Author: Cyrus Manasseh
Publisher: Cambria Press
ISBN: 1604976500
Category : Art
Languages : en
Pages : 278
Book Description
Cyrus Manasseh is an academic, writer, and editor. He holds a PhD from the University of Western Australia in art history and philosophy and a BA (Hons.) from the University of Reading, England, in film and drama and art history. Dr. Manasseh is an associate editor for Design Principles and Practices: An International Journal and The International Journal of the Arts in Society. He has also published articles in The International Journal of the Arts in Society, The Melbourne Art Journal, and other academic journals and conference proceedings in the field of visual arts. --Book Jacket.
The Tate Gallery
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
Catalogue of the Tate Gallery's Collection of Modern Art, Other Than Works by British Artists
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
Book Description
The Problematic of Video Art in the Museum, 1968-1990
Author: Cyrus Manasseh
Publisher: Cambria Press
ISBN: 1604976500
Category : Art
Languages : en
Pages : 278
Book Description
Cyrus Manasseh is an academic, writer, and editor. He holds a PhD from the University of Western Australia in art history and philosophy and a BA (Hons.) from the University of Reading, England, in film and drama and art history. Dr. Manasseh is an associate editor for Design Principles and Practices: An International Journal and The International Journal of the Arts in Society. He has also published articles in The International Journal of the Arts in Society, The Melbourne Art Journal, and other academic journals and conference proceedings in the field of visual arts. --Book Jacket.
Publisher: Cambria Press
ISBN: 1604976500
Category : Art
Languages : en
Pages : 278
Book Description
Cyrus Manasseh is an academic, writer, and editor. He holds a PhD from the University of Western Australia in art history and philosophy and a BA (Hons.) from the University of Reading, England, in film and drama and art history. Dr. Manasseh is an associate editor for Design Principles and Practices: An International Journal and The International Journal of the Arts in Society. He has also published articles in The International Journal of the Arts in Society, The Melbourne Art Journal, and other academic journals and conference proceedings in the field of visual arts. --Book Jacket.
Roger Hilton
Author: Adrian Lewis
Publisher: Routledge
ISBN: 1351759361
Category : Art
Languages : en
Pages : 244
Book Description
This title was first published in 2003. Twenty-seven years after his death, Roger Hilton's reputation as a leading figure in British 'abstract expressionism' continues to rise. Following the major retrospective exhibition at the Hayward Gallery in 1993 and the drawings survey at the Tate St Ives in 1997, this lavishly illustrated account is the first to provide a comprehensive overview of the life and work of this important artist. Hilton's extraordinary career is discussed in all its phases, from the intriguing earliest explorations in paint to the inception of his first abstract pieces around 1950 and the complex and intriguing interchanges of imagery and form that mark his final works. Adrian Lewis explains the artist's mature works as both attracting the viewer and resisting easy reading, and discusses in detail the artist's debt to the Ecole de Paris and his relation to the notion of the 'act of painting' that pervaded post-war culture.
Publisher: Routledge
ISBN: 1351759361
Category : Art
Languages : en
Pages : 244
Book Description
This title was first published in 2003. Twenty-seven years after his death, Roger Hilton's reputation as a leading figure in British 'abstract expressionism' continues to rise. Following the major retrospective exhibition at the Hayward Gallery in 1993 and the drawings survey at the Tate St Ives in 1997, this lavishly illustrated account is the first to provide a comprehensive overview of the life and work of this important artist. Hilton's extraordinary career is discussed in all its phases, from the intriguing earliest explorations in paint to the inception of his first abstract pieces around 1950 and the complex and intriguing interchanges of imagery and form that mark his final works. Adrian Lewis explains the artist's mature works as both attracting the viewer and resisting easy reading, and discusses in detail the artist's debt to the Ecole de Paris and his relation to the notion of the 'act of painting' that pervaded post-war culture.
The Lamp of Memory
Author: Michael Wheeler
Publisher: Manchester University Press
ISBN: 9780719037108
Category : Architecture
Languages : en
Pages : 270
Book Description
Publisher: Manchester University Press
ISBN: 9780719037108
Category : Architecture
Languages : en
Pages : 270
Book Description
Report - The Tate Gallery
Author: Tate Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
The Arrogant Connoisseur
Author: Michael Clarke
Publisher: Manchester University Press
ISBN: 9780719008719
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Publisher: Manchester University Press
ISBN: 9780719008719
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
George Stubbs, Painter
Author: Judy Egerton
Publisher: Yale University Press
ISBN: 9780300125092
Category : Art
Languages : en
Pages : 684
Book Description
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Publisher: Yale University Press
ISBN: 9780300125092
Category : Art
Languages : en
Pages : 684
Book Description
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Avant-folk
Author: Ross Hair
Publisher: Oxford University Press
ISBN: 1781383294
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
A critical study of the intersection of folk and avant-garde poetics in transatlantic small press poetry networks from the 1950s up to the present.
Publisher: Oxford University Press
ISBN: 1781383294
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
A critical study of the intersection of folk and avant-garde poetics in transatlantic small press poetry networks from the 1950s up to the present.
The Rise and Fall of American Art, 1940s–1980s
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472471326
Category : Art
Languages : en
Pages : 329
Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472471326
Category : Art
Languages : en
Pages : 329
Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.