Author: Horatio Greenough
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 222
Book Description
The Travels, Observations, and Experience of a Yankee Stonecutter (1852)
Author: Horatio Greenough
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 222
Book Description
The Travels, Observations, and Experience of a Yankee Stonecutter
Author: Horatio Greenough
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 222
Book Description
The Letters of William Cullen Bryant
Author: William Cullen Bryant
Publisher: Fordham University Press
ISBN: 0823287262
Category : Biography & Autobiography
Languages : en
Pages : 666
Book Description
During the years covered in this volume, Bryant traveled more often and widely than at any comparable period during his life. The visits to Great Britain and Europe, a tour of the Near East and the Holy Land, and excursions in Cuba, Spain, and North Africa, as well as two trips to Illinois, he described in frequent letters to the Evening Post. Reprinted widely, and later published in two volumes, these met much critical acclaim, one notice praising the "quiet charm of these letters, written mostly from out-of-the-way places, giving charming pictures of nature and people, with the most delicate choice of words, and yet in the perfect simplicity of the true epistolary style." His absence during nearly one-fifth of this nine-year period reflected the growing prosperity of Bryant's newspaper, and his confidence in his editorial partner John Bigelow and correspondents such as William S. Thayer, as well as in the financial acumen of his business partner Isaac Henderson. These were crucial years in domestic politics, however, and Bryant's guidance of Evening Post policies was evident in editorials treating major issues such as the Compromise of 1850, the Fugitive Slave Law, the Kansas-Nebraska Bill, the rise of the Republican Party, and the Dred Scott Decision, as well as in his correspondence with such statesmen as Salmon P. Chase, Hamilton Fish, William L. Marcy, Edwin D. Morgan, and Charles Sumner. His travel letters and journalistic writings reflected as well his acute interest in a Europe in turmoil. In France and Germany he saw the struggles between revolution and repression; in Spain he talked with journalists, parliamentary leaders, and the future president of the first Spanish republic; in New York he greeted Louis Kossuth and Giuseppe Garibaldi. Bryant's close association with the arts continued. He sat for portraits to a dozen painters, among them Henry P. Gray, Daniel Huntington, Asher Durand, Charles L. Elliott, and Samuel Laurence. The landscapists continued to be inspired by his poetic themes. Sculptor Horatio Greenough asked of Bryant a critical reading of his pioneering essays on functionalism. His old friend, the tragedian Edwin Forrest, sought his mediation in what would become the most sensational divorce case of the century, with Bryant and his family as witnesses. His long advocacy of a great central park in New York was consummated by the legislature. And in 1852, his eulogy on the life of James Fenimore Cooper became the first of several such orations which would establish him as the memorialist of his literary contemporaries in New York.
Publisher: Fordham University Press
ISBN: 0823287262
Category : Biography & Autobiography
Languages : en
Pages : 666
Book Description
During the years covered in this volume, Bryant traveled more often and widely than at any comparable period during his life. The visits to Great Britain and Europe, a tour of the Near East and the Holy Land, and excursions in Cuba, Spain, and North Africa, as well as two trips to Illinois, he described in frequent letters to the Evening Post. Reprinted widely, and later published in two volumes, these met much critical acclaim, one notice praising the "quiet charm of these letters, written mostly from out-of-the-way places, giving charming pictures of nature and people, with the most delicate choice of words, and yet in the perfect simplicity of the true epistolary style." His absence during nearly one-fifth of this nine-year period reflected the growing prosperity of Bryant's newspaper, and his confidence in his editorial partner John Bigelow and correspondents such as William S. Thayer, as well as in the financial acumen of his business partner Isaac Henderson. These were crucial years in domestic politics, however, and Bryant's guidance of Evening Post policies was evident in editorials treating major issues such as the Compromise of 1850, the Fugitive Slave Law, the Kansas-Nebraska Bill, the rise of the Republican Party, and the Dred Scott Decision, as well as in his correspondence with such statesmen as Salmon P. Chase, Hamilton Fish, William L. Marcy, Edwin D. Morgan, and Charles Sumner. His travel letters and journalistic writings reflected as well his acute interest in a Europe in turmoil. In France and Germany he saw the struggles between revolution and repression; in Spain he talked with journalists, parliamentary leaders, and the future president of the first Spanish republic; in New York he greeted Louis Kossuth and Giuseppe Garibaldi. Bryant's close association with the arts continued. He sat for portraits to a dozen painters, among them Henry P. Gray, Daniel Huntington, Asher Durand, Charles L. Elliott, and Samuel Laurence. The landscapists continued to be inspired by his poetic themes. Sculptor Horatio Greenough asked of Bryant a critical reading of his pioneering essays on functionalism. His old friend, the tragedian Edwin Forrest, sought his mediation in what would become the most sensational divorce case of the century, with Bryant and his family as witnesses. His long advocacy of a great central park in New York was consummated by the legislature. And in 1852, his eulogy on the life of James Fenimore Cooper became the first of several such orations which would establish him as the memorialist of his literary contemporaries in New York.
