ages that one turns with relief to the more humane methods of slowly advancing civilization,Ñthe electric chair, the rope, the garotte, and even to that sanguinary "daughter of the Revolution," "la guillotine," the timely and merciful invention of Dr. Guillotin which substituted its swift and certain action for the barbarous hacking of blunt swords in the hands of brutal or unskilful executioners. Savage instinct, however, could not find full satisfaction even in cruel and violent death, but perforce must glut itself in preliminary tortures. Mankind has exhausted its fiendish ingenuity in the invention of hideous instruments for prolonging the sufferings of its victims. When we read to-day of the cold-blooded Chinese who condemns his criminal to be buried to the chin and left to be teased to death by flies; of the lust for blood of the Russian soldier who in brutal glee impales on his bayonet the writhing forms of captive children; of the recently revealed torture-chambers of the Yildiz Kiosk where Abdul Hamid wreaked his vengeance or squeezed millions of treasure from luckless foes; or of the Congo slave wounded and maimed to satisfy the greed for gold of an unscrupulous monarch;Ñwe are inclined to think of them as savage survivals in "Darkest Africa" or in countries yet beyond the pale of western civilization. Yet it was only a few centuries ago that Spain "did to death" by unspeakable cruelties the gentle races of Mexico and Peru, and sapped her own splendid vitality in the woeful chambers of the Inquisition. Even as late as the end of the eighteenth century enlightened France was filling with the noblest and best of her land those oubliettes of which the very names are epitomes of woe: La Fin d'Aise, "The End of Ease;" La Boucherie, "The Shambles;" and La Fosse, "The Pit" or "Grave;" in the foul depths of which the victim stood waist deep in water unable to rest or sleep without drowning. Buoyed up by hope of release, some endured this torture of "La Fosse" for fifteen days; but that was nature's limit. None ever survived it longer.
