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Author: Daniel R. Schwarz
Publisher: Springer
ISBN: 1349097039
Category : Fiction
Languages : en
Pages : 342
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Book Description
Focusing on the work of Hardy, Lawrence, Conrad, Joyce, Forster and Woolf, this study is divided into two sections: the first shows how historical and contextual material is essential for developing powerful readings; the second discusses how new theory has transformed the way we read and think.
Author: Daniel R. Schwarz
Publisher: Springer
ISBN: 1349097039
Category : Fiction
Languages : en
Pages : 342
Get Book Here
Book Description
Focusing on the work of Hardy, Lawrence, Conrad, Joyce, Forster and Woolf, this study is divided into two sections: the first shows how historical and contextual material is essential for developing powerful readings; the second discusses how new theory has transformed the way we read and think.
Author: D. Schwarz
Publisher: Springer
ISBN: 0230379338
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
In an exciting and important book... The theoretical chapters are a model of elegantly styled accommodation; yet they brook no fudging of the issues, no comfortable ambiguities - Modern Fiction Studies The Transformation of the English Novel, 1890-1930: Studies in Hardy, Conrad, Joyce, Lawrence, Forster and Woolf is a provocative exploration of a crucial period in the development of the English novel, integrating critical theory, historical background and sophisticated close reading. Divided into two major sections, the first shows how historical and contextual material is essential for developing powerful readings. The second section is theoretical and speaks of the transformation in the way that we read and think about authors, readers, characters and form in the light of recent theory, offering an alternative to the deconstructive and Marxist trends in literary studies.
Author: Daniel R. Schwarz
Publisher: John Wiley & Sons
ISBN: 0470779837
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Daniel R. Schwarz has studied and taught the modern British novel for decades and now brings his impressive erudition and critical acuity to this insightful study of the major authors and novels of the first half of the twentieth century. An insightful study of British fiction in the first half of the twentieth century. Draws on the author’s decades of experience researching and teaching the modern British novel. Sets the modern British novel in its intellectual, cultural and literary contexts. Features close readings of Hardy’s Jude the Obscure, Conrad’s Heart of Darkness and Lord Jim, Lawrence’s Sons and Lovers and The Rainbow, Joyce’s Dubliners and Ulysses, Woolf’s Mrs. Dalloway and To the Lighthouse and Forster’s A Passage to India. Shows how these novels are essential components in a modernist cultural tradition which includes the visual arts. Takes account of recent developments in theory and cultural studies. Written in an engaging style, avoiding jargon.
Author: Daniel R. Schwarz
Publisher: SUNY Press
ISBN: 1438438966
Category : Language Arts & Disciplines
Languages : en
Pages : 503
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Book Description
A groundbreaking study of ten difficult years in the life of Americas most important newspaper. From false stories about weapons of mass destruction in Iraq to growing competition from online and twenty-four-hour cable news, the first decade of the twenty-first century was not particularly kind to the New York Times. In this groundbreaking study of the recent life and times of Americas most important newspaper, Daniel R. Schwarz describes the transformation of the Times as it has confronted not only its various scandals and embarrassments but also the rapid rise of the Internet and blogosphere, the ensuing decline in circulation and print advertising, and the change in what readers want and how they want to get it. Drawing on more than forty one-on-one interviews with past and present editors (including every living executive editor), senior figures on the business and financial side, and publisher Arthur Sulzberger Jr., Schwarz discusses virtually every aspect of the contemporary Times, from columnists to cultural coverage. He explains how, in response to continuous online updating and twenty-four-hour all-news radio and television, the Times has become much more like a daily magazine than a traditional newspaper, with increased analysis (as opposed to reporting) of the news as well as value-added features on health, travel, investing, and food. After carefully tracing the rise of the Timess website, Schwarz asks whether the Times can survive as a print newspaper, whether it can find a business model to support its vast print and online newsgathering operation, and whether the Sulzberger family can survive as controlling owners. He also asks whether the Times, in its desperate effort to survive, has abandoned its quality standards by publishing what he calls Timeslite and Timestrash. Writing as a skeptical outsider and devoted lifelong reader, Schwarz concludes that the Times is the worst newspaper in the worldexcept for all the others. Endtimes? is a must