The Theory of Sound in Its Relation to Music PDF Download
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Author: Pietro Blaserna
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
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Book Description
Author: Pietro Blaserna
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 254
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Book Description
Author: Pietro Blaserna
Publisher: BoD – Books on Demand
ISBN: 3385519640
Category : Fiction
Languages : en
Pages : 202
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Book Description
Reprint of the original, first published in 1876.
Author: Arthur H. Benade
Publisher: Courier Corporation
ISBN: 0486150712
Category : Music
Languages : en
Pages : 608
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Book Description
Landmark book hailed for exceptionally clear, delightfully readable explication of everything acoustically important to music-making. Includes over 300 illustrations. Examples, experiments, and questions conclude each chapter.
Author: John William Strutt Baron Rayleigh
Publisher:
ISBN:
Category : Sound
Languages : en
Pages : 526
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Book Description
Author: Aden Evens
Publisher: U of Minnesota Press
ISBN: 1452907307
Category :
Languages : en
Pages : 225
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Book Description
A highly original approach to the philosophy of musical experience.
Author: Clarence Grant Hamilton
Publisher: Boston : Oliver Ditson ; New York : C.H. Ditson
ISBN:
Category : Music
Languages : en
Pages : 170
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Book Description
Author: Hermann von Helmholtz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 608
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Book Description
Author: Harvey E. White
Publisher: Courier Corporation
ISBN: 0486794008
Category : Science
Languages : en
Pages : 452
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Book Description
Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.
Author: Steve Goodman
Publisher: MIT Press
ISBN: 0262266334
Category : Music
Languages : en
Pages : 291
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Book Description
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
Author: Pietro Blaserna
Publisher:
ISBN: 9783337446543
Category :
Languages : en
Pages : 232
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Book Description