Hawthorne, Sculpture, and the Question of American Art
Author: Deanna Fernie
Publisher: Routledge
ISBN: 1351931547
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
Publisher: Routledge
ISBN: 1351931547
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
The Evolution of Designs
Author: Philip Steadman
Publisher: Routledge
ISBN: 1134062338
Category : Architecture
Languages : en
Pages : 609
Book Description
This book tells the history of the many analogies that have been made between the evolution of organisms and the human production of artefacts, especially buildings. It examines the effects of these analogies on architectural and design theory and considers how recent biological thinking has relevance for design. Architects and designers have looked to biology for inspiration since the early 19th century. They have sought not just to imitate the forms of plants and animals, but to find methods in design analogous to the processes of growth and evolution in nature. This new revised edition of this classic work adds an extended Afterword covering recent developments such as the introduction of computer methods in design in the 1980s and ‘90s, which have made possible a new kind of ‘biomorphic’ architecture through ‘genetic algorithms’ and other programming techniques.
Publisher: Routledge
ISBN: 1134062338
Category : Architecture
Languages : en
Pages : 609
Book Description
This book tells the history of the many analogies that have been made between the evolution of organisms and the human production of artefacts, especially buildings. It examines the effects of these analogies on architectural and design theory and considers how recent biological thinking has relevance for design. Architects and designers have looked to biology for inspiration since the early 19th century. They have sought not just to imitate the forms of plants and animals, but to find methods in design analogous to the processes of growth and evolution in nature. This new revised edition of this classic work adds an extended Afterword covering recent developments such as the introduction of computer methods in design in the 1980s and ‘90s, which have made possible a new kind of ‘biomorphic’ architecture through ‘genetic algorithms’ and other programming techniques.
Talking Shop
Author: Peter Betjemann
Publisher: University of Virginia Press
ISBN: 081393169X
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
Describing everything from bread and cappuccinos to mass-market furnishings, a language of the "artisanal" saturates our culture today. That language, Peter Betjemann proposes, has a rich and specifiable history. Between 1840 and 1920, the cultural appetite for handmade chairs, tables, cabinets, and other material odds and ends flowed through narrative and texts as much as through dusty workshops or the physical surfaces of clay, wood, or metal. Judged by classic axioms about labor’s virtue—axioms originating with Plato and foundational to modern theories of workmanship—the vigorous life of craft as represented in these texts might seem a secondhand version of an ideal and purposeful activity. But Talking Shop celebrates these texts as a cultural phenomenon of their own. In the first book to consider the literary representation of craft rather than of labor in general, Peter Betjemann asks how nineteenth and early twentieth-century craftspeople, writers, and consumers managed craft’s traditional attachment to physical objects and activities while also celebrating craft in iconic, emblematic, preeminently textual terms. The durable model of workmanship that was created around correlations of craft and narrative, physical process and representation, and body and text blurred the boundaries between craft and its consumption. Discussing a wide range of material from fiction and essays to artifacts, the book explores how the era paved the way for the vitality and the viability of a language of craft in much later decades.
