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Author: Martin Butler
Publisher: Cambridge University Press
ISBN: 0521883547
Category : Drama
Languages : en
Pages : 0
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Book Description
Examines the masques and court festivals staged between 1603 and 1640, demonstrating how they reflected and influenced the Stuart kingship.
Author: Martin Butler
Publisher: Cambridge University Press
ISBN: 0521883547
Category : Drama
Languages : en
Pages : 0
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Book Description
Examines the masques and court festivals staged between 1603 and 1640, demonstrating how they reflected and influenced the Stuart kingship.
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
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Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Author: Enid Welsford
Publisher: Cambridge, [Eng.] : University Press
ISBN:
Category : English drama
Languages : en
Pages : 486
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Book Description
Author: J. Knowles
Publisher: Springer
ISBN: 1137432012
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Politics and Political Culture in the Court Masque considers the interconnections of the masque and political culture. It examines how masques responded to political forces and voices beyond the court, and how masques explored the limits of political speech in the Jacobean and Caroline periods.
Author: Stephen Orgel
Publisher: Univ of California Press
ISBN: 9780520025059
Category : Art
Languages : en
Pages : 116
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Book Description
Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court.
Author: Barbara Ravelhofer
Publisher: OUP Oxford
ISBN: 0191515981
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574
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Book Description
Publisher Description
Author: Linda Levy Peck
Publisher: Cambridge University Press
ISBN: 9780521021043
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
New interpretations of Jacobean court culture by an international group of specialists.
Author: Aileen Ribeiro
Publisher: Yale University Press
ISBN: 0300109997
Category : Design
Languages : en
Pages : 412
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Book Description
Relatively few garments survive from before the eighteenth century, and the history of costume in the preceding centuries must therefore rely to a great extent on literary and visual evidence. This book, the first of its kind, examines Stuart England through the mirror of dress. It argues that both artistic and literary sources can be read and decoded for important information on dress and the way it was perceived in a period of immense political, social, and cultural change. Focusing on the rich visual culture of the seventeenth century, including portraits, engravings, fashion plates, and sculpture, and on literary sources--poetry, drama, essays, sermons--the distinguished historian of dress Aileen Ribeiro creates a fascinating account of Stuart dress and how it both reflected and influenced society. Supported by a wealth of illustrative images, she explores such varied themes as court costumes, the masque, the ways in which political and religious ideologies could be expressed in dress, and the importance of London as a fashion center. This beautiful book is an indispensable and authoritative account of what people wore and how it related to Stuart England’s cultural climate.
Author: Kevin Sharpe
Publisher: Cambridge University Press
ISBN: 9780521386616
Category : History
Languages : en
Pages : 330
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Book Description
Criticism and Compliment examines the poems, plays and masques of the three figures who succeeded Ben Jonson as authors of court entertainments in the England of Charles I. The courtly literature of Caroline England has been dismissed by critics and characterised by historians as propaganda for Charles I's absolutism penned by sycophantic hirelings. Kevin Sharpe questions the assumptions on which these evaluations have been based. Challenging the traditional argument for a polarity between court and country cultures in early Stuart England, he re-reads the plays, poems and masques as primary documents of political attitudes articulated at court. Far from being confined to a decade or a party, the courtly literature of the 1630s is relocated within the broader humanist tradition of counsel. Through the language of love - a language, it is argued, that was part of the discourse of politics in Caroline England - the court poets criticised fundamental premises of the King's political ideology, and counselled traditional and moderate modes of government.