read for Times readers as well as anyone interested in the radical change in print and broadcast media in the rapidly evolving Internet Age. [A] balanced grappling with big issues and tumultuous changes in journalism and at The Times between 1999 and 2009. CHOICE Fascinating Schwarz raises many questions about the future of printed newspapers and about how Americans will stay informed about news. Charleston Gazette-Mail Endtimes? is a product of brain and heartpassion for its subject, yes, but also clear-eyed critique of that subjects strengths and weaknesses. Huntsville Times Schwarz is diligent in his research and his interviews He puts the Times on the couch and gives us a very thorough psychoanalysis. Washington Independent Review of Books Struggling to maintain its journalistic preeminence in a world of accelerating change, the New York Times has often stumbled, but not yet fallen. Scrupulously researched, judiciously argued, and accessibly written, Endtimes? provides a sympathetically critical account of the Timess strengths and weaknesses as it responds to the economic, technological, cultural, and political challenges of our day. No one alarmed by the threatened survival of quality journalism can afford to ignore this trenchant book. Martin Jay, author of The Virtues of Mendacity: On Lying in Politics Daniel Schwarzs lucid, well-researched, and passionate book reminded me of the saying that the best criticism comes from admirers who are willing to tell us our faults. Benefiting from his own extensive interviews with key players in the Timess story, including Max Frankel, Arthur Sulzberger Jr., and Howell Raines, Schwarz offers a complex, judicious history of a prominent American cultural institution as it responds to a period of crises and turmoil in print journalism. Pulling no punches, Schwarz laments the current version of the papers fluff, lack of gatekeeping and news judgment, and failure to stand up to government. At the same time, he appreciates how the Times remains, after more than a century, a preeminent source of information. This is a lovers quarrel at its best. Daniel Morris, Purdue University Dan Schwarz is a knowing reader and a master teacher. Endtimes? shows that he is a great student of journalism as well. He takes us on a roller-coaster ride from the era of the New York Timess cultural ascendancy to the current financial crisis over its very existence. And he looks into the Timess future too. Everyone who cares about the news in America should read this book. Barry Strauss, author of The Spartacus War Dan Schwarz writes with terrific energy about an important subject: the threat posed by todays flood of information to the integrity and even the existence of what is arguably the worlds most influential newspaper. Not every reader will agree with his criticisms of the papers leadership or his prescriptions for its survival. But every reader will be deeply informed and sharply challenged by his well-documented narrative and his provocative argument. Steven Knapp, The George Washington University
Author: Christoph Reinfandt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393360
Category : Literary Criticism
Languages : en
Pages : 667
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Book Description
The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.
Author: Daniel Morris
Publisher: University of Delaware
ISBN: 1611493455
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Our culture attempts to separate competing ideological factions by denying relationships between multiple perspectives and influences outside of one’s own narrow interpretive community. The distinguished essayists in this volume find Daniel R. Schwarz’s pluralistic, self-questioning approach to what he calls “reading texts and reading lives” quite relevant to the current historical moment and political situation. A legendary scholar of modernist literature, Schwarz’s critical principles are a healthy corrective to cultural hubris. The essayists treat works ranging from fictions by Joyce, Conrad, Morrison, and Woolf to the poetry of Yeats, to Holocaust literature, to the environmental writings of Wendell Berry, to the photographs of Lee Friedlander. The authors focus on different works, but they follow Schwarz in stressing formal elements most often associated with traditional realism while keeping an eye on historical and author-centered approaches. The essayists also follow Schwarz in their emphasis on narrative cohesion and in how they look for signs of agency among characters who possess the will to alter their fate, even in a seemingly random universe such as the one depicted by Conrad. Readers with eyes to ethics and aesthetics, they follow Schwarz in encouraging a values-centered approach that leaves room for the reader to address the ways in which reading a text correlates to the reader’s ability to find meaning and value in experience outside the text. Like Schwarz, the essays look for intentionality of authorial meaning (rather than something called an “author function”) as well as for the relationship between lived experience and the imagined world of the literary work (rather than the endless semiotic play of an ultimately indecipherable text).
