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Author: Victoria Bladen
Publisher:
ISBN: 9781526109064
Category : Occultism in literature
Languages : en
Pages : 0
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Book Description
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Author: Victoria Bladen
Publisher:
ISBN: 9781526109064
Category : Occultism in literature
Languages : en
Pages : 0
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Book Description
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Author: Victoria Bladen
Publisher: Manchester University Press
ISBN: 1526109131
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Author: Kristen Poole
Publisher: Cambridge University Press
ISBN: 1139497650
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Bringing together recent scholarship on religion and the spatial imagination, Kristen Poole examines how changing religious beliefs and transforming conceptions of space were mutually informative in the decades around 1600. Supernatural Environments in Shakespeare's England explores a series of cultural spaces that focused attention on interactions between the human and the demonic or divine: the deathbed, purgatory, demonic contracts and their spatial surround, Reformation cosmologies and a landscape newly subject to cartographic surveying. It examines the seemingly incongruous coexistence of traditional religious beliefs and new mathematical, geometrical ways of perceiving the environment. Arguing that the late sixteenth- and early seventeenth-century stage dramatized the phenomenological tension that resulted from this uneasy confluence, this groundbreaking study considers the complex nature of supernatural environments in Marlowe's Doctor Faustus and Shakespeare's Othello, Hamlet, Macbeth and The Tempest.
Author: Helen Hinton Stewart
Publisher:
ISBN:
Category : Occultism in literature
Languages : en
Pages : 174
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Book Description
Author: Margaret Lucy
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 60
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Book Description
Author: Cumberland Clark
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 346
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Book Description
Author: Helen Hinton Stewart
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Kenneth Usongo
Publisher: Routledge
ISBN: 1000349608
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Through mainly a New Historicist critical approach, this book explores how Shakespeare and Achebe employ supernatural devices such as prophecies, dreams, gods/goddesses, beliefs, and divinations to create complex characters. Even though these features indicate the preponderance of the belief in the supernatural by some people of the Elizabethan, Jacobean, and traditional Igbo societies, Shakespeare and Achebe primarily use the supernatural to represent the states of mind of their protagonists. Both writers appropriate supernatural features to mirror tragic flaws such as ambition, arrogance, impulsiveness, and fear that contribute to the downfall of Macbeth, Lear, Okonkwo, and Ezeulu. We relate to some of these characters because they project our inner minds, principal drives that may be hidden within us. Therefore, Shakespeare and Achebe’s preoccupation with the supernatural adds subtlety to their characterization and enhances their readability by situating their art beyond time, place, or particularity.
Author: Edwin Wiley
Publisher:
ISBN:
Category : Supernatural in literature
Languages : en
Pages : 60
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Book Description
Author: Neil Forsyth
Publisher: Ohio University Press
ISBN: 0821446479
Category : Social Science
Languages : en
Pages : 269
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Book Description
In Shakespeare the Illusionist, Neil Forsyth reviews the history of Shakespeare’s plays on film, using the basic distinction in film tradition between what is owed to Méliès and what to the Lumière brothers. He then tightens his focus on those plays that include some explicit magical or supernatural elements—Puck and the fairies, ghosts and witches, or Prospero’s island, for example—and sets out methodically, but with an easy touch, to review all the films that have adapted those comedies and dramas, into the present day. Forsyth’s aim is not to offer yet another answer as to whether Shakespeare would have written for the screen if he were alive today, but rather to assess what various filmmakers and TV directors have in fact made of the spells, haunts, and apparitions in his plays. From analyzing early camera tricks to assessing contemporary handling of the supernatural, Forsyth reads Shakespeare films for how they use the techniques of moviemaking to address questions of illusion and dramatic influence. In doing so, he presents a bold step forward in Shakespeare and film studies, and his fresh take is presented in lively, accessible language that makes the book ideal for classroom use.
