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Author: Thomas Kyd
Publisher: W. W. Norton & Company
ISBN: 0393614808
Category : Drama
Languages : en
Pages : 196
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Book Description
Thomas Kyd’s highly influential and popular revenge play is now available in a richly documented and critically engaging Norton Critical Edition. The freshly edited and annotated text comes with a full introduction and illustrative materials intended for student readers. The Spanish Tragedy was well known to sixteenth-century audiences, and its central elements—a play-within-a-play and a ghost bent on revenge—are widely believed to have influenced Shakespeare’s Hamlet. This volume includes a generous selection of supporting materials, among them Kyd’s likely sources (Virgil, Jacques Yver, and the anonymous “The Earl of Leicester Betrays His Own Servant”), Thomas Nashe’s satiric criticism of Kyd, Michel de Montaigne and Francis Bacon on revenge, and “The Ballad of The Spanish Tragedy,” which suggests the play’s initial reception. “Criticism” is thematically organized to provide readers with a clear sense of the play’s major themes. Contributors include Michael Hattaway, Jonas A. Barish, Donna B. Hamilton, G. K. Hunter, Lorna Hutson, Molly Smith, J. R. Mulryne, T. McAlindon, and Andrew Sofer. A Selected Bibliography is also included.
Author: Thomas Kyd
Publisher: W. W. Norton & Company
ISBN: 0393614808
Category : Drama
Languages : en
Pages : 196
Get Book Here
Book Description
Thomas Kyd’s highly influential and popular revenge play is now available in a richly documented and critically engaging Norton Critical Edition. The freshly edited and annotated text comes with a full introduction and illustrative materials intended for student readers. The Spanish Tragedy was well known to sixteenth-century audiences, and its central elements—a play-within-a-play and a ghost bent on revenge—are widely believed to have influenced Shakespeare’s Hamlet. This volume includes a generous selection of supporting materials, among them Kyd’s likely sources (Virgil, Jacques Yver, and the anonymous “The Earl of Leicester Betrays His Own Servant”), Thomas Nashe’s satiric criticism of Kyd, Michel de Montaigne and Francis Bacon on revenge, and “The Ballad of The Spanish Tragedy,” which suggests the play’s initial reception. “Criticism” is thematically organized to provide readers with a clear sense of the play’s major themes. Contributors include Michael Hattaway, Jonas A. Barish, Donna B. Hamilton, G. K. Hunter, Lorna Hutson, Molly Smith, J. R. Mulryne, T. McAlindon, and Andrew Sofer. A Selected Bibliography is also included.
Author: John Webster
Publisher: W. W. Norton & Company
ISBN: 0393614670
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The great English Renaissance tragedy—violent, powerful, unforgettable—in a freshly edited and annotated student edition. This Norton Critical Edition of John Webster’s 1612–13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi’s themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster’s likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis’s classic essay, “The Alienated Intellectuals of Early Stuart England,” tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play. “Criticism” is thematically organized to provide readers with a clear sense of The Duchess of Malfi’s central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer. A selected bibliography is also included.
Author: William Shakespeare
Publisher: W. W. Norton & Company
ISBN: 0393623416
Category : Drama
Languages : en
Pages : 230
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Book Description
This much-anticipated Norton Critical Edition of Shakespeare’s best-known play is based on the Second Quarto, widely agreed to be the most authoritative early text. By carefully selecting extracts from sources, scholars, and scriptwriters, Gordon McMullan tells a series of stories about Romeo and Juliet, globally and from their legend's origins to the present day. The Norton Critical Edition includes: · Introductory materials and explanatory annotations by Gordon McMullan as well as numerous images. · Sources and early rewritings by Luigi Da Porto, Matteo Bandello, Pierre Boaistuau, Kareen Seidler, and Thomas Otway, among others. · Critical readings and later rewritings spanning four centuries and including those by Stanley Wells, Wendy Wall, Dympna C. Callaghan, Jill L. Levenson, Nia?h Cusack, David Tennant, and Courtney Lehmann. · A Selected Bibliography.
Author: Juana Inés de la Cruz
Publisher: W. W. Norton & Company
ISBN: 0393623408
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
A wealth of background and analytical material makes Sor Juana's proto-feminist writings, newly translated, all the more compelling. 2014 PEN USA Literary Award for Translation Finalist This Norton Critical Edition includes: · Edith Grossman’s acclaimed translations of the Tenth Muse’s best-known works. · Introductory materials and explanatory footnotes by Anna More along with numerous images. · Additional works by Sor Juana, related writings by Ovid, Saint Teresa of Ávila, and Diego Calleja, and historical interpretations. · Seven critical essays by Marcelino Menéndez y Pelayo, Irving Leonard, Octavio Paz, Georgina Sabat de Rivers, Yolanda Martinez-San Miguel, Emilie Bergmann, and Charlene Villasenor Black. · Diana Taylor’s interview with Jesusa Rodríguez about performing “First Dream.” · A Chronology and Selected Bibliography.
