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Author: Edith Hall
Publisher: OUP Oxford
ISBN: 0191516430
Category : Literary Criticism
Languages : en
Pages : 494
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Book Description
In this pioneering study Edith Hall explores the numerous different ways in which we can understand the relationship between the real, social world in which the Athenians lived and the theatrical roles that they invented. In twelve studies of role types and the theatrical conventions that contributed to their creation - including women in childbirth, drowning barbarians, horny satyrs, allegorical representations of Comedy, peasant farmers, tragic masks, and solo sung arias - she advances the argument that the interface between ancient Greek drama and social reality must be understood as a complicated and incessant process of mutual cross-pollination.
Author: Edith Hall
Publisher: OUP Oxford
ISBN: 0191516430
Category : Literary Criticism
Languages : en
Pages : 494
Get Book Here
Book Description
In this pioneering study Edith Hall explores the numerous different ways in which we can understand the relationship between the real, social world in which the Athenians lived and the theatrical roles that they invented. In twelve studies of role types and the theatrical conventions that contributed to their creation - including women in childbirth, drowning barbarians, horny satyrs, allegorical representations of Comedy, peasant farmers, tragic masks, and solo sung arias - she advances the argument that the interface between ancient Greek drama and social reality must be understood as a complicated and incessant process of mutual cross-pollination.
Author: Edith Hall
Publisher: Oxford University Press
ISBN: 0199298890
Category : Literary Criticism
Languages : en
Pages : 494
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Book Description
An examination of ancient Greek drama, and its relationship to the society in which it was produced. By focusing on the ways in which the plays treat gender, ethnicity, and class, and on their theatrical conventions, Edith Hall offers an extended study of the Greek theatrical masterpieces within their original social context.
Author:
Publisher: BRILL
ISBN: 9004341870
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
The Theatre of Justice contains 17 chapters that offer a holistic view of performance in Greek and Roman oratorical and political contexts. This holistic view consists of the examination of two areas of techniques. The first one relates to the delivery of speeches and texts: gesticulation, facial expressions and vocal communication. The second area includes a wide diversity of techniques that aim at forging a rapport between the speaker and the audience, such as emotions, language and style, vivid imagery and the depiction of characters. In this way the volume develops a better understanding of the objectives of public speaking, the mechanisms of persuasion, and the extent to which performance determined the outcome of judicial and political contests.
Author: Rosie Wyles
Publisher: Bloomsbury Publishing
ISBN: 1350143995
Category : Drama
Languages : en
Pages : 281
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Book Description
This book answers the question 'How did Athenian drama shape ideas about civic identity?' through the medium of three case studies focusing on props. Traditional responses to the question have overlooked the significance of props which were symbolically implicated in Athenian ideology, yet the key objects explored in this study (voting urns and pebbles, swords, and masks) each carried profound connections to Athenian civic identity while also playing important roles as props on the fifth-century stage. Playwrights exploited the powerful dynamic generated from the intersection between the 'social lives' (off-stage existence in society) and 'stage lives' (handling in theatre) of these objects to enhance the dramatic effect of their plays as well as the impact of these performances on society. The exploration of the 'stage lives' of these objects across comedy, tragedy, and satyr drama reveals much about generic interdependence and distinction. Meanwhile the consideration of iconography representing the objects' lives outside the theatre sheds light on drama's powerful interplay with art. Essential reading for scholars and students of ancient Greek history, culture, and drama, the innovative approach and insightful analysis contained in this volume will also be of interest to researchers in the fields of Theatre Studies, Art History, and Cultural Studies.
Author: Andreas Fountoulakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311051978X
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
This collection of essays, published in honour of Professor Georgia Xanthakis-Karamanos, addresses topics which lie at the forefront of current research on the fields of Greek drama and classical reception studies. It brings together internationally distinguished scholars who provide fresh insights into issues pertaining to the origins of Greek tragedy and comedy, their generic identity, the structure, the morality or the divine and human characters emerging from individual plays, the presence of Greek drama outside Athens in post-classical times, the associations between drama and genres such as epic and oratory or even the reception of Greek drama in operatic works such as Wagner’s Tristan und Isolde. Related art forms, such as music, receive particular attention. Focusing on either broader topics or specific texts, the essays of this volume provide a wide range of theoretical perspectives often combining modern critical trends such as reception studies, narratology or cultural studies with close and acute readings of individual passages. The volume is of particular interest to scholars and students of Greek drama and its reception as well as to anyone interested in Greek culture and its various manifestations.
Author: Mary Louise Hart
Publisher: Getty Publications
ISBN: 1606060376
Category : Art
Languages : en
Pages : 180
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Book Description
An explanation of Greek theater as seen through its many depictions in classical art
Author: Richard Sewell
Publisher: McFarland
ISBN:
Category : History
Languages : en
Pages : 226
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Book Description
"Describes parallel lives of Athenian democracy and Athenian tragedy--how and why they concurrently arose, blossomed and died, shaped especially by a fatal Athenian penchant for war. Demonstrates how drama emerged from four unique elements in Greek culture: bardic poetry; open sporting competition; uncodified religion; and exploratory philosophy. Imagines evolution of the tragic genre from practitioner's viewpoint"--Provided by publisher.
Author: Alexandra Hardwick
Publisher: Oxford University Press
ISBN: 0198887248
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Despite the crucial roles they often play, no study yet compares the off-stage assemblies, armies, and populations found in surviving Athenian dramatic works. Covering fifth- and early fourth-century tragedy and comedy, Off-Stage Groups in Athenian Drama analyses how off-stage groups influence and respond to events on stage, and how characters interact with these groups. Drama exploits these groups' off-stage nature by depicting them through different characters' viewpoints: characters often struggle to define, predict, or control off-stage groups, which obscures and challenges the audience's ability to interpret them. The interaction between multivalent and sometimes contradictory narratives of off-stage groups demands a new interpretive framework. Off-Stage Groups in Athenian Drama provides this framework, offering new readings of several prominent comedies and tragedies. However, the importance of this framework extends beyond drama. The first chapter surveys depictions of group decision-making in fifth-century prose, in order to demonstrate how Athenian drama responds to prose depictions of group psychology. Athenian drama engages with the early ideas of group psychology circulating in fifth- and early fourth-century Athens; it creates fictive worlds where stereotypical depictions of collective emotion can be probed, explored and taken to their logical extremes. Studying off-stage groups therefore allows us to rethink our understanding of narrative, politics, and social psychology in drama, and the ways in which these fields intersect.
Author: Rush Rehm
Publisher: Routledge
ISBN: 1317606841
Category : History
Languages : en
Pages : 187
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Book Description
Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city – a theatre whose focus was on the audience. The second half of the book examines four exemplary plays, Aeschylus’ Oresteia trilogy, Sophocles’ Oedipus Tyrannus, and Euripides’ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
Author: Eric Csapo
Publisher: Cambridge University Press
ISBN: 1108635318
Category : History
Languages : en
Pages : 978
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Book Description
This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.
