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Author: Anke Walter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111366871
Category : History
Languages : en
Pages : 100
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Book Description
How can time become festive? How do festivals manage to make time 'special', to mark out a certain day or days, to distinguish them from 'normal', everyday time, and to fill them with meaning? And how can we reconstruct what festive time looked like in the past and what people thought about it? While a lot of research has been done on festivals from the point of view of several scholarly disciplines, the specific temporality of festivals has not yet attracted sufficient attention. In this volume, scholars from different fields provide answers to the questions raised above, based on a fresh analysis of astronomical documents, calendars, and literary texts. Cultures as diverse as ancient Babylon, Greece and Rome, and medieval China all share a sense of calendrically recurring festive time as something special that needs to be carefully mapped out and preserved, often with great sophistication, and that gives us precious insights into the broader religious, political, and social dimensions of time within past cultures.
Author: Anke Walter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111366871
Category : History
Languages : en
Pages : 100
Get Book Here
Book Description
How can time become festive? How do festivals manage to make time 'special', to mark out a certain day or days, to distinguish them from 'normal', everyday time, and to fill them with meaning? And how can we reconstruct what festive time looked like in the past and what people thought about it? While a lot of research has been done on festivals from the point of view of several scholarly disciplines, the specific temporality of festivals has not yet attracted sufficient attention. In this volume, scholars from different fields provide answers to the questions raised above, based on a fresh analysis of astronomical documents, calendars, and literary texts. Cultures as diverse as ancient Babylon, Greece and Rome, and medieval China all share a sense of calendrically recurring festive time as something special that needs to be carefully mapped out and preserved, often with great sophistication, and that gives us precious insights into the broader religious, political, and social dimensions of time within past cultures.
Author: Philippe Eberhard
Publisher: Mohr Siebeck
ISBN: 9783161481574
Category : Philosophy
Languages : en
Pages : 276
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Book Description
Revised thesis (Ph. D.) - University of Chicago Divinity School, Chicago, 2002.
Author: Rebecca M. Brown
Publisher: University of Washington Press
ISBN: 0295999950
Category : History
Languages : en
Pages : 247
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Book Description
From the fluttering fabric of a tent, to the blurred motion of the potter’s wheel, to the rhythm of a horse puppet’s wooden hooves—these scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when America’s image of India was as a place of desperate poverty and spectacular fantasy. Displaying Time unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now.
Author: Gary Shapiro
Publisher: Indiana University Press
ISBN: 9780253114471
Category : Philosophy
Languages : en
Pages : 196
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Book Description
"... Shapiro's book is bursting with thoughts, and if one is willing to mine them, one is sure to find items of interest or provocation." -- The Journal of Aesthetics and Art Criticism Taking issue with a widely held view that Nietzsche's writings are essentially fragmentary or aphoristic, Gary Shapiro focuses on the narrative mode that Nietzsche adopted in many of his works. Such themes as eternal recurrence, the question of origins, and the problematics of self-knowledge are reinterpreted in the context of the narratives in which Nietzsche develops or employs them.
Author: A. Dana Weber
Publisher: University of Wisconsin Press
ISBN: 0299323501
Category : Social Science
Languages : en
Pages : 425
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Book Description
The first academic book-length study devoted to Karl May festivals, a specific type of Wild-West-themed festivals that take place in Germany every summer, Blood Brothers and Peace Pipes introduces readers to a performance world that is popular at home yet virtually unknown elsewhere. Named for Karl May (1842-1912), arguably the most famous German writer of adventure fiction in the nineteenth and twentieth centuries, these thirteen or so festivals dramatize the exploits of May's most famous Wild West heroes, the Mescalero Apache Winnetou and his blood-brother, the German frontiersman Old Shatterhand, in entertaining theatre plays that use horses, other animals, stunts, and special effects on outdoors stages built specifically for them. Based on ethnographic studies of six of these events, Weber explores the most fundamental features of Karl May festivals: their "Indian" iconographies, fraternity narratives, hybrid genre form, borrowings from U.S. Wild West shows, and performative diversity. Her narrative accounts of these festivals and their interdisciplinary analysis based on German literature and culture studies, folklore, ethnography, and performance studies, theatre studies, and history guide readers through a specifically German performance world that is not an upshot of the American western, but a homegrown, traditional German version that evolved parallel with it. The composite image of Karl May festivals that emerges in the course of Weber's analysis is that of a unique type of popular event that expresses a deep yearning in German society, that for egalitarian and respectful cross-cultural interactions.
