A Companion to Federico García Lorca PDF Download
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Author: Federico Bonaddio
Publisher: Boydell & Brewer Ltd
ISBN: 9781855661417
Category : Spanish literature
Languages : en
Pages : 250
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Book Description
Lorca, icon and polymath in all his manifestations.
Author: Federico Bonaddio
Publisher: Boydell & Brewer Ltd
ISBN: 9781855661417
Category : Spanish literature
Languages : en
Pages : 250
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Book Description
Lorca, icon and polymath in all his manifestations.
Author: Paul McDermid
Publisher: Boydell & Brewer
ISBN: 1855661462
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Physical desire and metaphysical love in the theatre of Federico García Lorca. A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective inthis discussion of love versus desire. Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo, as well as Mariana Pineda, uncoveringin these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrifice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an argument for a practical re-reading of La casa de Bernarda Alba, which emphasises how the play might be saved from po-faced realism with music, humour and drag performance. PAUL McDERMID lectures in Spanish at Queen's University Belfast.
Author: Simon Breden
Publisher: Taylor & Francis
ISBN: 1040106757
Category : Performing Arts
Languages : en
Pages : 157
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Book Description
Lauded as one of the most important poets and playwrights of the twentieth century, Federico García Lorca was also an accomplished theatre director with a clear process and philosophy of how drama should be staged. Directing both his own work and that of others, Lorca was also closely involved in the rehearsals for productions of many of his plays, and from his own writings and those of his collaborators, a determined agenda to stimulate audiences and renovate theatre can be seen. This is the first book in English to fully consider Lorca as a director and his rehearsal methodology. The book combines: - A biographical account of Lorca’s work as a director and rehearsal leader, revealing his techniques and methods of approach texts; - An exploration of his key writings on and around theatre, drawing on his talks, play introductions, and some of the dramatic works themselves; - The first translation into English of his fragment Dragón; - A detailed discussion of Lorca’s key productions, Lope de Vega’s Fuente Ovejuna (1933) for La Barraca, and his own Yerma (1934). - Specific focus on the practical applications that we can draw from Lorca’s methods, both from what survives of his own work and from the accounts of his close collaborators. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Author: Sarah Wright
Publisher: Tamesis Books
ISBN: 9781855660748
Category : Literary Criticism
Languages : en
Pages : 149
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Book Description
An important contribution to the understanding of the theatrical output of major figure of Spanish literary canon.
Author: Andrew A. Anderson
Publisher: LSU Press
ISBN: 0807183245
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Critical and historical discussions of the life and work of Federico García Lorca, Spain’s foremost poet and playwright of the twentieth century, often obscure the author’s more avant-garde dramatic works. In Lorca’s Experimental Theater, Andrew A. Anderson focuses on four of Lorca’s most challenging plays—Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título)—and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca’s plays can be considered conventional, these four works stand out in his corpus for challenging theatrical conventions most forcefully, both thematically and technically. With discussions of stagecraft, artistic modernism, and the historical avant-garde, Lorca’s Experimental Theater provides detailed interpretive readings of the four plays, surveys their textual and performative history, and examines the most important contemporary influences on Lorca’s creation of these expressive, innovative works.
Author: Maria M. Delgado
Publisher: Routledge
ISBN: 1134231326
Category : Drama
Languages : en
Pages : 260
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Book Description
Immortalized in death by The Clash, Pablo Neruda, Salvador Dalí, Dmitri Shostakovich and Lindsay Kemp, Federico García Lorca's spectre haunts both contemporary Spain and the cultural landscape beyond. This study offers a fresh examination of one of the Spanish language’s most resonant voices; exploring how the very factors which led to his emergence as a cultural icon also shaped his dramatic output. The works themselves are also awarded the space that they deserve, combining performance histories with incisive textual analysis to restate Lorca’s presence as a playwright of extraordinary vision, in works such as: Blood Wedding The Public The House of Bernarda Alba Yerma. Federico García Lorca is an invaluable new resource for those seeking to understand this complex and multifaceted figure: artist, playwright, director, poet, martyr and in the eyes of many, Spain’s ‘national dramatist’.
Author: Simon Breden
Publisher: Boydell & Brewer Ltd
ISBN: 1855662787
Category : Drama
Languages : en
Pages : 278
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Book Description
The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abad a seeks to redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results for the audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product. Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.
Author: Andrés Pérez-Simón
Publisher: Routledge
ISBN: 1000766578
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca’s different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly’s Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two ‘human’ farces The Shoemaker’s Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of ‘impossible’ theater (The Public); his most explicitly political play, one that takes the violence to the spectators’ seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of ‘rural drama’ (Blood Wedding, Yerma and The House of Bernarda Alba). Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: James Martel
Publisher: University of Michigan Press
ISBN: 0472117726
Category : Business & Economics
Languages : en
Pages : 318
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Book Description
Engaging political and literary luminaries in an alternative narrative about power
Author: Emily Ryall
Publisher: Routledge
ISBN: 1136269908
Category : Education
Languages : en
Pages : 252
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Book Description
Play is a vital component of the social life and well-being of both children and adults. This book examines the concept of play and considers a variety of the related philosophical issues. It also includes meta-analyses from a range of philosophers and theorists, as well as an exploration of some key applied ethical considerations. The main objective of The Philosophy of Play is to provide a richer understanding of the concept and nature of play and its relation to human life and values, and to build disciplinary and paradigmatic bridges between scholars of philosophy and scholars of play. Including specific chapters dedicated to children and play, and exploring the work of key thinkers such as Plato, Sartre, Wittgenstein, Gadamer, Deleuze and Nietzsche, this book is invaluable reading for any advanced student, researcher or practitioner with an interest in education, playwork, leisure studies, applied ethics or the philosophy of sport.
