Athenaeum

Athenaeum PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 876

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Catalogue of the Astor Library (continuation)

Catalogue of the Astor Library (continuation) PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1136

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Catalogue of the Astor Library

Catalogue of the Astor Library PDF Author: Astor Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1144

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Life of Edmond Malone, editor of Shakespeare

Life of Edmond Malone, editor of Shakespeare PDF Author: James Prior
Publisher:
ISBN:
Category :
Languages : en
Pages : 532

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Catalogue of the Library of Congress ; Index of Subjects, in Two Volumes

Catalogue of the Library of Congress ; Index of Subjects, in Two Volumes PDF Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 994

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Fors Clavigera

Fors Clavigera PDF Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 142

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Catalogue of the Public Lending Library

Catalogue of the Public Lending Library PDF Author: State library of Victoria
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 624

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Catalogue of the Public Lending Library

Catalogue of the Public Lending Library PDF Author: Victoria. Public library, Melbourne
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 624

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General Catalogue of the Library to June, 1895

General Catalogue of the Library to June, 1895 PDF Author: Royal Dublin Society
Publisher:
ISBN:
Category :
Languages : en
Pages : 784

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Art Wars

Art Wars PDF Author: Rachel N. Klein
Publisher: University of Pennsylvania Press
ISBN: 0812296885
Category : History
Languages : en
Pages : 297

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A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.

American Literary Gazette and Publishers' Circular

American Literary Gazette and Publishers' Circular PDF Author:
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 628

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