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Author: Phillip Dennis Cate
Publisher: Rutgers University Press
ISBN: 9780813523248
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Cabarets, Humor and the Avant Garde, 1875-1905
Author: Phillip Dennis Cate
Publisher: Rutgers University Press
ISBN: 9780813523248
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Cabarets, Humor and the Avant Garde, 1875-1905
![L' esprit de Montmartre et l'art moderne, 1875-1910 & guide du Musée de Montmartre : [exposition, Paris, Musée de Montmartre, 17 octobre 2014 au 25 septembre 2015] PDF](https://books.google.com/books/content/images/frontcover/p9zVrQEACAAJ?fife=w80-h100)
Author: Musée de Montmartre
Publisher: Somogy Art Publishing
ISBN: 9782757208946
Category : Art, French
Languages : en
Pages : 0
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Book Description
This book is an invitation to discover the radical and anti-establishment philosophy of the artists of Montmartre at the turn of the twentieth century. Focussing on the Arts incohérents, the Hydropathes, fumisme, the Cabaret des Quat'z'Arts and the Vachalcade, it illustrates the importance that Montmartre held as a center of the artistic avant-garde. A selection of 200 archival items and 150 works of art from the Musée de Montmartre and other public and private collections demonstrate the varied means used by the artists of the period (satire, caricature), their preferred media (posters, illustrations, songs) and their favorite places for the expression of their art (cabarets, the circus). The variety of works reproduced from the collection of the Musée de Montmartre serves as a guide to the collection and to the history of the elegant buildings, the beautiful gardens and the important artists in residence: émile Bernard, Suzanne Valadon and Maurice Utrillo. Contributions by: Phillip Dennis Cate, Jean-Manuel Gabert, Sandrine Nicollier, Saskia Ooms, Kléber Roussillon
Author: Lynda Jessup
Publisher: University of Toronto Press
ISBN: 9780802083548
Category : Art
Languages : en
Pages : 312
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Book Description
Scholars in art history, anthropology, history, and feminist media studies explore Western antimodernism of the turn of the 20th century as an artistic response to a perceived loss of ?authentic? experience.
Author: Qiu Miaojin
Publisher: New York Review of Books
ISBN: 159017738X
Category : Fiction
Languages : en
Pages : 177
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Book Description
An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.
Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
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Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 878
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Book Description
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ISBN:
Category : Art
Languages : en
Pages : 370
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Book Description
Author: Jani Scandura
Publisher: NYU Press
ISBN: 0814781365
Category : Art
Languages : en
Pages : 319
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Book Description
Drawing on a variety of interdisciplinary debates in cultural studies and contemporary theory, Modernism, Inc. provides a new look at the relationship between modernism and postmodernism within the critical frame of twentieth-century American culture. Organized around the idea of "incorporation"--embodiment, repressed memory, and advanced capitalism--Modernism, Inc. covers a wide range of topics: Josephine Baker's "hot house style"; the president's penis in American political life; myth-making and the Hoover Dam; trauma, poetics, and the Armenian genocide; feminist kitsch and the recuperation of North America's "Great Lady painters"; Gertrude Stein and Jewish Social Science; the Reno Divorce Factory and the production of gender; Andy Razaf and Black Bolshevism. Collectively, the essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution, or extremity, but of haunting. Modernism, Inc. looks at our ghosts, and at the unspeakable secrets of modernity from which they're derived. Contributors: Maria Damon, Walter Kalidjian, Walter Lew, Janet Lyon, William J. Maxwell, Cary Nelson, John Timberman Newcombe, David G. Nicholls, Thomas Pepper, Paula Rabinowitz, Daniel Rosenberg, Marlon Ross, Jani Scandura, Kathleen Stewart, Julia Walker.
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 9781861891495
Category : Ambiguity
Languages : en
Pages : 312
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Book Description
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Author: James Martin Harding
Publisher: University of Michigan Press
ISBN: 9780472067275
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
A critical history of avant-garde performance and the problematic relationship of text to performance
