Author: John Carlos Rowe
Publisher: Taylor & Francis
ISBN: 9780416395600
Category : Communism and literature
Languages : en
Pages : 288
Book Description
The Theoretical Dimensions of Henry James
Author: John Carlos Rowe
Publisher: Univ of Wisconsin Press
ISBN: 0299099733
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Rowe examines James from the perspectives of the psychology of literary influence, feminism, Marxism, psychoanalysis, literary phenomenology and impressionism, and reader-response criticism, transforming a literary monument into the telling point of intersection for modern critical theories.
Publisher: Univ of Wisconsin Press
ISBN: 0299099733
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Rowe examines James from the perspectives of the psychology of literary influence, feminism, Marxism, psychoanalysis, literary phenomenology and impressionism, and reader-response criticism, transforming a literary monument into the telling point of intersection for modern critical theories.
The Theoretical Dimensions of Henry James
Author: John Carlos Rowe
Publisher: Taylor & Francis
ISBN: 9780416395600
Category : Communism and literature
Languages : en
Pages : 288
Book Description
Publisher: Taylor & Francis
ISBN: 9780416395600
Category : Communism and literature
Languages : en
Pages : 288
Book Description
The Theoretical Dimensions of Henry James
Author: John Carlos Rowe
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Social Formalism
Author: Dorothy J. Hale
Publisher: Stanford University Press
ISBN: 0804733562
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
In recent decades, literary critics have praised novel theory for abandoning its formalist roots and defining the novel as a vehicle of social discourse. The old school of novel theory has long been associated with Henry James; the new school allies itself with the Russian theorist Mikhail Bakhtin. In this book, the author argues that actually it was the compatibility of Bakhtin with James that prompted Anglo-American theorists to embrace Bakhtin with such enthusiasm. Far from rejecting James, in other words, recent novel theorists have only refined Jamess foundational recharacterization of the novel as the genre that does not simply represent identity through its content but actually instantiates it through its form. Social Formalismdemonstrates the persistence of Jamess theoretical assumptions from his writings and those of his disciple Percy Lubbock through the critique of Jamesian theory by Roland Barthes, Wayne Booth, and Gérard Genette to the current Anglo-American assimilation of Bakhtin. It also traces the expansion of Jamess influence, as mediated by Bakhtin, into cultural and literary theory. Jamesian social formalism is shown to help determine the widely influential theories of minority identity expounded by such important cultural critics as Barbara Johnson and Henry Louis Gates. Social Formalismthus explains why a tradition that began by defining novelistic value as the formal instantiation of identity ends by defining minority political empowerment as aestheticized self-representation.
Publisher: Stanford University Press
ISBN: 0804733562
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
In recent decades, literary critics have praised novel theory for abandoning its formalist roots and defining the novel as a vehicle of social discourse. The old school of novel theory has long been associated with Henry James; the new school allies itself with the Russian theorist Mikhail Bakhtin. In this book, the author argues that actually it was the compatibility of Bakhtin with James that prompted Anglo-American theorists to embrace Bakhtin with such enthusiasm. Far from rejecting James, in other words, recent novel theorists have only refined Jamess foundational recharacterization of the novel as the genre that does not simply represent identity through its content but actually instantiates it through its form. Social Formalismdemonstrates the persistence of Jamess theoretical assumptions from his writings and those of his disciple Percy Lubbock through the critique of Jamesian theory by Roland Barthes, Wayne Booth, and Gérard Genette to the current Anglo-American assimilation of Bakhtin. It also traces the expansion of Jamess influence, as mediated by Bakhtin, into cultural and literary theory. Jamesian social formalism is shown to help determine the widely influential theories of minority identity expounded by such important cultural critics as Barbara Johnson and Henry Louis Gates. Social Formalismthus explains why a tradition that began by defining novelistic value as the formal instantiation of identity ends by defining minority political empowerment as aestheticized self-representation.
The Other Henry James
Author: John Carlos Rowe
Publisher: Duke University Press
ISBN: 9780822321477
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
Publisher: Duke University Press
ISBN: 9780822321477
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
Theory of Fiction: Henry James
Author: Henry James
Publisher: U of Nebraska Press
ISBN: 9780803257474
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources.
