The Theatrical Life of George Henry Boker PDF Download
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Author: Thomas M. Kitts
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
Born in an age that discouraged serious dramatists and to a prominent Philadelphia family who tried to dissuade him from a literary and theatrical career, George Henry Boker (1823-1890) persevered to contribute significantly to the growth of American theater. He not only wrote more quality plays than any other nineteenth-century American dramatist, but he also helped to develop a native playwriting profession, especially through his efforts on the 1856 Dramatic Authors' Bill. Although many consider his Francesca da Rimini the best American drama of the century, Boker has been largely ignored in the twentieth century. This study, which explores his achievement in the context of his times, argues for his reconsideration.
Author: Thomas M. Kitts
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
Born in an age that discouraged serious dramatists and to a prominent Philadelphia family who tried to dissuade him from a literary and theatrical career, George Henry Boker (1823-1890) persevered to contribute significantly to the growth of American theater. He not only wrote more quality plays than any other nineteenth-century American dramatist, but he also helped to develop a native playwriting profession, especially through his efforts on the 1856 Dramatic Authors' Bill. Although many consider his Francesca da Rimini the best American drama of the century, Boker has been largely ignored in the twentieth century. This study, which explores his achievement in the context of his times, argues for his reconsideration.
Author: Sculley Bradley
Publisher: 清华大学出版社有限公司
ISBN:
Category :
Languages : en
Pages : 406
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Book Description
Author: Brent S. Salter
Publisher: Cambridge University Press
ISBN: 1108620353
Category : Law
Languages : en
Pages : 279
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Book Description
Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521472043
Category : Drama
Languages : en
Pages : 554
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Book Description
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521564441
Category : Drama
Languages : en
Pages : 448
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Book Description
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Author: Joe Russell Zimmermann
Publisher:
ISBN:
Category : Stage lighting
Languages : en
Pages : 262
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Book Description
Author: Glenn Hughes
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 508
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Book Description
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 081087833X
Category : Performing Arts
Languages : en
Pages : 571
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Book Description
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
Author: George Plasketes
Publisher: Routledge
ISBN: 1317079744
Category : Business & Economics
Languages : en
Pages : 274
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Book Description
Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.
Author: Amnon Kabatchnik
Publisher: McFarland
ISBN: 1476675554
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
There are numerous publications about the horror genre in film and television, but none that provide information about horror on a legitimate stage until now. This book highlights the most terrifying moments in theater history, from classical plays like Aeschylus' Prometheus Bound and Euripides' Medea to the violence of the Grand Guignol company productions in 18th-century France, and present-day productions like Stephen Sondheim's musical Sweeney Todd, Stephen King's Carrie and dark 21st-century plays by Clive Barker and Conor McPherson. The book compiles the history and behind-the-scenes tales surrounding stage productions about monsters, hauntings and horrors both historical and imagined. Included are the nightmarish adaptations of popular writings from Edgar Allan Poe, Oscar Wilde, H.G. Wells, Henry James, Arthur Conan Doyle, and others, as well as plays starring popular characters like Frankenstein, Dr. Jekyll and Mr. Hyde, the Invisible Man, the Phantom of the Opera, and the Woman in Black. More than 500 plays are documented, accompanied by dozens of photographs. Entries include plot synopses, existing production data, and evaluations by critics and scholars.
