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Author: Robert Grayson
Publisher: Simon and Schuster
ISBN: 1422294625
Category : Young Adult Nonfiction
Languages : en
Pages : 64
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Book Description
Dr. Dre was the face of hip-hop by the time he started Aftermath Entertainment in 1996. But like any new record label, even one started by a legend, Aftermath had to go through some growing pains before finding its sound. Once it did, Aftermath was on a roll, producing platinum albums by megastars like Eminem and 50 Cent. The record label combined the creativity and fresh material of new rap stars with the special touch only a musical genius like Dr. Dre could add. Born out of the violent era of the West Coast-East Coast rap feud, Aftermath carried Dr. Dre's hopes of creating a record label that focused solely on music, not violence. There were some false starts along the way. But it did not take Aftermath long to introduce some of rap's biggest names to the world and sell millions upon millions of albums.
Author: Robert Grayson
Publisher: Simon and Schuster
ISBN: 1422294625
Category : Young Adult Nonfiction
Languages : en
Pages : 64
Get Book
Book Description
Dr. Dre was the face of hip-hop by the time he started Aftermath Entertainment in 1996. But like any new record label, even one started by a legend, Aftermath had to go through some growing pains before finding its sound. Once it did, Aftermath was on a roll, producing platinum albums by megastars like Eminem and 50 Cent. The record label combined the creativity and fresh material of new rap stars with the special touch only a musical genius like Dr. Dre could add. Born out of the violent era of the West Coast-East Coast rap feud, Aftermath carried Dr. Dre's hopes of creating a record label that focused solely on music, not violence. There were some false starts along the way. But it did not take Aftermath long to introduce some of rap's biggest names to the world and sell millions upon millions of albums.
Author: Diane Bailey
Publisher: Simon and Schuster
ISBN: 1422294676
Category : Juvenile Nonfiction
Languages : en
Pages : 64
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Book Description
Hip-hop started on the streets of New York with African American youths in the 1970s. But with its strong beats and raw lyrics, it quickly spread across the country. It became the music of a generation of young Americans. But hip-hop is more than just music. It's a lifestyle. It's also big business. When Interscope Records was formed in 1990, the company's founders saw an opportunity. Young people loved the energy of hip-hop. Interscope gave rappers like Eminem and 50 Cent their start—and it paid off. Today, Interscope is a multimillion-dollar company that handles all kinds of music. There were setbacks on the way to success. But whether it was Lady Gaga or the Black Eyed Peas, Interscope always managed to find a star!
Author: Trey White
Publisher: Simon and Schuster
ISBN: 142229465X
Category : Juvenile Nonfiction
Languages : en
Pages : 64
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Book Description
For a few years in the mid-1990s, a small music label called Death Row stood atop the hip-hop world. Death Row Records was instrumental in introducing a hard-core style of rap music known as "gangsta rap" to mainstream audiences. Albums like Dr. Dre's The Chronic, Snoop Doggy Dogg's Doggystyle, and Tupac Shakur's All Eyez on Me sold millions of copies and influenced a new generation of artists. The money rolled in for Death Row's founder, Marion "Suge" Knight. The good times could not last, however. Tupac was murdered, Suge Knight was sent to prison for various crimes, and the label's top stars moved on. The dramatic rise and fall of Death Row Records is chronicled in this book.
Author: Kim Osorio
Publisher: Simon and Schuster
ISBN: 1416559809
Category : Biography & Autobiography
Languages : en
Pages : 291
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Book Description
Kim Osorio had a front-row seat for the biggest beefs, battles, and blow-ups in hip-hop. As the first female editor-in-chief of The Source, she had come up. From her corner office, Kim got the goods on hip-hop's hottest names: Jay-Z, Nas, 50 Cent, Lil' Kim. She developed close -- sometimes intimate -- relationships with the artists she exposed to the public. But The Source couldn't hide its own dirty laundry for long. Behind the scenes, the magazine's volatile owners puppeteered every issue -- even coveted honors like the 5-mic album rating and the Power 30 list of industry heavy-hitters. Then The Source declared war on Eminem and began the notorious assault that would send the magazine into swift decline. In a culture dominated by men, Kim rose to the top, and after years in the magazine's pressure cooker, she hit "send" on a two-sentence e-mail that would thrust her from the sidelines of the scandalous world she reported on to the center of one of the most explosive scandals in hip-hop history. Straight From the Source is the Book of Kim, the tell-all memoir only she could write about her influential years at the Bible of Hip-Hop.
Author: Soren Baker
Publisher: Abrams
ISBN: 1683352351
Category : Music
Languages : en
Pages : 304
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Book Description
The History of Gangster Rap is a deep dive into one of the most fascinating subgenres of any music category to date. Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the 2015 film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and more, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon.
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Category :
Languages : en
Pages : 64
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Matthew Oware
Publisher: Springer
ISBN: 331990454X
Category : Social Science
Languages : en
Pages : 245
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Book Description
What do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.
Author: Mitchell Ohriner
Publisher: Oxford Studies in Music Theory
ISBN: 019067041X
Category : Music
Languages : en
Pages : 297
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Book Description
From its dynamic start at dance parties in the South Bronx in the late 1970s, hip hop and rap music have exploded into a dominant style of popular music in the United States and a force for activism and expression all over the world. So, too, has scholarship on hip hop and rap music grown. Yet much of this scholarship, employing methods drawn from sociology and literature, leaves unaddressed the expressive musical choices made by hip hop artists. Fundamental among these choices is the rhythm of the rapping voice, termed "flow." Flow presents unique theoretical and analytical challenges. It is rhythmic in the same way other music is rhythmic, but also in the way speech and poetry are rhythmic. For the first time, Mitchell Ohriner's Flow: The Rhythmic Voice in Rap Music reconciles approaches to key concepts of rhythm, such as meter, periodicity, patterning, and accent, treated independently across other branches of scholarship. Ohriner theorizes flow by weaving between the methods of computational music analysis and humanistic close reading. Through the analysis of large collections of verses and individual tracks, the book addresses theories of rhythm, meter, and groove in the unique ecology of rap music. In a series of case studies in the second half, the work of Eminem clarifies how flow can relate to text, the work of Black Thought of The Roots clarifies how flow can relate to other instrumental streams, and the work of Talib Kweli clarifies how flow can relate to rap's persistent meter. While Ohriner focuses on rap music throughout the book, the methods he introduces will be useful for other musical genres that feature the voice freely interacting with a more rigid metric framework.
Author: Hamilton Carroll
Publisher: Duke University Press
ISBN: 0822349485
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
This title explores the cultural politics of hetero-normative white masculine privilege in the US. Through close readings of texts ranging from the television drama '24' to the Marvel Comics 'The Call of Duty', Carroll argues that the true privilege of white masculinity is to be mobile and mutable.
Author: Mack Hagood
Publisher: Duke University Press
ISBN: 1478004479
Category : Social Science
Languages : en
Pages : 288
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Book Description
For almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves—from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media.