Publisher: U of Nebraska Press
ISBN: 9780803257474
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources.
The Art of Criticism
Author: Henry James
Publisher: University of Chicago Press
ISBN: 0226391973
Category : Education
Languages : en
Pages : 524
Book Description
A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.
Publisher: University of Chicago Press
ISBN: 0226391973
Category : Education
Languages : en
Pages : 524
Book Description
A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.
Henry James at Work
Author: Theodora Bosanquet
Publisher: University of Michigan Press
ISBN: 9780472115716
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
The delightful memoir by James's feisty and feminist secretary, with a biographical essay and excerpts from her diaries
Publisher: University of Michigan Press
ISBN: 9780472115716
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
The delightful memoir by James's feisty and feminist secretary, with a biographical essay and excerpts from her diaries
Henry James and Modern Moral Life
Author: Robert B. Pippin
Publisher: Cambridge University Press
ISBN: 9780521655477
Category : Literary Collections
Languages : en
Pages : 212
Book Description
This book argues that Henry James reveals in his fiction a sophisticated theory of moral understanding.
Publisher: Cambridge University Press
ISBN: 9780521655477
Category : Literary Collections
Languages : en
Pages : 212
Book Description
This book argues that Henry James reveals in his fiction a sophisticated theory of moral understanding.
Opera and the Novel
Author: Michael Halliwell
Publisher: Rodopi
ISBN: 9789042016347
Category : Art
Languages : en
Pages : 532
Book Description
Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another - metaphrasis - is its point of departure. Starting with a survey of the current thinking regarding the nexus between words and music with specific reference to operatic adaptation of existing literary works, it traces the four-hundred-year history of opera, demonstrating that the novel has become increasingly attractive to librettists and composers as an operatic source. As the resources of modern music theatre have increased in sophistication, so too have the possibilities for an expanded engagement with complex fictional works. The intricate relationship between fictional and musical narrative is examined: the proposition that the orchestra assumes much of the function of the narrator in fiction is explored. The second section is a detailed examination of eight operatic works based on Henry James's fiction. It is opera's unique capability to present the intense emotional and psychological situations central to James's fiction as well as the ability to engage with his synthesis of melodrama and psychological ambiguity which makes James's work peculiarly amenable to operatic adaptation. Composers who have used James as a source include Douglas Moore, Benjamin Britten, Thomas Pasatieri, Donald Hollier, Thea Musgrave, Philip Hagemann and Dominick Argento. The operas discussed represent a contemporary critical and often self-conscious engagement with the art form itself as well as illustrating current adaptive strategies, and suggest ways in which new operatic paths may be forged. This volume is of relevance to students and scholars of English literature and opera as well as readers who take an interest in intermedial research and the question of adaptation in general.
Publisher: Rodopi
ISBN: 9789042016347
Category : Art
Languages : en
Pages : 532
Book Description
Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another - metaphrasis - is its point of departure. Starting with a survey of the current thinking regarding the nexus between words and music with specific reference to operatic adaptation of existing literary works, it traces the four-hundred-year history of opera, demonstrating that the novel has become increasingly attractive to librettists and composers as an operatic source. As the resources of modern music theatre have increased in sophistication, so too have the possibilities for an expanded engagement with complex fictional works. The intricate relationship between fictional and musical narrative is examined: the proposition that the orchestra assumes much of the function of the narrator in fiction is explored. The second section is a detailed examination of eight operatic works based on Henry James's fiction. It is opera's unique capability to present the intense emotional and psychological situations central to James's fiction as well as the ability to engage with his synthesis of melodrama and psychological ambiguity which makes James's work peculiarly amenable to operatic adaptation. Composers who have used James as a source include Douglas Moore, Benjamin Britten, Thomas Pasatieri, Donald Hollier, Thea Musgrave, Philip Hagemann and Dominick Argento. The operas discussed represent a contemporary critical and often self-conscious engagement with the art form itself as well as illustrating current adaptive strategies, and suggest ways in which new operatic paths may be forged. This volume is of relevance to students and scholars of English literature and opera as well as readers who take an interest in intermedial research and the question of adaptation in general.