The Story of the Camera in Australia. [With Photographs.]. PDF Download
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Author: Jack Cato
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 187
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Book Description
![The Story of the Camera in Australia. [With Photographs.]. PDF](https://books.google.com/books/content/images/frontcover/KsQbzQEACAAJ?fife=w80-h100)
Author: Jack Cato
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 187
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Book Description
Author: Jack Cato
Publisher: Melbourne : Institute of Australian Photographers
ISBN:
Category : Cameras
Languages : en
Pages : 292
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Book Description
Author: Helen Ennis
Publisher: Reaktion Books
ISBN: 9781861893239
Category : Art
Languages : en
Pages : 164
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Book Description
'Photography and Australia' focuses on those aspects of photographic practice that can be considered distinctively Australian. It argues that the colonial experience has been crucial in shaping photographers' concerns.
Author: Sally Young
Publisher: Melbourne Univ. Publishing
ISBN: 0522868568
Category : History
Languages : en
Pages : 624
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Book Description
Shooting The Picture is the story of Australian press photography from 1888 to today—the power of the medium, seismic changes in the newspaper industry, and photographers who were often more colourful than their subjects. This groundbreaking book explores our political leaders and campaigns, crime, war and censorship, international events, disasters and trauma, sport, celebrity, gender, race and migration. It maps the technological evolution in the industry from the dark room to digital, from picturegram machines to iPhones, and from the death knock to the ascendancy of social media. It raises the question whether these changes will spell the end of traditional press photography as we know it.
Author: Anne Maxwell
Publisher: Anthem Press
ISBN: 1839990805
Category : Photography
Languages : en
Pages : 147
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Book Description
Australian Women’s Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women’s Movement, the Great War of 1914–1918, Australia’s imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography’s status as an art form. Women’s works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia’s cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past. ● Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical framework that will be of interest to a broad range of academic and archival researchers. It is also a framework that is critically sensible of its own groundings in the postcolonial and feminist present thereby reflecting what is meaningful at any given historical moment. ● Finally, this book responds to the pronounced lack of visibility of Australian realist, documentary and commercial women’s works. The few histories of Australian women’s photography that exist pay more attention to modernist and contemporary works, and when they do mention earlier women photographer’s works, they seldom go into much detail. They also ignore the works of the earliest Indigenous women photographers, women who traveled and made photographs abroad. By presenting a carefully contextualized and detailed study of works by six Australian women photographers who worked in the late colonial era and whose works in all sorts of small and surprising ways chronicled the impacts of some of the periods more disturbing as well as enlightened events, we will not only add to knowledge of Australian women’s photography, we will also broaden and enrich the frames of women’s photography and Australian history more generally.
Author: Kathleen Davidson
Publisher: Routledge
ISBN: 1351106872
Category : Photography
Languages : en
Pages : 350
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Book Description
The Victorian era heralded an age of transformation in which momentous changes in the field of natural history coincided with the rise of new visual technologies. Concurrently, different parts of the British Empire began to more actively claim their right to being acknowledged as indispensable contributors to knowledge and the progress of empire. This book addresses the complex relationship between natural history and photography from the 1850s to the 1880s in Britain and its colonies: Australia, New Zealand and, to a lesser extent, India. Coinciding with the rise of the modern museum, photography’s arrival was timely, and it rapidly became an essential technology for recording and publicising rare objects and valuable collections. Also during this period, the medium assumed a more significant role in the professional practices and reputations of naturalists than has been previously recognized, and it figured increasingly within the expanding specialized networks that were central to the production and dissemination of new knowledge. In an interrogation that ranges from the first forays into museum photography and early attempts to document collecting expeditions to the importance of traditional and photographic portraiture for the recognition of scientific discoveries, this book not only recasts the parameters of what we actually identify as natural history photography in the Victorian era but also how we understand the very structure of empire in relation to this genre at that time.
Author: Vanessa Finney
Publisher: NewSouth
ISBN: 9781742236209
Category : Science
Languages : en
Pages : 0
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Book Description
Published in association with the Australian Museum in conjunction with the exhibition Capturing Nature: Early scientific photography 1857-1893.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Helen Ennis
Publisher: National Library Australia
ISBN: 9780642107923
Category : Photography
Languages : en
Pages : 292
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Book Description
Using photographs from the National Library's collection, Ennis introduces us to Australia from the 1840's to the present as we have never seen it before - at peace and at war, and in all its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Peta Hill and many others. Large format.
Author: Robert Holden
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Photography in Colonial Australia examines the Australian books of the nineteenth century that use original photographs as a means of illustration. For the first time in Australia, Robert Holden has assessed the importance of photographically illustrated books. Part One of Photography in Colonial Australia is an historical survey, looking at issues like colonisation through photography and whether it was a nineteenth-century photographer's role to create images like an artist, or to accurately recreate the image before the camera's eye like a mirror. Part Two of the work focuses on a range of photographic genres; specifically royalty, Aborigines, exploration and travel, science, varia and art. Any person with an interest in photography, nineteenth-century social history, illustrated books, or bibliography will find this work an invaluable reference. Sixty-five photographic illustrations and a full bibliography of 130 items makes Photography in Colonial Australia the standard cited source, and this important text is further enhanced by an extensive index of photographers and publishers. 'This pioneering work by Robert Holden, which details 130 publications issued in Australia before 1900... will place one country's publishing curiosities in an international context...' (from the foreword by Lucien Goldschmidt, world authority on photographically illustrated books).
