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Author: Anthony Alofsin
Publisher: W. W. Norton & Company
ISBN: 9780393730487
Category : Architecture
Languages : en
Pages : 320
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Book Description
A history of modernism in the teaching of architecture, landscape architecture, and city planning at Harvard.
Author: Anthony Alofsin
Publisher: W. W. Norton & Company
ISBN: 9780393730487
Category : Architecture
Languages : en
Pages : 320
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Book Description
A history of modernism in the teaching of architecture, landscape architecture, and city planning at Harvard.
Author: Jill E. Pearlman
Publisher: University of Virginia Press
ISBN: 9780813926025
Category : Architecture
Languages : en
Pages : 300
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Book Description
"In this book Jill Pearlman argues that Gropius did not effect changes alone and, further, that the Harvard Graduate School of Design was not merely an offshoot of the Bauhaus. - She offers a crucial missing piece to the story - and to the history of modern architecture - by focusing on Joseph Hudnut, the school's dean and founder."--BOOK JACKET.
Author: Greg Castillo
Publisher: Thames & Hudson
ISBN: 9781935963097
Category : Arts and society
Languages : en
Pages : 448
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Book Description
Hippie Modernism: The Struggle for Utopia accompanies an exhibition of the same title examining the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal and professional norms while proposing new kinds of technological, ecological and political utopia. It includes the counter design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus Rucker Co and ONYX; the media-based installations of Ken Isaacs, Joan Hills and Mark Boyle and Helio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances staged by the Diggers and the Cockettes; publications such as Oz Magazine and The Whole Earth Catalog and books by Marshall McLuhan and Buckminster Fuller; and much, much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the experimental graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus Rucker Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the hybrid conjunction of the countercultural ethos and the modernist desire to fuse art and life.
Author: Emilio Gentile
Publisher: Bloomsbury Publishing USA
ISBN: 0313072116
Category : History
Languages : en
Pages : 224
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Book Description
During the 20th century, Italy experienced some regrettable political developments. It was the first European nation after World War I in which a mass militia-party of revolutionary nationalism achieved power and abolished parliamentary democracy with the goal of building a totalitarian state. It was also the first in Europe to institutionalize the sacralization of politics and to celebrate officially the cult of the leader as a demi-God. These achievements were not accidents. Since the beginning of the 20th century, Italian nationalist movements, from the national radicalism of La Voce to futurist nationalism and fascism, fostered one of the strongest waves of European right-wing radicalism. The confrontation between nationalism and modernity is one of the main keys to understanding to the permutations of Italian radical nationalism from modernist avant-gardes up to the fascist regime. This book analyzes the ideological undercurrents and cultural myths that unite all these movements. Looking at Italian nationalism from its risorgimento roots to the neo-fascist heritage, Gentile considers the relationship between myth and organization in the making of the fascist state, the role of the party, the liturgy of mass politics in Italy, the fascist organizations abroad, and the attitude of fascist culture toward the United States.
Author: Elaine S. Hochman
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 406
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Book Description
Documents the struggle of Walter Gropius and his efforts to keep his utopian vision of a school financially afloat amidst political and ideological conflicts within the faculty.
Author: Tim Armstrong
Publisher: Polity
ISBN: 0745629830
Category : Language Arts & Disciplines
Languages : en
Pages : 186
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Book Description
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
Author: Paul Greenhalgh
Publisher: Reaktion Books
ISBN: 1861894791
Category : Art
Languages : en
Pages : 260
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Book Description
Ten new and important essays on design cover Modernism's fortunes in Germany, Italy, Sweden, Britain, Spain, Belgium and the USA; they range in subject matter from world fairs and everyday domestic objects to American West coast architecture and French and Italian furniture. With essays by Tim Benton, Gillian Naylor, Penny Sparke, Wendy Kaplan, Clive Wainwright, Martin Gaughan, Guy Julier, Mimi Wilms, Julian Holder and Paul Greenhalgh. "The object of this book is to diffuse myths. If modernism has, in the past, been both absurdly praised and absurdly damned, Modernism in Design seeks to lift it out of this cycle, and to demonstrate that the modern movement could offer neither Jerusalem nor Babylon ... In this, the book succeeds admirably."—Designer's Journal "While this collection of essays is aimed primarily at design historians and students of design history, hard-pressed practising designers and architects should make room for it on their bookshelves."—Design
Author: Michael Levenson
Publisher: Yale University Press
ISBN: 0300171773
Category : Art
Languages : en
Pages : 493
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Book Description
In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself. Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters. -- Book Description.
Author: Darrell Jodock
Publisher: Cambridge University Press
ISBN: 9780521770712
Category : Religion
Languages : en
Pages : 368
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Book Description
This 2000 book is a case study in the ongoing struggle of Christianity to define its relationship to modernity, examining representative Roman Catholic Modernists and anti-Modernists. It sketches the nineteenth-century background of the Modernist crisis, identifying the problems that the church was facing at the beginning of the twentieth century.
Author: Partha Mitter
Publisher: Reaktion Books
ISBN: 1861896360
Category : Art
Languages : en
Pages : 282
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Book Description
The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
