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Author: Mark A. Radice
Publisher: University of Michigan Press
ISBN: 0472051652
Category : Music
Languages : en
Pages : 384
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Book Description
A thorough overview and history of chamber music
Author: Mark A. Radice
Publisher: University of Michigan Press
ISBN: 0472051652
Category : Music
Languages : en
Pages : 384
Get Book Here
Book Description
A thorough overview and history of chamber music
Author: Melvin Berger
Publisher: Courier Corporation
ISBN: 0486316726
Category : Music
Languages : en
Pages : 502
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Book Description
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Author: Samuel Applebaum
Publisher: Alfred Music Publishing
ISBN: 9780769290027
Category : Music
Languages : en
Pages : 48
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Book Description
Author: James M. Keller
Publisher: Oxford University Press
ISBN: 019020639X
Category : Music
Languages : en
Pages : 517
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Book Description
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Author: Will Ashon
Publisher:
ISBN: 9781783784042
Category : Rap (Music)
Languages : en
Pages : 384
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Book Description
Author: John H. Baron
Publisher: Pendragon Press
ISBN: 9781576471005
Category : Juvenile Nonfiction
Languages : en
Pages : 506
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Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Author: James Joyce
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 56
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Book Description
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
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Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: James McCalla
Publisher: Routledge
ISBN: 1135887063
Category : Art
Languages : en
Pages : 289
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Marie Sumner Lott
Publisher: University of Illinois Press
ISBN: 0252097270
Category : Music
Languages : en
Pages : 329
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Book Description
Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues. String chamber music, in particular, fostered social interactions that helped build communities within communities. Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvoøák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.
