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Author: William Lanouette
Publisher: Rowman & Littlefield
ISBN: 1493052772
Category : Sports & Recreation
Languages : en
Pages : 305
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Book Description
The Triumph of the Amateurs is the story of the lost world or professional rowing in America, a sport that attracted crowds of thousands, widespread betting, and ultimately corruption that foretold its doom. It centers on the colorful careers of two New York City Irish boys, the Biglin brothers John and Barney, now long forgotten save for Thomas Eakins's portraits of them in their shell. If the bestseller The Boys in the Boat portrayed the good guys of the U.S.’s 1936 Olympic crew, the Biglins, along with their colleagues and successors, were the Bad Boys in the Boat. Rascals abounded on and off the water, where rowdy fans often outdid modern soccer thugs in violence, betting was rampant—as was fixing—and spectators in the tens of thousands came out to see it all. The Triumph of the Amateurs traces the sport from its rise in the years before the Civil War on through the Gilded Age to its scandalous demise and eventual transition into a purely amateur sport. In addition, Barney Biglin’s later career as holder of sinecures offers a colorful glimpse into late 19th-century New York City political corruption. Illustrated with 40 black and white and color illustrations, including Thomas Eakins's famous paintings of the Biglin brothers rowing on the Schuylkill River in Philadelphia in 1872.
Author: William Lanouette
Publisher: Rowman & Littlefield
ISBN: 1493052772
Category : Sports & Recreation
Languages : en
Pages : 305
Get Book Here
Book Description
The Triumph of the Amateurs is the story of the lost world or professional rowing in America, a sport that attracted crowds of thousands, widespread betting, and ultimately corruption that foretold its doom. It centers on the colorful careers of two New York City Irish boys, the Biglin brothers John and Barney, now long forgotten save for Thomas Eakins's portraits of them in their shell. If the bestseller The Boys in the Boat portrayed the good guys of the U.S.’s 1936 Olympic crew, the Biglins, along with their colleagues and successors, were the Bad Boys in the Boat. Rascals abounded on and off the water, where rowdy fans often outdid modern soccer thugs in violence, betting was rampant—as was fixing—and spectators in the tens of thousands came out to see it all. The Triumph of the Amateurs traces the sport from its rise in the years before the Civil War on through the Gilded Age to its scandalous demise and eventual transition into a purely amateur sport. In addition, Barney Biglin’s later career as holder of sinecures offers a colorful glimpse into late 19th-century New York City political corruption. Illustrated with 40 black and white and color illustrations, including Thomas Eakins's famous paintings of the Biglin brothers rowing on the Schuylkill River in Philadelphia in 1872.
Author:
Publisher:
ISBN:
Category : Machinery
Languages : en
Pages : 280
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 818
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Book Description
Author: Greg Smith
Publisher: Routledge
ISBN: 135173010X
Category : Art
Languages : en
Pages : 294
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Book Description
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
Author: Mark Lemon
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 820
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Book Description
Author: Andrew Keen
Publisher: Currency
ISBN: 0385520816
Category : Social Science
Languages : en
Pages : 258
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Book Description
Amateur hour has arrived, and the audience is running the show In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement. Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors. In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented. The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions. Offering concrete solutions on how we can reign in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.
Author: Andrew Keen
Publisher: Hachette UK
ISBN: 185788437X
Category : Computers
Languages : en
Pages : 237
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Book Description
A new, updated edition, with a new foreword of Andrew Keen s witty and provocative polemic against the rise of user-generated content and the anything goes standards of much online publishing, which set the blogosphere and media alight on publication. Dubbed the 'anti-christ' of Silicon Valley and a dot-com apostate Andrew Keen is the leading contemporary critic of the Internet. and The Cult of the Amateur is a scathing attack on the mad utopians of Web 2.0 and the wisdom of the crowd. Keen argues that much of the content filling up YouTube, MySpace, and blogs is just an endless digital forest of mediocrity which, unconstrained by professional standards or editorial filters, can alter public debate and manipulate public opinion.
Author: Henry Burgess
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 424
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Book Description
Author: Alissa Quart
Publisher: The New Press
ISBN: 1595588949
Category : Social Science
Languages : en
Pages : 139
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Book Description
“Vivid portraits” of individuals and subcultures by a writer who “unmasks the assumptions we make about what counts as normal” (The New York Times). They are outsiders who seek to redefine fields from mental health to diplomacy to music. They push boundaries and transform ideas. They include filmmakers crowdsourcing their work, transgender and autistic activists, and Occupy Wall Street’s “alternative bankers.” These people create and package themselves in a practice cultural critic Alissa Quart dubs “identity innovation.” In this “fascinating” book, Quart introduces us to individuals who have created new structures to keep themselves sane, fulfilled, and, on occasion, paid. This deeply reported book shows how these groups now gather, organize, and create new communities and economies. Without a middleman, freed of established media, and highly mobile, unusual ideas and cultures are able to spread more quickly and find audiences and allies. Republic of Outsiders is a critical examination of those for whom being rebellious, marginal, or amateur is a source of strength (Barbara Ehrenreich). “Even if you don’t consider yourself an outsider or a rebel, Quart’s book has several lessons for creative work, particularly when it comes to making art outside a heavily commercial system.” —Fast Company “One of the smartest cultural interpreters of her generation. In Republic of Outsiders, she mixes sharp-eyed analysis with an empathetic heart. The result is a great read, and a brand-new lens through which to view outsiders, insiders—and ourselves.” —Susan Cain, author of Quiet: The Power of Introverts in a World That Can’t Stop Talking
Author: Keith Rathbone
Publisher: Manchester University Press
ISBN: 1526153270
Category : History
Languages : en
Pages : 203
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Book Description
Sport and physical culture in Occupied France examines the Vichy state’s attempts to promote physical education and sports in order to rejuvenate French men and women during the Occupation. Through this cultural lens, it illuminates the central paradox of state power during the Vichy Regime. The state organised a centralised physical cultural programme meant to control and discipline French men and women. However, these activities instead empowered individuals and sporting associations to create spaces for individual expression, protect entrenched business enterprises, preserve republican institutions and organise sites for mutual aid and assistance. Based on extensive archival research, this innovative, multi-city analysis demonstrates how French sporting federations, associations and athletes appropriated Vichy’s physical education directives to reshape the ideology of the state and serve their own local agendas.
