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Author: Michael P. Steinberg
Publisher: University of Chicago Press
ISBN: 022659419X
Category : Music
Languages : en
Pages : 162
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Book Description
In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music’s claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or “the good from the bad,” as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications. Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
Author: Michael P. Steinberg
Publisher: University of Chicago Press
ISBN: 022659419X
Category : Music
Languages : en
Pages : 162
Get Book Here
Book Description
In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music’s claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or “the good from the bad,” as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications. Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
Author: Michael P. Steinberg
Publisher: University of Chicago Press
ISBN: 022659422X
Category : History
Languages : en
Pages : 162
Get Book Here
Book Description
In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music’s claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or “the good from the bad,” as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications. Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
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Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Jacob Katz
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Richard Wagner's anti-Semitism considered in the context of his time, place, and aspirations rather than in relation to his later appropriation by the Nazis.
Author: John Louis DiGaetani
Publisher: McFarland
ISBN: 0786423307
Category : Music
Languages : en
Pages : 269
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Book Description
Once tainted by association with Hitler and Nazism, Richard Wagner's work has experienced an international cultural renaissance in the last 25 years. His magnum opus, Der Ring des Nibelungen, which took him over 20 years to finish, is a complex tale with themes of greed, corruption and loss, spun out in more than 16 hours of powerfully moving opera. This book, with provocative essays for both the uninitiated and the seasoned fan, examines Wagner's Ring cycle from a wide array of modern perspectives. Divided into six parts, this anthology first offers a foundation for the Ring, with a chronology and an introduction, along with a look at Wagner as an enterprising marketer. Part Two explores different interpretations of the Ring, with reference to politics, romanticism and international inspirations. Part Three studies the complex relationship between Wagner's Ring and Germany, with a summary of the opera's influence on German culture and a discussion of its Munich premiere. Part Four offers a production history, including studies of the Ring's effects in America and its influence on world literature. Part Five provides a technical examination of language in the Ring, as well as an interview with the famous Wagnerian soprano Jane Eaglen. The book concludes with an essay on the trouble with Wagnerian opera and an overview of the recorded Ring on disc, video and print.
Author: Jonathan Carr
Publisher: Open Road + Grove/Atlantic
ISBN: 1555848478
Category : Biography & Autobiography
Languages : en
Pages : 428
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Book Description
This chronicle of renowned composer Richard Wagner and his descendants features “a cast of characters who are positively operatic in their histrionics” (The Guardian). Richard Wagner was many things—composer, philosopher, philanderer, failed revolutionary, and virulent anti-Semite—and his descendants have carried on his complex legacy. In his “lively and wry” history of the legendary composer and his family, biographer Jonathan Carr also offers fascinating glimpses of Franz Liszt, Friedrich Nietzsche, Arthur Schopenhauer, Arturo Toscanini, Joseph Goebbels, Hermann Göring, and Adolf Hitler—a passionate fan of the Master’s music and an adopted uncle to Wagner’s grandchildren (The New York Times). Stretching from the revolutions of 1848 to the darkest days of World War II and through to the present incarnation of Wagner’s Bayreuth Festival, The Wagner Clan is “a smart, insightful look into German history” and a family whose saga is as gripping as any opera (New York Post). “Jonathan Carr’s history is formidable . . . [A] compendious and enthralling story.” —The Economist “The grandiose life of Richard Wagner—the pronouncements on art and the German soul, the petty groveling for money and favors, the intermittently atrocious politics and intermittently glorious music—was a tough act to follow. Carr . . . follows Wagner’s descendants through three generations as they fight each other for control of the Bayreuth Festival and, at opportune times, embrace, reject or sweep under the rug their forebear’s status as Nazism’s spiritual godfather. . . . Carr’s sprightly, fluent narrative places the family in its historical and intellectual context without reducing it to the symbolic effigy it has often become.” —Publishers Weekly, starred review
Author: Tegan Wagner
Publisher: Pan Australia
ISBN: 9781405038232
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
"One night out changed the way I view the world and at the end of the day it changed my whole teenage life and the life I will lead."Tegan Wagner, 14, thought she was going to a party with friends. Instead, she found herself trapped in a house with a group of older boys she had never met before. She was gang raped that night by three brothers.What followed forms the basis of Tegan Wagner's riveting story as she struggled to cope with the fallout from that horrific night - the betrayal of friends, the school yard scrutiny, the psychological scars and the eventual descent into drugs and self harm as a way of dealing with the trauma of the rapes. But eventually she found the courage and determination to pick herself up and speak out about what had happened to her. After three frustrating years her case finally came to trial and she faced the brothers in court. She withstood the anxiety and pressure of the legal process and then, in one further act of bravery, unveiled her identity to the media in order to encourage other victims of rape to report the crime and not hide away in shame.Chilling, unforgettable and ultimately inspiring, this is both a cautionary tale and a story of heroism in the face of unimaginable violation and anguish.
Author: Bryan Magee
Publisher: ePenguin
ISBN:
Category : Music
Languages : en
Pages : 432
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Book Description
A contribution to the literature of 19th-century culture, this is a study of the close links between Wagner and the philosophy of his age. The author tries to make sense of both the man and his music by placing Wagner in the context of 19th-century thought. His sympathy for Wagner's music is tempered by an independence of mind which allows him to rethink much of the hostility towards Wagner. Revealing his anti-Semitism as virulent, but certainly not unusual, Magee argues that there is no reason to regard him as a proto-fascist and that an opinion of his politics should not cloud the judgment of his music.
Author: Marc A. Weiner
Publisher: U of Nebraska Press
ISBN: 9780803297920
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".
Author: Stephen Johnson
Publisher: Naxos Audiobooks
ISBN:
Category : Composers
Languages : en
Pages : 260
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Book Description
Stephen Johnson tells the story of Wagner's extraordinary life, charting his development from unpromising beginnings into the creator of some of the most seductively beautiful music ever composed.