Author: Daniel R. Schwarz
Publisher: Springer
ISBN: 1349110701
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
An attempt to define a humanistic and pluralistic ideology of reading which takes recent theory into account. By the same author as "The Humanistic Heritage: Critical Theories on the English Novel from James through Hillis Miller", and "Reading Joyce's `Ulysses'".
Author: Daniel R. Schwarz
Publisher: John Wiley & Sons
ISBN: 1118693418
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
An exploration of the modern European novel from a renowned English literature scholar Reading the Modern European Novel since 1900 is an engaging, in-depth examination of the evolution of the modern European novel. Written in Daniel R. Schwarz's precise and highly readable style, this critical study offers compelling discussions on a wide range of major works since 1900 and examines recurring themes within the context of significant historical events, including both World Wars and the Holocaust. The author cites important developments in the evolution of the modern novel and explores how these paradigmatic works of fiction reflect intellectual and cultural history, including developments in painting and cinema. Schwarz focuses on narrative complexity, thematic subtlety, and formal originality as well as how novels render historical events and cultural developments Discussing major works by Proust, Camus, Mann, Kafka, Grass, di Lampedusa, Bassani, Kertesz, Pamuk, Kundera, Saramago, Muller and Ferrante, Schwarz explores how these often experimental masterworks pay homage to the their major predecessors—discussed in Schwarz's ground-breaking Reading the European Novel to 1900—even while proposing radical departures from realism in their approach to time and space, their testing the limits of language, and their innovative ways of rendering the human psyche. Written for teachers and students by a highly-acclaimed scholar and including valuable study questions, Reading the Modern European Novel since 1900 offers a guide for a deeper understanding of how these original modern masters respond to both the past and present.
Author: Randall Stevenson
Publisher: University Press of Kentucky
ISBN: 9780813108230
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
The novel is the major literary phenomenon of the twentieth century, and its development in Britain since 1900 has reflected the tumultuous changes that have characterized modern society. Randall Stevenson now presents an accessible and authoritative guide to the work of th ecentury's leading novelists as well as many of its lesser known writers. In this stimulating and wide-ranging account, Stevenson locates the work of individual writers, from Conrad to Jeanette Winterson, within an evolving literary history and the wider context of social, political, and cultural change. Included are British writers working in exile and writers with origins elsewhere, such as James and Rushdie, who have chosen to work in Britain. Women novelists are accorded their rightful prominence. This clear and lively survey deals with a broad range of movements, including modernism and postmodernism, as well as the influence of other world literatures and the impact of two world wars. An ideal text, this is a 'guide' in the best sense—concise and lucid, well-informed and perceptive. Readers new to the field will appreciate Stevenson's clear direction, while the experienced will be delighted by newly revealed connections and fresh perspectives.
Author: Daniel R. Schwarz
Publisher: John Wiley & Sons
ISBN: 1118604822
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
"Schwarz's study is chock full of judicious evaluation of characters, narrative devices, ethical commentary, and helpful information about historical and political contexts including the role of Napoleon, the rise of capitalism, trains, class divisions, transformation of rural life, and the struggle to define human values in a period characterized by debates between and among rationalism, spiritualism, and determinism. One experiences the pleasure of watching a master critic as he re-reads, savors, and passes on his hard-won wisdom about how we as humans read and why. Daniel Morris, Professor of English, Purdue University Written by one of literature's most esteemed scholars and critics, Reading the European Novel to 1900 is an engaging and in-depth examination of major works of the European novel from Cervantes' Don Quixote to Zola's Germinal. In Daniel R. Schwarz's inimitable style, which balances formal and historical criticism in precise, readable prose, this book offers close readings of individual texts with attention to each one's cultural and canonical context. Major texts that he discusses: Cervantes' Don Quixote; Stendhal's The Red and the Black and The Charterhouse of Parma; Balzac's Père Goriot; Flaubert's Madame Bovary and Sentimental Education; Dostoevsky's Notes from Underground, Crime and Punishment, and The Brothers Karamazov; Tolstoy's War and Peace and Anna Karenina; and Zola's Germinal. Schwarz examines the history and evolution of the novel during this period and defines each author's aesthetic, cultural, political, and historical significance. Incorporating important pedagogical suggestions and the latest research, this text provides accessible and lucid discussion of the European novel to 1900 for students, teachers, and general readers interested in the evolution of the novelistic form.
