The Stone of Dante and Later Florentine Celebrations of the Poet PDF Download
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Author: Graham Smith
Publisher: Olschki
ISBN:
Category : Literary Criticism
Languages : en
Pages : 120
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Book Description
The first part of this book examines a literary tradition inspired by the legend that Dante had a favourite spot in Florence where he like to sit on summers' evenings - a spot marked by the so-called Stone of Dante; the second part discusses later Florentine monuments to the poet and considers how those came to displace the Stone of Dante.English Text.
Author: Graham Smith
Publisher: Olschki
ISBN:
Category : Literary Criticism
Languages : en
Pages : 120
Get Book Here
Book Description
The first part of this book examines a literary tradition inspired by the legend that Dante had a favourite spot in Florence where he like to sit on summers' evenings - a spot marked by the so-called Stone of Dante; the second part discusses later Florentine monuments to the poet and considers how those came to displace the Stone of Dante.English Text.
Author: Aida Audeh
Publisher: Oxford University Press
ISBN: 0191639850
Category : Literary Criticism
Languages : en
Pages :
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Book Description
This collection of essays by an international group of scholars offers an account of Dante's reception in a wide range of media: visual art, literature, theatre, cinema, and music, from the late eighteenth century through to the early twentieth. It thus explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the United States, and beyond. It includes work by internationally recognized experts and a new generation of scholars in the field, and the eighteen essays are grouped in sections which relate both to themes and regions. The volume begins and ends by addressing Italy's reception of the national poet, and its other main sections show how a worldwide dialogue with Dante developed in France, Britain, Germany, the United States, Ireland, India, and Turkey. The whole collection demonstrates how this dialogue explicitly or implicitly informed the construction, recovery or re-definition of cultural identity among various nations, regions and ethnic groups during the 'long nineteenth century'. It not only aims at wide coverage of the period's voices and concerns, and includes discussion of well-known writers such as Ugo Foscolo, Giosuè Carducci, Mary Shelley, John Ruskin, George Eliot, Charles Eliot Norton and Ralph Waldo Emerson - along with a large number of significant but less familiar figures. It also emphasizes the importance of a multidisciplinary and multilingual approach to the subject of Dante and nineteenth-century nationalism, and it will thus be of interest to scholars and students in comparative literary and nineteenth-century studies, as well as to those with a general interest in cultural studies and the history of ideas.
Author: DavidJ. Drogin
Publisher: Routledge
ISBN: 1351554891
Category : Art
Languages : en
Pages : 286
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Book Description
The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
Author: Christopher Hart
Publisher: Lulu.com
ISBN: 0955124433
Category : Group identity
Languages : en
Pages : 288
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Book Description
Author: N. R. Havely
Publisher:
ISBN: 0199212449
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.
Author: Henry Clark Barlow
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author: John E. Law
Publisher: Routledge
ISBN: 1351875981
Category : History
Languages : en
Pages : 509
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Book Description
The historiography of the Italian Renaissance has been much studied, but generally in the context of a few key figures. Much less appreciated is the extent of the enthusiasm for the subject in the 19th and early 20th centuries, when the subject was 'discovered' by travellers and men and women of letters, historians, artists, architects and photographers, and by collectors on both sides of the Atlantic. The essays in Victorian and Edwardian Responses to the Italian Renaissance explore the breadth of the responses stimulated by the encounter between the British, the Americans and the Italians of the Renaissance. The volume approaches the subject from an interdisciplinary perspective. While recognising the abiding importance of the familiar 'great names', it seeks to draw attention to a wider cast of people, many of whom led colourful, energetic lives, knew Italy well, and wrote eloquently about the country and its Renaissance. Several essays show that 'Renaissance studies' became a field in which female historians could explore areas of relevance to the 'New Woman'. Other chapters examine the aims and politics of collecting and the place of the collector in literature and in the rediscovery of Renaissance artists. The contribution of teachers and other less formal champions of the Italian Renaissance is explored, as is the role of photographers who re-framed and re-viewed Florence - the Renaissance city - for Victorian and later eyes.
Author: Paul Barolsky
Publisher: Penn State Press
ISBN: 0271073756
Category : Art
Languages : en
Pages : 141
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Book Description
In A Brief History of the Artist from God to Picasso, Paul Barolsky explores the ways in which fiction shapes history and history informs fiction. It is a playful book about artistic obsession, about art history as both tragedy and farce, and about the heroic and the mock-heroic. The book demonstrates that the modern idea of the artist has deep roots in the image of the epic poet, from Homer to Ovid to Dante. Barolsky’s major claim is that the history of the artist is inseparable from historical fiction about the artist and that fiction is essential to the reality of the artist’s imagination.
![The sixth centenary festivals of Dante Allighieri in Florence and at Ravenna, by a representative [H.C. Barlow.]. PDF](https://books.google.com/books/content/images/frontcover/EARcAAAAQAAJ?fife=w80-h100)
Author: Henry Clark Barlow
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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Book Description
Author: Francesca Orestano
Publisher: Peter Lang
ISBN: 9783039118403
Category : Art
Languages : en
Pages : 332
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Book Description
This collection of essays stems from the conference 'Nineteenth-Century Literature and Aesthetics', which was held at the University of Milan in 2006 and organised by the editors of this volume. The interface between word and image covered in these essays embraces the fields of literature, architecture, painting, photography, music and art criticism. The authors stress the role of aesthetics in a number of contexts ranging from the early 1830s to the fin de siècle and beyond, as far as the last influences of Victorian taste on the early years of the twentieth century. During the nineteenth century the ancient interaction between literature and aesthetics was challenged and criticised by Martineau, Rossetti, Ruskin, Pater, Wilde, Beardsley, Cameron and Carroll, among others: their awareness of the complexity of visual perception problematised the existing categories of realism, artistic conventions, discourse of description, translation and representation. The essays cover almost a century of debate between literature and aesthetics. They focus on the intersection of word and image by emphasising transgressions in art hierarchies, forms and languages, which restyle existing categories and project them into new aesthetic dimensions beyond the conventional idea of the sister arts.
