The Sources of Comic Effect Among the Uncultured PDF Download
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Author: Ralph Forrester Williams
Publisher:
ISBN:
Category : Mysteries and miracle-plays
Languages : en
Pages : 210
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Author: Ralph Forrester Williams
Publisher:
ISBN:
Category : Mysteries and miracle-plays
Languages : en
Pages : 210
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Author: University of California, Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 986
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Author: California. University
Publisher:
ISBN:
Category :
Languages : en
Pages : 986
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Author: University of California (1868-1952)
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 984
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Author: University of California, Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 980
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Author: University of California (System)
Publisher:
ISBN:
Category :
Languages : en
Pages : 984
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Author: Sinclair Lewis
Publisher: Oxford University Press, USA
ISBN: 0199567697
Category : Fiction
Languages : en
Pages : 374
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'Zenith is the finest example of American life and prosperity to be found anywhere.'Zenith is the Midwestern city where George F. Babbitt lives and works. A successful real estate agent, his business provides all the material trappings and comfort he thinks he ought to have. He is a member of all the right clubs, and unquestioningly shares the same aspirations and ideas as his friends and fellow Boosters. Yet even complacent, conformist Babbitt dreams of romance and escape, and when his best friend does something to throw his world upside down, he rebels, and tries to findfulfilment in romantic adventures and liberal thinking. Hilarious and poignant, Babbitt turns the spotlight on middle America and strips bare the hypocrisy of business practice, social mores, politics, and religious institutions. A brilliant satire, it evokes an era and at the same time exposes auniversal social malaise.In his introduction and notes Gordon Hutner explores the novel's historical and literary contexts, and its rich cultural and social references.
Author: Daniel Wickberg
Publisher: Cornell University Press
ISBN: 0801454387
Category : History
Languages : en
Pages : 280
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Why do modern Americans believe in something called a sense of humor, and how did they come to that belief? Daniel Wickberg traces the relatively short cultural history of the concept to its British origins as a way to explore new conceptions of the self and social order in modern America. More than simply the history of an idea, Wickberg's study provides new insights into a peculiarly modern cultural sensibility. The expression "sense of humor" was first coined in the 1840s, and the idea that such a sense was a personality trait to be valued developed only in the 1870s. What is the relationship between medieval humoral medicine and this distinctively modern idea of the sense of humor? What has it meant in the past 125 years to declare that someone lacks a sense of humor? Why do modern Americans say it is a good thing not to take oneself seriously? How is the joke, as a twentieth-century quasi-literary form, different from the traditional folktale? Wickberg addresses these questions among others and in the process uses the history of ideas to throw new light on the way contemporary Americans think and speak about humor and laughter. The context of Wickberg's analysis is Anglo-American; the specifically British meanings of humor and laughter from the sixteenth century forward provide the framework for understanding American cultural values in the nineteenth and twentieth centuries. The genealogy of the sense of humor is, like the study of keywords, an avenue into a significant aspect of the cultural history of modernity. Drawing on a wide range of sources and disciplinary perspectives, Wickberg's analysis challenges many of the prevailing views of modern American culture and suggests a new model for cultural historians.
Author: J. K. Lloyd Jones
Publisher: Cambridge Scholars Publishing
ISBN: 1443806269
Category : Literary Criticism
Languages : en
Pages : 270
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There has long been a tendency to regard Thomas Hardy as a great tragic writer and to ignore or underestimate the value of his comic works. This derives no doubt partly from the fact that comedy as an art form has been consistently undervalued ever since Aristotle dealt with it so slightly and so slightingly. It also stems from the evident inability of some readers and critics to allow an artist a wide scope and multiple voices. Thomas Hardy and the Comic Muse discusses the nature of comedy and the various theories that purport to explain or define it, and examines Hardy’s works — novels, short stories, and poetry — in terms of the categories of farce, humour, satire, and wit. It looks at where and why Hardy made use of these forms of comedy, what his historical sources were, and why this side of his work has been so frequently neglected. It also looks at what insights might be offered by Hardy — both directly and indirectly — to answer the difficult but always tantalizing question: what is comedy? The two subjects, Hardy and Comedy, are counterpointed throughout so that they prove to be mutually illuminating.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 748
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