Author: Ric Knowles
Publisher: Cambridge University Press
ISBN: 100905001X
Category : Drama
Languages : en
Pages : 331
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Book Description
Ric Knowles' study is a politically urgent, erudite intervention into the ecology of theatre and performance festivals in an international context. Since the 1990s there has been an exponential increase in the number and type of festivals taking place around the world. Events that used merely to be events are now 'festivalized': structured, marketed, and promoted in ways that stress urban centres as tourist destinations and “creative cities” as targets of corporate enterprise. Ric Knowles examines the structure, content, and impact of international festivals that draw upon and represent multiple cultures and the roles they play in one of the most urgent processes of our times: intercultural negotiation and exchange. Covering a vast geographical sweep and exploring festival models both new and ancient, the work sets compelling new standards of practice for post-pandemic festivals.
Author: Elisa Salvador
Publisher: Routledge
ISBN: 100056228X
Category : Business & Economics
Languages : en
Pages : 290
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Book Description
This book aims at renewing the attention on a niche field, Cultural Festivals, so important for valorizing cultural traditions and local heritage visibility as well as social well-being. Following the disruptive consequences of the COVID-19 pandemic, this fragile sector deserves more attention from public authorities and stakeholders at national and European levels with a suitable and dedicated plan of recovery and valorization. This book provides a comparative analysis of Cultural Festivals in Europe, taking insights from an international range of high-level scholarly contributors. Individual chapters highlight and analyse challenges around the organisation, management and economics of Cultural Festivals. As a whole, the book provides a comprehensive overview of scholarly research in this area, setting the scene for the future research agenda. Matters related to educational programs and new audience development, as well as challenges related to digitalization, are also included. The book employs a tradition versus innovation lens to help readers account for the consequences of the digital revolution, new audience development and an educational agenda. The result is a book which will be valuable reading for researchers, academics and students in the fields of event and cultural management and beyond. Chapters 4 and 9 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Marijke de Valck
Publisher: Springer Nature
ISBN: 3031141717
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
This is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can’t happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times.
Author: Jemma Browne
Publisher: Routledge
ISBN: 042977804X
Category : Architecture
Languages : en
Pages : 322
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Book Description
Historically the urban festival served as an occasion for affirming shared convictions and identities in the life of the city. Whether religious or civic in nature, these events provided tangible expressions of social, cultural, political, and religious cohesion, often reaffirming a particular shared ethos within diverse urban landscapes. Architecture has long served as a key aspect of this process exhibiting continuity in the flux of these representations through the parading of elaborate ceremonial floats, the construction of temporary buildings, the ‘dressing’ of existing urban space, the alternative occupations of the everyday, and the construction of new buildings and spaces which then become a part of the background fabric of the city. This book examines how festivals can be used as a lens to examine the relationship between city and citizen and questions whether this is fixed through time, or has been transformed as a response to changes in the modern urban condition. Architecture, Festival and the City looks at the multilayered nature of a diverse selection of festivals and the way they incorporate both orderly (authoritative) and disorderly (subversive) components. The aim is to reveal how the civic nature of urban space is utilised through festival to represent ideas of belonging and identity. Recent political and social gatherings also raise questions about the relationship of these events to ‘ritual’ and whether traditional practices can serve as meaningful references in the twenty-first century.
Author: Trish McTighe
Publisher: Cambridge University Press
ISBN: 1108962130
Category : Literary Criticism
Languages : en
Pages : 112
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Book Description
Beckett's work is somewhat out of step with the logic of commemoration and celebration. Festival, with its association with celebration, spectacle, and publicity, would not seem the ideal vehicle for Beckett's work. Yet that work has become highly festivalised, and the incongruities between it and festival forms provide a useful basis from which to examine both Beckett as festivalised commodity and festivals themselves. Festivalising Beckett in Ireland might be characterised as a way of bringing him back home, as well as a way of returning him to the canonical fold - he showed little interest in either during his later years, it need hardly be added. This Element examines Beckett's dissidence in the face of these imperatives of nation, home and the canon, utilising Beckett's work in festival contexts to highlight in the negative the nature of the festival form and to critique the festivalisation of culture.
