The Theatrical Vocabulary of the Sword in English Renaissance Drama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Theatrical Vocabulary of the Sword in English Renaissance Drama PDF full book. Access full book title The Theatrical Vocabulary of the Sword in English Renaissance Drama by Ian Geoffrey Stapleton. Download full books in PDF and EPUB format.
Author: Ian Geoffrey Stapleton
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Ian Geoffrey Stapleton
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Alan C. Dessen
Publisher: Cambridge University Press
ISBN: 9780521000291
Category : Literary Criticism
Languages : en
Pages : 306
Get Book Here
Book Description
This dictionary, the first of its kind, defines and explains over 900 terms found in the stage directions of plays for the professional stage written by Shakespeare and his contemporaries. The authors draw on a database of over 22,000 stage directions drawn from around 500 plays. Each entry defines a term, gives examples of how it is used, cites additional instances, and gives cross-references to other relevant entries. This will be an indispensable work of reference for scholars, historians, directors and actors.
Author: Hugh Macrae Richmond
Publisher: A&C Black
ISBN: 9780826477767
Category : Literary Criticism
Languages : en
Pages : 590
Get Book Here
Book Description
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Author: Heidi Craig
Publisher: Cambridge University Press
ISBN: 1009224034
Category : Drama
Languages : en
Pages : 257
Get Book Here
Book Description
Heidi Craig demonstrates how dramatic and theatrical activity paradoxically thrived during the English theatre closures, 1642-1660.
Author: Marliss C. Desens
Publisher: University of Delaware Press
ISBN: 9780874134766
Category : Drama
Languages : en
Pages : 188
Get Book Here
Book Description
None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.
Author: Eric J. Griffin
Publisher: University of Pennsylvania Press
ISBN: 0812202104
Category : Drama
Languages : en
Pages : 317
Get Book Here
Book Description
The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.
Author: Matthew Wagner
Publisher: Routledge
ISBN: 1136661638
Category : Performing Arts
Languages : en
Pages : 181
Get Book Here
Book Description
That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth Night), or, perhaps most famously, simply ‘out of joint’ (Hamlet). Yet most critical commentary on time and Shakespeare tends to incorporate little focus on time as an essential - if elusive - element of stage praxis. This book aims to fill that gap; Wagner's focus is specifically performative, asking after time as a stage phenomenon rather than a literary theme or poetic metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical, historiographical, dramaturgical, and performative perspectives, Wagner examines the ways in which theatrical activity generates a manifest presence of time, and he demonstrates Shakespeare’s acute awareness and manipulation of this phenomenon. Underpinning these investigations is the argument that theatrical time, and especially Shakespearean time, is rooted in temporal conflict and ‘thickness’ (the heightened sense of the present moment bearing the weight of both the past and the future). Throughout the book, Wagner traces the ways in which time transcends thematic and metaphorical functions, and forms an essential part of Shakespearean stage praxis.
Author: Lisa Hopkins
Publisher: Medieval Institute Publications
ISBN: 1580442803
Category : History
Languages : en
Pages : 225
Get Book Here
Book Description
This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.
Author: Peter Womack
Publisher: John Wiley & Sons
ISBN: 0470779845
Category : Literary Criticism
Languages : en
Pages : 336
Get Book Here
Book Description
The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642. Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare. Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama. Includes a series of short biographies of playwrights during this period. Features close analyses of more than 20 plays, each of which draws attention to what makes a particular play interesting and identifies relevant critical questions. Examines early modern drama in terms of its characteristic actions, such as cuckolding, flattering, swaggering, going mad, and rising from the dead.
Author: Senlen Sila
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838259823
Category : Language Arts & Disciplines
Languages : en
Pages : 196
Get Book Here
Book Description
Verbal violence, as a sophisticated means of persuasion and manipulation, is as effective on the stage as physical violence. Since the destructive effects of verbal violence are less recognized and long-term, it is a vital instrument for constructing power and authority. Sıla Şenlen tackles this subject in Renaissance and contemporary English drama. In Renaissance tragedies composed in blank-verse such as Marlowe’s Tamburlaine, Part I, and Shakespeare’s Richard III, political power is identified and matched with a powerful rhetorical style. Almost all of the battles in such plays are fought verbally rather than physically on the stage. In these verbal duels or battles, competent speakers such as Tamburlaine and Richard III exploit the frontiers of deception, manipulate, abuse and destroy their opponents with low verbal competence through verbal violence. Thus, a parallel is drawn between rhetorical skills and military power, and between ‘word’ and ‘sword’. In contemporary English plays, the violence of daily language not only contributes to the creation of a realistic spectacle, but also –and more importantly– to the process of replacing free critical thinking by automatically preconceived patterns of thought and speech. Institutions and related discourses function to set up norms or standards against which people are defined, categorized, judged and punished. In Bernard Shaw’s Pygmalion, Harold Pinter’s The Birthday Party and Anthony Neilson’s The Censor, verbal violence in the form of daily language is not only deployed to construct authority, dominate and ‘standardize’ subjects, but also to deconstruct and defy authority.