Author: William Shakespeare
Publisher: W. W. Norton & Company
ISBN: 0393623394
Category : Drama
Languages : en
Pages : 226
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Book Description
“I wanted an edition of Othello that had the necessary footnotes, background material, and a good selection of recent critical articles that would be accessible to students and would spark class discussions. This was it.” —Deborah Montuori, Shippensburg University This Norton Critical Edition includes: ·The First Folio text (1623). · An introduction, explanatory footnotes, note on the text, and textual notes by Edward Pechter. · Fifteen illustrations. · Giraldi Cinthio’s sixteenth-century story in its entirety, which Shakespeare used for both the plot and many details of Othello. · A generous selection of interpretive responses to Othello from its origins to the present day, including—new to the Second Edition—those by Stanley Cavell and Lois Potter. Edward Pechter’s popular theatrical and critical overview of Othello has been significantly expanded. · An updated Selected Bibliography.
Author: William Shakespeare
Publisher: W. W. Norton & Company
ISBN: 0393614751
Category : Drama
Languages : en
Pages : 226
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Book Description
A tragedy that evokes both pity and terror—now in a thoroughly revised and updated Norton Critical Edition. The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of the play. The volume includes a revised introduction and new annotations and textual notes. The Second Edition also includes the innovative feature “The Actors’ Gallery,” which presents famous actors and actresses—among them David Garrick, Sarah Siddons, Ian McKellen, Hira Mikijirô, Patrick Stewart, and Kate Fleetwood—reflecting on their roles in major productions of Macbeth for stage and screen. “Sources and Contexts” provides readers with an understanding of Macbeth’s origins in earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and the medieval drama The Slaughter of the Innocents and the Death of Herod. Contexts for the play include contemporary debates on predestination versus free will (Martin Luther versus Erasmus), witchcraft as fiction or fact (Reginald Scott versus King James I), the ethics of regicide (an Elizabethan homily versus Jan de Mariana, S.J.), and the ethics of equivocation (Henry Garnet, S.J., versus—new to the Second Edition—Sir Edward Coke). Eight carefully chosen essays represent four hundred years of critical and theatrical interpretation. Contributors include Simon Forman, Samuel Johnson, Samuel Taylor Coleridge, Thomas De Quincey, Harry Levin, Stephen Orgel, Peter Holland, and, presenting the latest arguments on the authorship controversy, Gary Taylor. Finally, an engaging new selection of Macbeth’s “Afterlives” includes excerpts from Giuseppi Verdi’s Macbeth and related letters, Eugene Ionesco’s Macbett (1972), Bill Cain’s Equivocation (2009), and more. This edition also provides a list of online and print resources.
Author: Abraham Lincoln
Publisher: W. W. Norton & Company
ISBN: 0393614735
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Bancroft Prize–winning scholar David S. Reynolds edits and introduces a broad selection of Abraham Lincoln’s writings—from his earliest days through his last. Lincoln’s Selected Writings includes a rich selection of his public and private letters, speeches, eulogies, proposals, debate transcriptions, addresses (including the First and Second Inaugurals), and more. The texts are accompanied by explanatory annotations, a detailed preface, a note on the texts, and a list of abbreviations. Lincoln’s writings are followed by contemporary responses to him in poems, songs, and articles; representations of Lincoln in modern imaginative and nonfiction writing; and selections from recent cross-disciplinary studies of Lincoln—including discussions of his literary techniques and oratorical style as well as examinations of his political evolution in new cultural and social contexts. Among the many contributors are Horace Greeley, Jesse Hutchinson, Nathaniel Hawthorne, Karl Marx, Ralph Waldo Emerson, Harriet Beecher Stowe, Victor Hugo, and Walt Whitman. “Modern Views” presents sixteen major interpretations of Lincoln’s life, work, and legacy carefully chosen to promote discussion. The contributors are Carl Sandburg, Allen C. Guelzo, James Oakes, Gillian Silverman, Richard N. Current, Harold Holzer, Sean Wilentz, Eric Foner, Manisha Sinha, Robert A. Ferguson, Gabor Boritt, James McPherson, Stephen Cushman, Faith Barrett, David S. Reynolds, and Richard Carwardine and Jay Sexton. A chronology, selected bibliography, and index are also included.
Author: William Wordsworth
Publisher: W. W. Norton & Company
ISBN: 0393616924
Category : Poetry
Languages : en
Pages : 504
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Book Description
The most accessible edition of Wordsworth’s poetry and prose, prepared to meet the needs of both students and scholars. This Norton Critical Edition presents a generous selection of William Wordworth’s poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth’s Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author. Wordsworth’s Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author’s evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. “Criticism” collects thirty responses to Wordsworth’s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O’Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.
Author: William E. Engel
Publisher: Springer Nature
ISBN: 3030884902
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
This is the first book to view Shakespeare’s plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare’s corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare’s plays within a newly conceptualized historical category that posits a cultural divide—at once epistemological and phenomenological—between premodernity and the Enlightenment.
Author: Thomas Kyd
Publisher: Norton Critical Editions
ISBN: 9780393934007
Category :
Languages : en
Pages : 0
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Book Description
Thomas Kyd's highly influential and popular revenge play is now available in a richly documented and critically engaging Norton Critical Edition.
