Author: Dylan Savage
Publisher:
ISBN: 9781622774333
Category : Education
Languages : en
Pages : 278
Book Description
The Transposed Musician is a practical guide to teaching these universal skills within the context of a traditional music lesson. The results not only empower students to better confront the challenges of the twenty-first century, they significantly improve musicianship--a double benefit. -- back
The Transposed Musician
Author: Dylan Savage
Publisher:
ISBN: 9781622774333
Category : Education
Languages : en
Pages : 278
Book Description
The Transposed Musician is a practical guide to teaching these universal skills within the context of a traditional music lesson. The results not only empower students to better confront the challenges of the twenty-first century, they significantly improve musicianship--a double benefit. -- back
Publisher:
ISBN: 9781622774333
Category : Education
Languages : en
Pages : 278
Book Description
The Transposed Musician is a practical guide to teaching these universal skills within the context of a traditional music lesson. The results not only empower students to better confront the challenges of the twenty-first century, they significantly improve musicianship--a double benefit. -- back
Noyes Notes...on Transposition
Author: Randal C. Noyes
Publisher: FriesenPress
ISBN: 1460298446
Category : Music
Languages : en
Pages : 94
Book Description
Transposition. What is it? How do you do it? Why and when does a musician need it? How do you get started learning it? In Noyes Notes...on Transposition, trumpeter, music educator, and technical writer Randal C. Noyes uses simple, concise language to answer the most frequently asked questions about transposition. Noyes Notes...on Transposition dispels the mystery, confusion, and anxiety that wind musicians often feel when they need to play an arrangement in a different key or read from another instrument's music. Noyes Notes...on Transposition includes 21 Quick Reference charts to help you transpose effectively and quickly when time is critical. If you don't transpose, Noyes Notes...on Transposition will show you how. If you can transpose, this book will deepen your knowledge of the process. Noyes Notes...on Transposition will teach you how to transpose any part for any instrument in any key.
Publisher: FriesenPress
ISBN: 1460298446
Category : Music
Languages : en
Pages : 94
Book Description
Transposition. What is it? How do you do it? Why and when does a musician need it? How do you get started learning it? In Noyes Notes...on Transposition, trumpeter, music educator, and technical writer Randal C. Noyes uses simple, concise language to answer the most frequently asked questions about transposition. Noyes Notes...on Transposition dispels the mystery, confusion, and anxiety that wind musicians often feel when they need to play an arrangement in a different key or read from another instrument's music. Noyes Notes...on Transposition includes 21 Quick Reference charts to help you transpose effectively and quickly when time is critical. If you don't transpose, Noyes Notes...on Transposition will show you how. If you can transpose, this book will deepen your knowledge of the process. Noyes Notes...on Transposition will teach you how to transpose any part for any instrument in any key.
A Dictionary of Music and Musicians: T-Z and appendix
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 746
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 746
Book Description
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 760
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 760
Book Description
Paris and the Art of Transposition
Author: Angie Chau
Publisher: University of Michigan Press
ISBN: 0472903926
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.
Publisher: University of Michigan Press
ISBN: 0472903926
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context.
A Dictionary of Music and Musicians : (A.D. 1450-1889)
Author: J. A. (John Alexander) Fuller-Maitland
Publisher: Philadelphia : T. Presser
ISBN:
Category : Music
Languages : en
Pages : 842
Book Description
Publisher: Philadelphia : T. Presser
ISBN:
Category : Music
Languages : en
Pages : 842
Book Description
A Dictionary of Music and Musicians (A.D. 1450-1880) by Eminent Writers, English and Foreign
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 842
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 842
Book Description
“A” Dictionary of Music and Musicians (A.D. 1450-1883) ...
Author: Sir George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1032
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1032
Book Description
A Dictionary of Music and Musicians (A.D. 1450-1889)
Musicianship For The Contemporary Musician
Author: Richard Sorce
Publisher: Linus Learning
ISBN: 1607975343
Category : Music
Languages : en
Pages : 416
Book Description
Except for the most conservative music departments, most colleges and universities have instituted music major programs to accommodate the contemporary student whose interest lies in current practice, e.g., popular music, music business and/or industry and music production. Those involved in the creation of popular music are usually more aurally oriented, and create music based on what sounds as that which is accepted as popular music. These students typically attempt song writing, and perform either as soloists or with bands. Music business and industry majors demonstrate interest in pursuing careers in music production, recording, publishing, management, promotion, and essentially any area that does not involve primarily the creative aspect of composition or performance. However, regardless of a music major’s primary area of interest, he or she is still required to fulfill certain departmental musicianship requirements. While traditional majors in performance, composition or teaching for example, must successfully complete historically established musicianship courses, the current trend in musicianship offerings is an attempt to be more accommodating to various needs and concentrations. Musicianship for the Contemporary Musician, which can be completed in two semesters, will satisfy this alternative approach and still fully prepare the graduate to move freely in other facets of the profession. The author is a classically and formally trained pianist, composer and theorist, who has spent many years as a performer of classical, jazz, popular, rock and liturgical music, touring and studio musician, and professor of music. He is a multiple-charted and award-winning songwriter, commissioned composer, producer, arranger/orchestrator and lyricist (Billboard, et. al.), and a published author, composer and songwriter. His works—popular, piano, choral and instrumental—have been recorded and published by numerous record companies and publishers in the United States and abroad. The author speaks from dozens of years of experience in the music profession.
Publisher: Linus Learning
ISBN: 1607975343
Category : Music
Languages : en
Pages : 416
Book Description
Except for the most conservative music departments, most colleges and universities have instituted music major programs to accommodate the contemporary student whose interest lies in current practice, e.g., popular music, music business and/or industry and music production. Those involved in the creation of popular music are usually more aurally oriented, and create music based on what sounds as that which is accepted as popular music. These students typically attempt song writing, and perform either as soloists or with bands. Music business and industry majors demonstrate interest in pursuing careers in music production, recording, publishing, management, promotion, and essentially any area that does not involve primarily the creative aspect of composition or performance. However, regardless of a music major’s primary area of interest, he or she is still required to fulfill certain departmental musicianship requirements. While traditional majors in performance, composition or teaching for example, must successfully complete historically established musicianship courses, the current trend in musicianship offerings is an attempt to be more accommodating to various needs and concentrations. Musicianship for the Contemporary Musician, which can be completed in two semesters, will satisfy this alternative approach and still fully prepare the graduate to move freely in other facets of the profession. The author is a classically and formally trained pianist, composer and theorist, who has spent many years as a performer of classical, jazz, popular, rock and liturgical music, touring and studio musician, and professor of music. He is a multiple-charted and award-winning songwriter, commissioned composer, producer, arranger/orchestrator and lyricist (Billboard, et. al.), and a published author, composer and songwriter. His works—popular, piano, choral and instrumental—have been recorded and published by numerous record companies and publishers in the United States and abroad. The author speaks from dozens of years of experience in the music profession.