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Author: William Kinderman
Publisher: University of Illinois Press
ISBN: 0252091620
Category : Music
Languages : en
Pages : 361
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Book Description
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Author: William Kinderman
Publisher: University of Illinois Press
ISBN: 0252091620
Category : Music
Languages : en
Pages : 361
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Book Description
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Author: Edward Dusinberre
Publisher:
ISBN: 9780571317134
Category : Bowed stringed instrument players
Languages : en
Pages : 0
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Book Description
Using the history of the composition of Beethoven's string quartets as the backbone to his story, Edward Dusinberre - leader of the Takacs Quartet - recounts the life of the Quartet from its inception in Hungary, through emigration to the US and its present-day life of world renown. He also describes what it was like for him, as a young man fresh out of Julliard, to join the quartet as its (non-Hungarian) leader - a challenging task. Beethoven for a Later Age takes the reader inside the life of a quartet, vividly showing how four people make music together over a long period of time without becoming stale, or falling out. The key, the author argues, is in continual change and experiment - and these are at the heart of Beethoven's remarkable compositions for quartet.
Author: Phillip Radcliffe
Publisher: Cambridge University Press
ISBN: 9780521219631
Category : Music
Languages : en
Pages : 196
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Book Description
Beethoven's string quartets form one of the most intimate and revealing sections of his output, giving a full and varied picture of his musical personality. This study of the quartets by Philip Radcliffe, first published by Hutchinson University in 1965, was reissued by Cambridge University Press in 1978. Each work is examined in detail describing the development of Beethoven's style - a method that highlights the very strong individuality that remained unimpaired throughout the composition of these quartets. They are compared with Beethoven's other music and with the string quartets of composers before and since. This is a book which has proved itself to be of continuing value to the student of music at school and university level and to the general reader.
Author: Robert Winter
Publisher: Univ of California Press
ISBN: 0520917502
Category : Biography & Autobiography
Languages : en
Pages : 314
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Book Description
While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today? The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.
Author: Daniel K. L. Chua
Publisher: Princeton University Press
ISBN: 1400864208
Category : Music
Languages : en
Pages : 293
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Book Description
This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joseph Kerman
Publisher: W. W. Norton & Company
ISBN: 9780393009095
Category : Music
Languages : en
Pages : 412
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Book Description
A critical study of the structure, style, and significance of the sixteen string quartets.
Author: Nancy November
Publisher: Oxford University Press
ISBN: 0190059230
Category : Music
Languages : en
Pages : 153
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Book Description
Beethoven's String Quartet in C-sharp minor Op. 131 (1826) is not only firmly a part of the scholarly canon, the performing canon, and the pedagogical canon, but also makes its presence felt in popular culture. Yet in recent times, the terms in which the C-sharp minor quartet is discussed and presented tend to undermine the multivalent nature of the work. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms as a work portraying tragedy, struggle, and loss. In Beethoven's String Quartet in C-sharp Minor, Op. 13, author Nancy November takes the modern-day listener well beyond these categories of adversity or deficit. The book goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret and re-hear it. This book reveals the diverse musical ideas present in Op. 131 and places the work in the context of an emerging ideology of silent or 'serious' listening in Beethoven's Europe. It considers how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience and examines how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own.
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445
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Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1107035457
Category : Music
Languages : en
Pages : 297
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Book Description
The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.
Author: Joseph Kerman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 426
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Book Description