Publisher: University of Virginia Press
ISBN: 081393169X
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
Describing everything from bread and cappuccinos to mass-market furnishings, a language of the "artisanal" saturates our culture today. That language, Peter Betjemann proposes, has a rich and specifiable history. Between 1840 and 1920, the cultural appetite for handmade chairs, tables, cabinets, and other material odds and ends flowed through narrative and texts as much as through dusty workshops or the physical surfaces of clay, wood, or metal. Judged by classic axioms about labor’s virtue—axioms originating with Plato and foundational to modern theories of workmanship—the vigorous life of craft as represented in these texts might seem a secondhand version of an ideal and purposeful activity. But Talking Shop celebrates these texts as a cultural phenomenon of their own. In the first book to consider the literary representation of craft rather than of labor in general, Peter Betjemann asks how nineteenth and early twentieth-century craftspeople, writers, and consumers managed craft’s traditional attachment to physical objects and activities while also celebrating craft in iconic, emblematic, preeminently textual terms. The durable model of workmanship that was created around correlations of craft and narrative, physical process and representation, and body and text blurred the boundaries between craft and its consumption. Discussing a wide range of material from fiction and essays to artifacts, the book explores how the era paved the way for the vitality and the viability of a language of craft in much later decades.
Beauty & Convenience
Author: Nora Pat Small
Publisher: Univ. of Tennessee Press
ISBN: 9781572332362
Category : Architecture
Languages : en
Pages : 188
Book Description
The rebuilding of New England during what architectural historians have labeled the Federal period serves as the basis for most Americans visual or mental image of rural New England. This reconstruction became very controversial as a result of the differing definitions of republican virtue, taste, beauty, and economy held by the architects, rural reformers, and those engaged in rebuilding their homes and communities during this time. What could have promoted the attacks, primarily in the agricultural press, on the new two-story-with-ell rural homes? The answer lies in the attitudes and perceptions of cultural aesthetics and the notion of republican virtue. Nora Pat Small sharpens our understanding of the important changes that occurred in the New England landscape during the Federal period, effectively connecting her study of post-Revolutionary reform ideology and political discourse to architectural evidence; the buildings and landscapes express cultural values, aesthetic choice, and personal identity. The Author: Nora Pat Small is an associate professor of history at Eastern Illinois University. She has published articles in William & Mary Quarterly and has contributed chapters to volumes III and VII of Perspectives in Vernacular Architecture. "
Publisher: Univ. of Tennessee Press
ISBN: 9781572332362
Category : Architecture
Languages : en
Pages : 188
Book Description
The rebuilding of New England during what architectural historians have labeled the Federal period serves as the basis for most Americans visual or mental image of rural New England. This reconstruction became very controversial as a result of the differing definitions of republican virtue, taste, beauty, and economy held by the architects, rural reformers, and those engaged in rebuilding their homes and communities during this time. What could have promoted the attacks, primarily in the agricultural press, on the new two-story-with-ell rural homes? The answer lies in the attitudes and perceptions of cultural aesthetics and the notion of republican virtue. Nora Pat Small sharpens our understanding of the important changes that occurred in the New England landscape during the Federal period, effectively connecting her study of post-Revolutionary reform ideology and political discourse to architectural evidence; the buildings and landscapes express cultural values, aesthetic choice, and personal identity. The Author: Nora Pat Small is an associate professor of history at Eastern Illinois University. She has published articles in William & Mary Quarterly and has contributed chapters to volumes III and VII of Perspectives in Vernacular Architecture. "
The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Washington Architecture, 1791-1861
Author: Daniel Drake Reiff
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
American Architecture
Author: Leland M. Roth
Publisher: Routledge
ISBN: 0429973837
Category : Architecture
Languages : en
Pages : 1251
Book Description
More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States.
Publisher: Routledge
ISBN: 0429973837
Category : Architecture
Languages : en
Pages : 1251
Book Description
More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States.